The Ice Wanderer and other stories

“Lost in the Great North, document.write(“”); two men are saved by the appearance of an old hunter who divulges a strange legend to them… [“The Ice Wanderer”] Surrounded by wolves and fighting for their survival, two explorers head for Alaska to bury their companion… [“White Wilderness”] A marine biologist begins a quest to find the mythical graveyard of whales” [“Return to the Sea”].
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“In total six shorts with as many stories of men confronted by savage nature which is sometimes cruel, sometimes forgiving but always vast. Through tales filled with respect for animal life, this splendid collection, which lies at the crossroads of poetry and adventure, shows master storyimager Taniguchi at his awardwinning best.”

[Text from the publisher’s website]


The work of Jir? Taniguchi has been repeatedly recommended to me and I must admit that I was bewitched from my first reading. Its superb, precise and poignant style as well as his concise and clever narrative–which always move forward at a very slow and almost contemplative pace–make him a must-artist and the most zen of all mangaka I know! And it is precisely his detailed craftsmanship and profound stories that closely resembles European comics (of which he acknowledges the influence) and that’s probably why he is much more popular in Europe that America.

The Ice Wanderer [????? / T?do no Tabibito / lit. “the tundra’s traveler”], first published in 2004, is no exception and is a superb example of Taniguchi’s talent. It is a collection of six short stories. The overall general theme of this collection is very Japanese and a very dear subject to the author: the respect and communion with nature. This is particularly evident in the last story, “Return to the Sea”. A man is studying whales in Alaska. Following an accident, the whale known as Old Dick saves his life. In fall, after the start of the great seasonal whales migration, Old Dick stayed behind and, like told in Inuit folklore, returned to his origin in the deep sea abyss. The man follow the whale to witness this “death rite” and almost dies himself. This story was first published in Japan in Big Comic Spirits (March 28th, 1994).

As for the first three stories, they deal more with the confrontation against wilderness and the fight for survival. In “The Ice Wanderer”, two men, who are lost in the Klondike region (Yukon) in 1897, owe their survival only to the providential appearance of an old hunter, who tells them a strange legend (first published in Big Comic Original Extra Edition, on July 2nd, 2003). In “White Wilderness”, two explorers travelling in the Yukon river basin (Alaska) to bury one of their companions, are struggling to survive as they are surrounded by wolves (this is a retelling of the first part of Jack London’s White Fang; first published in Big Comic Original Extra Edition, on December 28th, 2003). In “Our Mountains”, at the beginning of the Showa period (in the 20s) in the Senhoku district (Akita prefecture), a man goes on the trail of the bear that killed his son (first published in Big Comic Special Extra Edition, on December 1st, 2002).

The two remaining stories of the collection are distinguishing themselves by focusing more on another theme very dear to the author: they are touching stories telling every day’s life with a kind of urban nostalgia which sometimes feels autobiographical. In “Kaiyose-Jima” (“The island where the wind brings the seashells“, first published in Big Comic Original Extra Edition, on July 1st, 2004) we already find a more human environment. Following his parents’ divorce and his mother’s illness, the young Takashi spends the summer with his uncle in a small fishing village. With Yae-chan, an orphan taken in by his uncle and who taught him to swim, he gradually forgets the grief caused by his mother’s absence. One day, as they were gathering seashells together, a storm pushed their boat out to sea and they have to spend a terrible night on a small island.

In “Sh?kar?” (first published in Big Comic, January 10th, 1998), the story takes place in a more urban environment. Set in the 45th year of the Showa period (1970), it tells of a young mangaka who is influenced by the atmosphere of his new apartment, located in a former brothel. I do not think these two stories break completely with the theme of nature, because here Taniguchi seems to tell us that we can always communicate with our environment, whether it’s natural or urban.

Excerpts from “Our Mountains”; above: pages 127-28; below: pages 129-30

All in all, although this collection of short stories is a bit uneven, it is nevertheless a very good reading. It is worth noting that the work done by Fanfare (for the editing, translation and notes) and Ponent Mon (for the publishing) is excellent. I particularly appreciate that they respected the original format (reading from right to left) and did not flip the art (which unfortunately seems to happen often in North American editions). This is a high quality book (fine printing, good paper and binding) that everyone should read, as it is perfect to get acquainted with the work of Taniguchi.

The Ice Wanderer and other stories, written & illustrated by Jiro Taniguchi, translation by Elizabeth Tiernan and Shizuka Shimoyama. Rasquera (Tarragona, Spain), Fanfare/Ponent Mon, October 2007. B&W, 5.8 x 8.25 x .75 in, 240 pgs. £11.99 / $21.99 US. ISBN: 978-84-96427-33-4. Original Japanese format (right to left). Recommended for older teens (16+).
Also available in French: L’Homme de la Toundra, par Jir? Taniguchi. Casterman (Coll. Sakka), 2006. B&W, 15 x 21 cm, 248 pgs. 11.50 € / $23.95 Can. ISBN: 9782203373846. Recommandé pour jeunes adultes (16+).

For more information you can check the following sites:

To know more about this title you can also check articles on about.com and Anime News Network.

Another version of this article was originally published on this blog February 7th, 2010 (in french).

T?do no Tabibito © Jiro Taniguchi, 2005. © Fanfare/Ponent Mon 2007 for the English edition.

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The week in review (2013-09-09)

On the home front, there’s nothing really new. The Montreal World Film Festival has ended and I saw the last of the Japanese movies (I’ve seen them all save for the shorts). All in all it was a satisfactory experience. Now I have to write about those movies (and maybe do an overview of the festival). Although, the next couple of weeks, I’ll be busy getting some union training. And right now (while writing this and doing the laundry) I am waiting for a plumber to come repair a leaky hot-water tap in the bathtub (I couldn’t get a firm appointment, so he *might* come before the end of the day).

In the press realm, there an awful lot of technological news lately probably due to
Apple imminent new products announcement. Sony also announced a very interesting ‘Lens-Style’ set of digital cameras working as smartphone accessories. And Miyazaki announced (again) his retirement. You can check this week’s scrap-linking right after the jump:
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Haikasoru

Haikasoru is Viz Media‘s imprint dedicated to bringing Japanese science fiction to the english-speaking world. They publish japanese literary works–whether they are award-winners, document.write(“”); classics, or new work by the hottest young writers–“featuring the action of anime and the thoughtfulness of the best speculative fiction” (from space opera to dark fantasy to hard science). So far, they have published over thirty titles.
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I was recently reminded of the existence of this collection because one of its titles, The Future Is Japanese, is featuring a short story that just won the 2013 Hugo Award for Best Short Story at LoneStarCon 3, in San Antonio, Texas. The short story is “Mono no Aware” by Chinese-American science fiction writer Ken Liu. It “tells the tale of the last Japanese survivor aboard an American space habitat after an asteroid has destroyed the Earth. This is the second story for which Ken Liu has won a Hugo Award”.

The Future Is Japanese, “edited by Nick Mamatas and Masumi Washington, is an anthology collecting science fiction from, and about, Japan, by some of the world’s best genre writers” (Pat Cadigan, Toh EnJoe, Project Itoh, Hideyuki Kikuchi, Ken Liu, David Moles, Issui Ogawa, Felicity Savage, Ekaterina Sedia, Bruce Sterling, Rachel Swirsky, TOBI Hirotaka, Catherynne M. Valente). Published in May 2012, it is available from most major North American book retailers (and an eBook edition is also available for the Amazon Kindle, Apple’s iBooks Store, the Barnes & Noble’s Nook Books Store, and the Sony Reader™ Store).

The Future Is Japanese. San Francisco, Haikasoru, 2012. 365 pages, 5 1/4 x 8 in., $14.99 USA / $17.99 CAN / £9.99 UK (iTunes & Kindle eBook: $8.99 USA), ISBN: 978-1-4215-4223-2.

(Source: Haikasoru’s press release)

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Taniguchi in english

It is clear by now that Jiro Tanigichi is one of my favourite mangaka. Most of his work has been published in french by various publishers (mostly Casterman and Kana), document.write(“”); but there’s still only a few titles available in english and all (mostly) from the same publisher: Fanfare/Ponent Mon.
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In fact, Fanfare/Ponent Mon is not really one publisher but two small publishers, from United Kingdom and Spain, working together “to bring quality storytelling in the comic medium”. So small that Fanfare is actually a one-person company, where Stephen Robson is owner, publisher, and editor (see his interview on Manga Worth Reading)! According to their website, they focused at the beginning mostly “on the French and Japanese alternative scene through Frédéric Boilet´s “Nouvelle Manga” movement” but are now widening their interest, although always selecting and publishing the best original works they can find.

It is certainly true for their selection of Taniguchi’s titles:

Distant neighbourhood (vol. 1 and vol. 2)
The Ice Wanderer
The quest for the missing girl
Summit of the Gods (so far vol. 1, vol. 2, vol. 3, vol. 4 of 5)
The time of Botchan (so far vol. 1, vol. 2, vol. 3, vol. 4 of 10)
The walking man
A Zoo in winter

This selection represents indeed the best of Taniguchi. Their latest release is the fourth volume in the superb Summit of the Gods manga series (£14.99 / $25.00 US, ISBN 9788492444632).

So far, I’ve talked and commented mostly on the french edition of Taniguchi’s manga, but I also want to comment on the english books and I will–as soon as I get my hands on more of them (I have already a few of them but I’d like to have more than one volume of a series in order to have a better idea of the story before commenting on it).

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