Event

Fantasia 2013

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The 17th edition of the Fantasia International Film Festival will be held in Montreal from July 18 to August 7, document.write(“”); 2013. Screenings will take place at the Cinéma Impérial, Concordia’s J.A. De Sève theatre, the Cinémathèque Québécoise and at the Place des Arts. This year the festival is offering a lineup of over 120 feature films and more than 250 shorts. It will open with Takashi Miike’s Shield of straw and will close with Edgar Wright’s The world’s end. For more details check the festival’s web page at www.fantasiafestival.com.

Here our main interest is the asian programming which is offering over fifty movies from eight countries (besides Japan (33): South Korea (10), Hong Kong (4), and Taiwan (3), as well as China (1), Vietnam (1), Thaïland (1) and India (2)) and explores a multitude of genres and trends under the sign of diversity, audacity and celebration.

The Japanese selection presents thirty-three movies (including eight anime and three shorts). The notable live-action titles are the manga-related Gatchaman (international premiere), Library Wars (Canadian premiere, directed by Shinsuke Sato also known for Gantz), Rurouni Kenshin and Thermae Romae. The notable anime includes Evangelion: 3.0 You Can (Not) Redo by Hideaki Anno and Makoto Shinkai’s Garden of Words. The shorts includes works by Katsuhiro Otomo (Akira), Masaaki Yuasa (Mind Game) and Shuhei Morita (Kakurenbo: Hide & Seek).

You can also find information on Anime News Network and Coco Montreal.

See the complete list (with links to full description) after the jump:


Anime

  • 009 Re: Cyborg (Dir.: Kenji Kamiyama, North American premiere, 104 min.)
  • After School Midnighters (Dir.: Hitoshi Takekiyo, North American premiere, 94 min.). “A school’s morbid monsters of the night are no match for a trio of irrepressible little girls in this charming, distinctive and eye-poppingly weird work of 3D digital animation from Japan. Scientifically proven to spook and amuse! Official Selection: Annecy International Animation Film Festival 2013, Raindance Film Festival, Sitges International Fantastic Film Festival 2012.”
  • Berserk Golden Age Arc II: The Battle for Doldrey (Dir.: Toshiyuki Kubooka, Canadian premiere, 95 min.). “Guts, Griffiths and the Band of the Hawk hack and slash their way to the top of the bloody heap in this spectacular animated work of medieval mayhem that makes Game of Thrones seem like a pillow fight. Official Selection: Annecy International Animation Film Festival 2013.”
  • Berserk Golden Age Arc III: The Advent (Dir.: Toshiyuki Kubooka, North American, 110 min.). “Leaving the blood-soaked battlefields of medieval Midlands behind, the Band of the Hawk are drawn ever deeper into something far more dire and nightmarish as the manga adaptation draws to an apocalyptic close.”
  • The Burning Buddha Man (Dir.: Ujicha, North American premiere, 80 min.). “Gruesome abductions, a mysterious monk, monstrosities from a realm beyond our grasp… A truly independent oddity, using the forgotten “gekimation” (live-action paper cutout) technique. Weird, wondrous and way out there!”
  • Combustible (Dir.: Katsuhiro Otomo, Canadian Premiere, 12 min.).
  • Evangelion: 3.0 You Can (Not) Redo (Dir.: Hideaki Anno, North American premiere, 96 min.). “Fourteen years have elapsed since the last film’s events — alliances have shifted and the stakes have raised in Hideaki Anno’s masterful feature-film revision of his challenging and amazing Evangelion anime series!”
  • The Garden of Words (Dir.: Makoto Shinkai, Canadian premiere, 46 min.). “A series of meetings in the park are the thread of this anime tale of something like love, both deep and forever distant… A turn to realism from Makoto Shinkai (Children who chase lost voices from deep below), to many eyes the heir to Miyazaki’s throne.”
  • Kick-Heart (Dir.: Masaaki Yuasa, Canadian Premiere, 13 min.).
  • Possessions (Dir.: Shuhei Morita, Canadian Premiere, 15 min.).
  • The Tragedy of Belladona (Dir.: Eiichi Yamamoto, 1973, 88 min.).

Japan (Live-Action)

  • The Apology King (Dir.: Nobuo Mizuta, World premiere, 128 min.). “In this vibrant comedy of manners from director Nobuo Mizuta, Sadao Abe (The Great Yokai War) stars as an eccentric motivational speaker running the Tokyo Apology Centre, which advise in the age-old Japanese practice of apologizing known as “dogeza”. Screenwriter Kankuro Kudo (Zebraman, Ping Pong) builds his story as a relentless escalation of cases to be tackled, and it is in their cumulative effect that The Apology King succeeds, defying expectations of scale and thrusting the viewer into a complex, absurd and hilarious supra-case in need of more fixing than a simple apology can provide.”
  • Bad Film (Dir.: Sion Sono, Canadian premiere, 161 min.). “A recently unearthed and completed early Sion Sono (Love Exposure, Suicide Club) work and pieced together from more than 150 hours of footage shot on Hi-8 video in 1995, starring the young director in a lead role, and hundreds of members of Tokyo GAGAGA, the performance art collective he founded in 1993. Bad Film is not only entirely inaccurate in its title but a shockingly assured early film. This is simply a must for any self-respecting Sonophile, as well as one of this year’s most exciting retro discoveries, for any fan of loud, abrasive and subversive Japanese cinema. Official Selection: Hong Kong International Film Festival 2013.”
  • Bushido Man (Dir.: Takanori Tsujimoto, North American premiere, 88 min.). “Seven master fighters, seven meals to meditate on, seven noble challenges and a whole lotta chop-socky fun in a low-budget, high-octane martial arts delight from the man behind Hard Revenge Milly! Official Selection: Yubari Fantastic Film Festival 2013. Hosted by Writer/Director Takanori Tsujimoto, Actor Mitsuki Koga, Actor/Action Director Kensuke Sonomura and actor Marc Walkow.”
  • The Complex (Dir.: Hideo Nakata, Canadian premiere, 106 min.). “Surprising and disturbing, The Complex marks the long-awaited return to the J-horror genre of Hideo Nakata (Ringu, Dark Water), and he still has the touch when it comes to oppressive atmosphere and disturbing sounds, but the master has matured in both style and thematic substance. Official Selection: International Film Festival Rotterdam 2013, Brussels International Fantastic Film Festival 2013, Udine Far East Film Festival 2013.”
  • Gatchaman (Dir.: Toya Sato, International premiere, 110 min.). “At last, after years of rumours and dashed hopes, it’s here: the live-action feature film based on Tatsuo Yoshida’s 1970s anime TV series Science Ninja Team Gatchaman… better known on these shores as Battle of the Planets! The brand new, big-screen Gatchaman is directed by Toya Sato (the Gambling Apocalypse Kaiji films) Written by Yusuke Watanabe (20th Century Boys, Gantz), boasts visual effects by Takashi Yamazaki (Space Battleship Yamato) and features a cast that includes Tori Matsuzaka (a Super Sentai Series veteran), Go Ayano (Crows Zero 2, Helter Skelter) and Japanese It Girl du jour Ayame Gouriki. Don’t walk, don’t run—fly to Fantasia to catch the Japanese pop-fantasy classic revisited, screening here for the first time anywhere outside Japan!”
  • The Great Passage (Dir.: Yuya Ishii, Canadian premiere, 133 min.). “The director of Sawako Decides (winner, Best Film, Fantasia 2010) and Mitsuko Delivers returns with another sensitive character study of an introverted young man throwing himself into editing an ambitious dictionary. Subtly epic in its manner and understatedly funny in its scripting. Official Selection: Hong Kong International Film Festival 2013, Puchon International Fantastic Film Festival 2013.”
  • Hello, My Dolly Girlfriend (Dir.: Takashi Ishii, International premiere, 112 min.).
  • Helter Skelter (Dir.: Mika Ninagawa, Canadian premiere, 127 min.). “LiLiCo is on the cover of every magazine, the object of lust and idolatry for all that enter her orbit. But perfect beauty is nothing more than a lovely nightmare. An aggressively effective, deceptively candy-coloured portrait of sex and power, where superstar Erika Sawajiri delivers a spectacular performance. Official Selection: BFI London 2012, New York Asian Film Festival 2013.”
  • HK/Forbidden Super Hero (Dir.: Yuichi Fukuda, Canadian premiere, 105 min.). “Disguised by a pair of panties, the Masked Pervert is the world’s first sex-fiend superhero! Forget Captain America, check out this delirious pastiche loaded with lowbrow laughs. Pervert power for the win! Official Selection: Puchon International Fantastic Film Festival 2013, New York Asian Film Festival 2013.”
  • I’ll Give It My All… Tomorrow (Dir.: Yuichi Fukuda, International premiere, 108 min.).
  • It’s Me, It’s Me (Dir.: Satoshi Miki, Canadian premiere, 119 min.).
  • Key of Life (Dir.: Kenji Uchida, Quebec premiere, 128 min.). “A failed actor usurps the identity of a hired killer who has been struck by amnesia. Great idea! This little gem of comedy carried by deadpan hilarious humour, sharp dialogue and stunning plot twists has charmed crowds everywhere it’s played. Winner: Best Screenplay Award, Shanghai International Film Festival 2012, Official Selection: Toronto International Film Festival 2012, Brussels International Fantastic Film Festival 2013.”
  • Lesson of the Evil (Dir.: Takashi Miike, Canadian premiere, 129 min.). “Takashi Miike, who also opens this year’s festival with the North American Premiere of the previously-announced Shield of Straw, makes a powerful return to exploitation cinema with what may well be the single most shocking film of his career. In this horrific thriller threaded with black humour, a model teacher loved by all is in fact a psychopath planning the mass slaughter of his students. Official Selection: Rome Film Festival 2012, International Film Festival Rotterdam 2013.”
  • Library Wars (Dir.: Shinsuke Sato, Canadian premiere, 128 min.). Based on Hiro Arikawa’s light novel and Kiiro Yumi’s manga adaptation. [ See my previous blog entry on this title ]
  • Neo Ultra Q (Dir.: various, North American premiere, 48 min.).
  • Number 10 Blues/Goodbye Saigon (Japan/Vietnam co-production, Dir.: Norio Osada, North American premiere, 97 min.). “One of the most exciting retro discoveries in years, this stunning insider’s look at the Vietnam War by Kinji Fukasaku collaborator Norio Osada (best known as the screenwriter of Lady Snowblood) flows with the madcap energy unique to 1970s counter-culture/exploitation cinema. Official Selection: International Film Festival Rotterdam 2013.”
  • Rurouni Kenshin (Dir.: Keishi Otomo, Quebec premiere, 135 min.). Based on Nobuhiro Watsuki’s manga. “In Meiji-era Japan, a former killer now wanders the countryside, his backward-bladed sword a symbol of his devotion to justice. It’s peace he seeks – but strife and treachery that find him! Fans of slick, slice-’em-up samurai cinema won’t want to miss this! Official Selection: Sitges International Fantastic Film Festival 2012.”
  • See You Tomorrow, Everyone (Dir.: Yoshihiro Nakamura, North American premiere, 120 min.). “Following a traumatic event, Satoru refuses to leave the urban island Furoku. A brilliant dissection of modern Japan, this insightful and exceptional film stars the formidable Gaku Hamada (Fish Story). From the inimitable director of Fish Story, Golden Slumber, A Boy and his Samurai. Official Selection: Udine Far East Film Festival 2013.”
  • Shield of Straw (Dir.: Takashi Miike, North American premiere, 125 min.).
  • Thermae Romae (Dir.: Hideki Takeuchi, Quebec premiere, 108 min.). Based on Mari Yamazaki’s manga (see my previous comments, in french). “A public-bathhouse builder in Rome of 128 A.D. tumbles through time to modern Japan, land of such marvels as toilet paper, Jacuzzis and of course electronic bidets! A wonderfully offbeat Japanese historical fantasy comedy with Hiroshi Abe (Survive Style 5+, Chocolate). Winner: Outstanding Performance by an Leading Actor, Japan Academy Awards 2013.” Screened at last years’ Toronto Film Festival.
  • The Tiger Mask (Dir.: Ken Ochiai, North American premiere, 91 min.). Based on Naoki Tsuji’s manga. “Revamping the orphan who becomes a wrestler to fight villains – an icon of anime, manga and live wrestling – Shochiku has initiated a new Japanese superhero franchise with The Tiger Mask. Be sure to get a ringside seat for its dynamic debut, screening here for the first time on the continent. Hosted by Co-Writer/Director Ken Ochiai.”
  • Ultraman Zero: The Revenge of Belial (Dir.: Yuichi Abe, North American premiere, 100 min.). “Nebula M78, the Land of Light, homeworld of the Ultramen, is attacked by Belial’s robotic weapons… celebrate the 50th anniversary of Tsuburaya Productions with this all-action sci-fi extravaganza.”
  • Uzumasa Jacopetti (Dir.: Moriro Miyamoto, North American premiere, 83 min.).

South Korea

Hong Kong and Taiwan

Others

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Clodji au Salon du livre 2012

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Vendredi j’ai visité le Salon du livre de Montréal en long et en large (mais ce fut tout de même une visite éclaire, document.write(“”); en un peu plus d’une heure) et tout ce que j’en ai gardé est une sensation de profond écoeurement.
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Premièrement, il faut être pas mal masochiste pour visiter le salon après avoir passé une dure et très longue journée à travailler en bibliothèques (une de ces journées d’enfer qui vous font reconsidérer votre plan de carrière; ce n’est pas tout d’accomplir avec le sourire la pléthore des tâches variés qu’on vous attribut, mais le faire dans la cacophonie de petits morveux dissipés et irrespectueux qui hurlent et courent partout, c’est très exigeant).

Finalement, la présence de tous ces livres m’a laissé abasourdi, écrasé par une surcharge visuelle et intellectuelle. Il me semble que ce n’était pas comme cela quand je visitais le salon étant jeune. J’en conserve un souvenir d’émerveillement et d’admiration devant tout cet accomplissement littéraire. Des fois je me demande si il n’y a pas trop de livres publiés de nos jours. On en est venu à publier n’importe quoi et n’importe qui de sorte que tous les grands auteurs et ouvrages importants sont noyés dans la masse de ces titres insignifiants et médiocres. C’est cela sans doute la démocratisation de la littérature…

Et c’est probablement encore pire avec l’édition électronique, dont on faisait grand cas encore une fois cette année au salon. Est-ce vraiment une bonne chose que monsieur et madame tout le monde (et n’oublions surtout pas toutou) puissent raconter leur petite histoire et partager anecdotes et recettes savoureuses? Heureusement que les éditeurs ne publient qu’une fraction infime des manuscrits qu’ils recoivent!

Enfin, peut-être que l’édition a toujours été comme cela et, alors que les années passent, l’ivraie s’envole et qu’il ne reste plus dans notre souvenir que les perles et les classiques. C’est vrai, après tout il y a la loi de Sturgeon qui affirme que quatre-vingt dix pour cent de tout est de la merde! Peut-être, mais pour l’instant je ne vois qu’un gâteau visuellement trop riche, qui me reste sur l’estomac. La forêt de livres cache la littérature et je me sens dépassé, anesthésié, gourd et désensibilisé. Et au milieu de tout cela, la télévision, en directe, qui se se bat pour prendre à vos enfants le peu d’attention qu’ils peuvent donner. Les mots, il en reste si peu, auront-ils encore toujours un sens pour ces enfants turbulants, en constant état d’excitation comme de quelconques atomes, agités par les ondes de leurs écrans cathodiques?

J’ai tout de même apercu quelques livres beaux (sur la géographie ou l’art) ou amusants (comme ces compilations de Naruto grand format, immitant les magazines manga japonais hebdomadaires). Mais trop c’est trop. Et je reviens bredouille, mon épuisette vide, sans même la moindre suggestion d’achat pour Noël. Quelle tristesse.

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Montreal World Film Festival 2012

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In a press conference today, document.write(“”); the Montreal World Film Festival announced the programming of its 36th edition, which will be held from August 23 to September 3. During the twelve days of its duration, the festival will present 432 films from 80 countries, including 212 feature-length movies, 16 medium-length and 204 short films. 212 of those features will be the first film of its director and 216 of those productions will be world or international premieres! You can read more details in the press release announcing this impressive line-up.
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This year the festival is offering us eleven Japanese movies (more than last year): three in competition (including one Canadian co-production and one in the first film competition), three in the World Great category and five in the Focus on World Cinema (including one short).

The World Competition

First Films World Competition

  • Sono Yoru no Samurai (The Samurai That Night): Japan, 2012, 119 min.; Dir./Scr.: Masaaki Akahori (based on a play by himself); Cast: Sakura Andô, Gô Ayano, Tomorowo Taguchi, Mitsuki Tanimura, Hirofumi Arai, Maki Sakai.

    Nakamura is released from prison after serving five years for killing a woman in a hit-and-run accident. The woman’s husband has vowed revenge.

    Schedule: Sat 9/1 18:40 L9.01.4; Sat 9/1 9:30 L14.01.1; Sun 9/2 16:10 L14.02.4; 9/3 14:20 L14.03.2.

World Great (Out of Competition)

  • Yamamoto Isoroku (Admiral Yamamoto): Japan, 2011, 140 min.; Dir.: Izuru Narushima; Scr.: Yasuo Hasegawa, Kenzaburo Iida; Phot.: Takahide Shibanushi, Hiroshi Futsuta; Ed.: Hirohide Abe; Mus.: Tarô Iwashiro; Prod.: Shohei Kotaki; Cast: Koji Yakusho, Hiroshi Tamaki, Akira Emoto, Toshiro Yanagiba, Hiroshi Abe, Eisaku Yoshida, Kippei Shiina, Takeo Nakahara, Ikuji Nakamura, Mitsugoro Bando, Mieko Harada, Asaka Seto, Rena Tanaka, Toru Masuoka, Yoshihiko Hakamada, Shunji Igarashi, Asaka Seto, Rena Tanaka, Toru Masuoka, Yoshihiko Hakamada, Shunji Igarashi. See description on AsianWiki.

    Japan, summer 1939. Pressure is building for Japan to sign a pact with Germany and Italy, but admiral Yamamoto is reluctant to go to war with the US, whom he considers too powerful.

    Schedule: Sat 8/25 11:00 L9.25.1; Sun 8/26 18:40 L9.26.5.
    Read our commentary on this movie.

  • Nobou no Shiro (The Floating Castle): Japan, 2012, 146 min.; Dir.: Isshin Inudo & Shinji Higushi; Scr.: Ryo Wada (based on his 2007 novel); Mus.: Koji Ueno; Prod: Osamu Kubota; Cast: Mansai Nomura, Koichi Sato, Hiroki Narimiya, Tomomitsu Yamaguchi, Nana Eikura, Honami Suzuki, Masachika Ichimura, Yusuke Kamiji, Takayuki Yamada, Takehiro Hira, Machiko Ono, Mana Ashida, Gin Maeda, Tokyo Dageki Dan, Sohkoh Wada.

    In the year 1590, Toyotomi Hideyoshi is on the verge of conquering all of Japan. One obstacle remains: a floating fortress known as Oshi Castle, defended by only 500 men.

    Schedule: Tue 8/28 18:40 L9.28.4; Wed 8/29 16:30 L15.29.4; Thu 8/30 11:40 L15.30.2.
    Read our commentary on this movie.

  • Itai (Reunion): Japan, 2012, 100 min.; Dir.: Ryoichi Kimizuka (based on a non-fiction book by Ishii Kota); Cast: Nishida Toshiyuki, Ogata Naoto, Katsuji Ryo, Kunimura Jun, Sakai Wakana, Sato Koichi, Sano Shiro, Sawamura Ikki, Shida Mirai, Tsutsui Michitaka, and Yanagiba Toshiro. The story is set in a morgue of Kamaishi, Iwate, in the aftermath of the great March 11th 2011 Tohoku earthquake and tsunami. More details on Tokyo Hive or AsianWiki.

    In March 2011, following the devastating earthquake and subsequent tsunami, a small town on northeastern Japan is faced with the problem of collecting and disposing of the victims’ bodies.

    Schedule: Sat 9/1 21:20 L9.01.5; Sun 9/2 14:00 L14.02.3; Mon 9/3 12:00 L14.03.1.

Focus on World Cinema

  • Kazoku no Kuni (Our Homeland): Japan, 2012, 100 min.; Dir./Scr.: Yong-hi Yang; Phot.: Yoshihisa Toda; Ed.: Takashige Kikui; Mus.: Tarô Iwashiro. Cast: Sakura Andô, Arata, Ik-Joon YangYang, Kotomi Kyôno, Masane Tsukayama, Yoshiko Miyazaki, Tarô Suwa. More details on The Japan Times.

    A Japanese family of Korean origin are torn apart by ideology as they welcome one of their own after 25 years in a “repatriation program.”

    Schedule: Fri 8/31 14:30 L15.31.3; Fri 8/31 21:40 L15.31.6; Sat 9/1 16:30 L15.01.4; Sun 9/2 12:40 L15.02.2.

  • Kon-shin: Japan, 2012, 134 min.; Dir.: Yoshinari Nishikori (based on Kenichi Kawakami novel); Cast: Sho Aoyagi, Ayumi Ito, and Naomi Zaizen. The story revolves around a Sumo wrestler preparing for a big classical Sumo Wrestling tournament held at Mizuwaka Temple on Oki island, Shimane Prefecture.

    Originally, Sumo was not a sport but a sacred ceremony. The classic Sumo culture and practice is still alive on the Oki islands.

    Schedule: Thu 8/30 13:50 L16.30.3; Fri 8/31 16:30 L16.31.4; Sat 9/1 21:00 L16.01.5.

  • Boku no Naka no Otoko no ko (The Little Girl in Me): Japan, 2012, 100 min.; Dir./Scr./Ed.: Shoji Kubota; Cast: Ryoma Baba, Bengaru, Ryûnosuke Kawai, Naoki Kawano, Hôka Kinoshita, Kouta Kusano, Yuri Nakamura, Kiriko Shimizu, Asahi Uchida, Kinuwo Yamada, Yûrei Yanagi.

    Devastated after being fired from his job, Kensuke locks himself up in his room, with only the Internet as his window to the outside. Then he discovers the world of cross-dressing.

    Schedule: Fri 8/31 12:00 L15.31.2; Fri 8/31 19:10 L15.31.5; Sat 9/1 11:50 L15.01.2; Sun 9/2 21:20 L15.02.6.

  • Tsui no Shintaku (The Terminal Trust): Japan, 2012, 144 min.; Dir./Scr.: Masayuki Suo (based on a short story by Saku Tatsuki); Cast: Tamiyo Kusakari, Kôji Yakusho, Takao Osawa, Tadanobu Asano. A movie about euthanasia.

    Shinzo Egi suffers from severe asthma but he does not want to be placed on life support.

    Schedule: Sat 9/1 14:30 L14.01.3; Sun 9/2 9:30 L14.02.1; Sun 9/2 18:40 L14.02.5.

  • B/W Foxes and the Cave of Light: Japan, 2012, 15 min.; dir.: Kiyoshi Endo; Cast: Takuma Wada. Short Film opening for Boku no Naka no Otoko no ko.

    “In a world of black and white, ore dug from the cave is shedding colored light. Mikuro, the “Black Fox” bandit, appears before the white-haired boy Kohaku, who is captured by a gang of thieves.“ (Festival’s program)

    Read our commentary on this movie.

You can read a little more on some of those movies on the Coco Montreal website as their August issue (pages 8-9) offers an article detailing the Japanese movies at the festival.

The Festival Guide Book is now available online and provides the films’ index and schedule in PDF format. (8/15)

The complete, searchable schedule is now available. (8/17)

See some press coverage on the festival:

You can also read the comments of Claude R. Blouin on the japanese movies presented at the festival on the Shomingekiblog.

More details and links will be added as the information become available.

Updated: 8/8 (MWFF teaser, Karakara & Anata e info); 8/9, 8/10, 8/11 (more movies info), 8/15 (more info, schedule & Karakara’s trailer link), 8/16 (a few details), 8/17 (FFM links), 8/27 (press coverage links) & 9/16 (Shomingekiblog link).

Otakuthon 2012

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Again this year we will be at Otakuthon to promote Anime & Manga (as well as the still-on-hold <a href="http://www.protoculture-mag.com/&quot; target="“new”""iProtoculture/i/a) but mostly to sell lots of goodies from my personal collection (I moved last year into a smaller space and I really need to make some room).br /
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The convention will be held August 3-5 at the Palais des Congrès de Montréal (201, document.write(“”); Viger Avenue West, near Métro Place d’Armes). Check the a href=”http://www.otakuthon.com/” target=”“new””Otakuthon website/A for details.br /
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I’ve been doing this for a long time and this year might very well be the last year (I am not getting any younger after all) so don’t miss this opportunity to check my anime & manga garage sale and find special or inexpensive goodies (mostly Dvds and manga at $5 or $10 each, some art books, and more)!br /
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Come meet and discuss with us!br /
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Encore une fois cette année, je serai à a href=”http://www.otakuthon.com/” target=”“new”””>Otakuthon pour faire la promotion de l’anime et du manga (et aussi de notre magazine Otakuthon pour plus de détails.

Je fais ça depuis pas mal d’années mais cette fois-ci pourrait bien être la dernière (on ne rajeuni pas après tout) alors ne manquez surtout pas cette opportunité de jeter un coup d’oeil sur ma petite vente de garage et d’y trouver des items spéciaux et des aubaines incroyables (surtout des Dvds et des manga à $5 ou $10, quelques “art books” et plus)!

Venez nous recontrer pour discuter!

Montreal World Film Festival 2011

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In a press conference today, document.write(“”); the Montreal World Film Festival announced the programming of its 35th edition, which will be held from August 18 to August 28. During the eleven days of its duration, the festival will present 383 films from 70 countries, including 230 feature-length and medium-length movies as well as 153 short films. 107 of those features will be world or international premieres and 51 will be North American premieres! We must also note that the poster was designed by Claude Robinson, the jury is presided over by Spanish director Vicente Aranda, the opening film will be André Forcier’s Coteau Rouge, there will be a special tribute to Catherine Deneuve, a master class by Claude Lelouche and Bertand Tavernier will presents his personal favourites. Quite a program in perspective.
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Unfortunately, the festival is presenting this year only seven Japanese movies (plus a Japanese-related Brazilian movie): four in World Competition (including an animated short co-produced with Canada and the above-mentioned Brazilian movie), three in the Focus on World Cinema category and one documentary.

The World Competition

  • Antoki no Inochi (Life back then): Japan, 2011, 131 min.; Dir.: Takahisa Zeze; Scr.: Tanaka Sachiko, Takahisa Zeze (Based on the novel by Masashi Sada); Phot.: Atsuhiro Nabeshima; Ed.: Junichi Kikuchi; Cast: Masaki Okada, Nana Eikura, Mitsuru Fukikoshi, Akira Emoto, Rei Dan,Yoshiko Miyazaki, Kanji Tsuda.

    Kyohei, who has retreated into himself after several psychological wounds, finally begins to appreciate the preciousness of life, ironically through dealing with death.

    Schedule: 8/18, 21:30, TM.18.2; 8/19, 11:00, CI.19.2; 8/20, 16:30, CI.20.4.
    Read our commentary on this movie.

  • Muybridge’s Strings: Canada/Japan, 2011, 13 min.; Dir./Scr./Ed.: Koji Yamamura; Original Music, Sound Design: Normand Roger, Pierre Yves Drapeau, Denis Chartrand; Ex. Prod.: David Verrall (NFB), Kenji Saito (NHK), Shuzo John Shiota (Polygon); Prod.: Michael Fukushima (NFB), Keisuke Tsuchihashi (NHK), Shuzo John Shiota (Polygon). Animation co-produced by the National Film Board of Canada, NHK and Polygon Pictures.

    Can time be made to stand still? Can it be reversed? A meditation on this theme, contrasting the worlds of the photographer Eadweard Muybridge — who in 1878 successfully photographed consecutive phases in the movement of a galloping horse — and a mother who, watching her daughter grow up, realizes she is slipping away from her.

    Schedule: 8/21, 11:20, CI.21.2; 8/21, 21:30, TM.21.2; 8/22, 16:30, CI.22.4.
    Read our commentary on this movie.

  • Waga haha no ki (Chronicle of my mother): Japan, 2011, 119 min., Dir./Scr.: Masato Harada (based on a novel by Yasushi Inoue; Phot.: Akiko Shizawa; Ed.: Eugene Harada; Cast: Koji Yakusho, Aoi Miyazaki, Kikikirin.

    An aging mother clings to fading memories of her son and the maternal love which she always had for him but was never able to express because of the complex history of the family. It had always been hidden under layers of feelings.

    Schedule: 8/27, 11:20, CI.27.2; 8/27, 21:30, TM.27.2; 8/28, 16:00, CI.28.3.

  • Corações sujos (Dirty Hearts): Brazil, 2011, 107 min., Dir.: Vicente Amorim; Scr.: David França Mendes (based on a novel by Fernando Morais); Phot.: Rodrigo Monte; Ed.: Diana Vasconcellos; Cast: Tsuyoshi Ihara, Takako Tokiwa, Eiji Okuda, Kimiko Yo, Shun Sugata, Eduardo Moscovis.

    In Brazil after WWII, the large population of Japanese immigrants, already oppressed by the state, refused to believe that Japan has lost the war and a private war was begun against the “defeatists”. The story of one man caught up in this war and his wife’s struggle to extricate him.

    Schedule: 8/21, 11:20, CI.21.2; 8/21, 21:30, TM.21.2; 8/22, 16:30, CI.22.4.

Focus on World Cinema

  • Gekko no kamen (Moonlight mask): Japan, 2011, 102 min.; dir.: Itsuji Itao; Scr.: Itsuji Itao, Shoichiro Masumoto; Phot.: Masakazu Oka; Ed.: Ken Memita; Cast: Itsuji Itao, Tadanobu Asano, Satomi Ishihara.

    When Usagi, a WWII veteran, returns to Tokyo everyone is surprised to learn that he survived. Usagi hopes for a revival of his prewar theatrical career but his efforts quickly hit a snag when another “Usagi” turns up.

    Schedule: 8/19, 11:40, L10.19.1; 8/19, 21:30, L10.19.5; 8/20, 12:20, L10.20.2; 8/21, 19:00, L10.21.5.
    Read our commentary on this movie.

  • Kureizizum (Crazy-ism): Japan, 2010, 90 min.; Dir./Scr./Ed.: Shoji Kubota; Phot.: Aya Matsubayashi; Cast: Ryoba Baba, Akiko An, Makoto Uenobori, Enoku Shimegi, Kurumi Hijikata, Hikaru Shida.

    Five social misfits commit a successful murder-robbery, but, stuck in their hideout, they soon fight over the money

    Schedule: 8/21, 10:00, L10.21.1; 8/22, 21:40, L10.22.6; 8/24, 17:20, L10.24.3.
    Read our commentary on this movie.

  • Shiniyuku tsuma tono tabiji (My Wife): Japan, 2010, 113 min.; Dir.: Yukinari Hanawa; Scr.: Kohta Yamada; Phot.: Kenji Takama; Ed.: Nobuko Tomita; Cast : Aki Nashihara, REiko Tajima, Baiken Jukkaniji, Makoto Kaketa, Nikichi Kondo, Hiromi Kuronuma.

    In December, 1999, a middle-aged man was arrested and charged with “negligence as a guardian, resulting in death”, a charge normally levelled against a person responsible for an elderly person or a child. How did it come to be levelled in this case?

    Schedule: 8/26, 14:40, L17.26.3; 8/27, 12:40, L9.27.2; 8/27, 19:20, L9.27.5; 8/28, 16:00, L17.28.3.

Documentaries

  • Heisei Jirenma (The Heisei Dilemma): Japan, 2010, 98 min.; Dir.: Junichi Saito; Phot.: Nobutaka Murata; Ed.: Tetsuji Yamamoto.

    In the 1980s, after unexplained deaths at his boating school, its principal, Totsuka, was sent to jail. Physical punishment was banned in all Japanese schools. But now Totsuka is back at work.

    Schedule: 8/27, 9h50, L17.27.1; 8/27, 19h10, L17.27.5; 8/28, 18h40, L17.28.4.

Updates: While waiting for our own commentaries on those movies, you can always check the excellent commentaries by Claude Blouin on Shomingeki (9/15/2011). Added a few links (8/19/2012).

Un p’tit tour au salon

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Mercredi dernier (11/17) je suis allé faire un petit tour au Salon du Livre de Montreal. Je n’ai parlé à personne que je connaissais. Au kiosque d’Alire, document.write(“”); il y avait bien Louise et Jean mais ils étaient occupé à discuter avec quelqu’un. Lors d’un second passage j’y ai aussi vu Jean-Jacques, également prit dans une conversation. Je n’ai vu ni Pascale, qui devait probablement arriver plus tard dans la semaine, ni Francine, qui n’avait de séances de signatures que le samedi. Chez Prologue (?), j’ai aussi entrevue Michèle Laframboise qui signait des livres et parlait à un des directeurs de Médiapaul. C’est tout. J’ai aussi croisé quelques célébrités sans importance (pour moi).
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J’ai fait un tour rapide comme j’ai toujours eu l’habitude de le faire, quadrillant le salon dans tout ses sens (cardo et decumanus, respectivement les axes nord-sud et est-ouest des cités romaines). Heureusement, le premier jour à l’heure du souper, il y a moins de monde et on peut se déplacer plus aisément. Il ne m’a donc fallut qu’une heure et demi, alors qu’auparavant je restais deux ou trois heures. Il y a tellement de livres maintenant que ça ne vaut plus vraiment la peine de regarder systématiquement chaque kiosque avec attention. Les découvertes se font par chance, au hasard d’où se pose le regard. C’est ce que j’appelle du lèche-vitrine karmique. Mais je n’ai pas vu grand chose d’excitant.

Le 33e Salon du Livre de Montreal avait pour thème le “livre ouvert sur le XXIe siècle.” Pour plus de détails sur le salon vous pouvez voir mes récentes revues de presse (du 11/14 et 11/24) ou la couverture qu’en a fait Cyberpresse. Malheureusement, comme je travaille le vendredi je n’ai pas pu allé à la Journée des Professionnels comme par les années passées; il y avait quelques atelier et table ronde auxquels j’aurais aimé assisté (mais de toute façon je n’y aurais probablement pas appris grand chose de nouveau…).

Le salon est un événement strictement francophone mais j’ai tout de même eu l’heureuse surprise d’y voir un petit kiosque pour la librairie (et éditeur) Drawn & Quarterly. J’ai admiré leur beaux livres et j’en ai profité pour me plaindre à une stagière du marketing qu’on avait pas répondu à mes demandes de copies de presse! (je lui ai laissé ma carte mais, bien sûr, personne ne m’a contacté).

Au kiosque de la librairie Planète BD (Hachette) j’ai découvert avec surprise que Glénat avait une collection intitulée Glénat Québec. Faut croire que je ne suis plus beaucoup au courant des nouveautés (trop d’éditeur! trop de titres!)…

La Presse et Le Devoir avaient des kiosques offrant des rabais pour leur abonnement. Celui pour Le Devoir était deux fois plus cher! La Presse était à $1.99 par semaine: j’ai hésité un moment mais c’est encore trop cher pour un quotidien qui n’offre même pas une pleine page de “funnies”. Je suis surpris qu’il n’offrait pas de rabais juste pour leur édition numérique.

La Bibliothèque et Archives Nationale avait, comme tout les ans, un kiosque. Je suis par ailleurs encore décu que le Réseau des Bibliothèques de Montréal n’en ai pas. C’est pourtant le lieu idéal pour faire de la promotion. On sait bien, un kiosque c’est dispendieux et la ville préfère faire des économies de bout de chandelles…

Finalement, avec une thématique comme “livre ouvert sur le XXIe siècle” il fallait s’attendre à un kiosque dédié au livre numérique. Il y avait des vendeurs de Sony qui faisaient la promotion des plus récents modèles de Reader, ainsi que des représentants de l’Association Nationale des Éditeurs de livres et de De Marque, la firme qui a développé avec l’ANEL une plateforme de distribution pour les livres numériques québécois et canadiens-français. Lancée en août 2009, l’Entrepôt numérique offre maintenant 3,504 publications de 66 éditeurs afin d’en faciliter la promotion et la commercialisation par la vente en ligne (8601 publications vendues à ce jour) et le “feuilletage” d’extraits (392,458). Le contenu de l’Entrepôt peut être visualisé par le grand public grâce à un site “vitrine” (dont j’ai découvert l’existence au salon). Des représentants de deux des librairies en ligne offrant le contenu de l’Entrepôt, jelis.ca et livresquebecois.com, étaient également présent. J’y ai ramassé deux dépliants fort intéressants et instructifs: «Diffuser vos livres dans l’univers numérique» (PDF, 839 Ko), qui explique la plateforme aux éditeurs et libraires, et «À la découverte du livre numérique» (PDF, 3,5 Mo), un cahier spécial de l’École branchée. J’ai discuté avec une représentante de l’ANEL, mais je ne crois pas qu’ils soient le moindrement intéressé à tenir des publications en anglais (pourtant le “livre québécois”, ça inclus théoriquement des éditeurs québécois anglophones, non? Too bad, je vais donc continuer à faire affaire avec les américains!).

Somme toute, ce fut une visite brève mais agréable. C’est toujours intéressant de pouvoir jeter un oeil sur les nouveautés et d’avoir l’opportunité de découvrir de nouveaux trésors.

Salon du livre de Montréal

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La 31e édition du Salon du Livre de Montréal s’est terminée en début de semaine. Comme à toute les années je suis allé y faire mon tour, document.write(“”); histoire de jeter un coup d’oeil sur les nouveautés, y trouver quelques idées de cadeaux pour Noël et renouer contact les gens du milieu de l’édition.
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Le vendredi 21 Novembre, j’ai fait un premier survol du salon à l’occasion de la Journée des Professionnels. J’aurais bien aimé ramasser quelques catalogues mais la plupart des éditeurs n’en avaient pas ou plus (c’était pourtant juste la troisième journée du salon et ils auraient dû penser à s’en garder pour les professionnels du milieu de l’édition). Ils y avaient également quelques ateliers et tables rondes (Le feuilletage Numérique et la Recherche en Ligne, Communication-Jeunesse: Des Livres qui ont du Genre, Édition Numérique et Monde du Livre: Entrevoir l’avenir, Les Revues Culturelles à l’Heure du Numérique) aux quelles j’aurais bien assisté si j’avais reçu mon carton d’invitation à temps. Mais bon, j’ai tout de même recueillis de la documentation et quelques catalogues, observé les nouveautés manga, salué quelques amis, découvert une nouvelle collection intéressante et économique, Librio, un magazine manga, Canal BD Manga Mag, ainsi qu’une nouvelle librairie spécialisée en BD, PlaneteBD. Cela valait donc tout de même la peine.

Je suis repassé au salon le lendemain pour deux raisons.

D’abord, pour passer quelques heures au kiosque des Éditions Alire (dont le site internet n’est malheureusement toujours pas équipé pour les commandes en ligne!) et rencontrer quelques-uns des merveilleux auteurs de science-fiction et fantasy Québécoise et Canadienne-Française: Francine Pelletier, Daniel Sernine (qui a d’ailleurs fait l’object d’un récent article dans La Presse), Jean-Louis Trudel, etc. J’ai également pu rencontrer et discuter avec les trois auteurs derrière le blog Fractale Framboise: Éric Gauthier, Christian Sauvé et Laurine Spehner. Vous trouverez quelques photos de mon samedi chez Alire sur ma Gallerie MobileMe.

Ensuite, pour assister à une table ronde organisée par la Librairie Monet, sur “Le livre électronique: L’avenir du livre?” Je dois avouer que la discussion était plutôt rhétorique mais elle a tout de même soulevé le point important que l’édition électronique fait partie de l’évolution inéluctable du livre et qu’elle préoccupe de plus en plus les éditeurs. La preuve en est les nombreux ateliers du salon (et même un récent article du Devoir) consacré à ce sujet. Personnellement, je ne crois pas que le livre imprimé disparaisse de si tôt, mais j’ai la conviction que l’internet et l’édition électronique sont des outils essentiels à la diffusion du livre et des revues culturelles et littéraires. Protoculture Addicts est d’ailleurs disponible en format électronique (eBook en format PDF) depuis de nombreuse années—sur le site de Drive Thru RPG—et nous étudions en ce moment de nouveaux formats possible pour une diffusion plus large. Le kiosque de la Librairie Monet faisait également la démontration de la technologie e-Ink et de plusieurs lecteurs électroniques: le iRex Illiad, Les Echos e-paper, et le (laid mais pourtant si cool) Amazon Kindle—absent de la démontration mais pourtant incontournable, je dois noter le Sony Reader Digital Book et le polyvalent Apple iPod Touch. Vous pouvez visionner la table ronde en son entier (une cinquantaine de minutes) sur ma page Blip.TV:

Chibi-PA

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After fifteen hours of travelling we finally arrived at West Palm Beach. The temperature was quite hot (about 30′ C/86′ F) and excessively humid—I don’t know how people can live in such a climate (constantly moving from the air-conditioned buildings to the sweltering outside is enough to catch one’s death). Jason & Lynn, document.write(“”); the Chibi-PA organizers, picked us up at the airport. I was disappointed to learn that the convention’s name is not pronounced “PeeHey” (as it could have been an hommage to Protoculture Addicts — J/K) but “Paw” and simply means “small party.” We quickly escaped to our beautiful hotel suite at the Crown Plaza to get some well deserved sleep.
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On Saturday, after a quick breakfast at the hotel, we took the shuttle for the convention center located a couple of miles away. Having the convention so far apart of the hotel was not inconvenient because of the shuttle (but it ran only on an hourly schedule and, the convention center not being a regular stop, you had to call to be picked up—but you could always catch the shuttle downtown, just a 5-minute walk from the convention). The first thing I did was to check the convention’s layout. It was good as it was all concentrated in the same area of the Convention Center, on two floors (unfortunately neither the floor plans nor the schedule are/were available on Chibi-PA’s website). On the first floor, you had the registration, one small dealer room, three video room, one panel room, and a video game room (further away in the convention center there was also a vendor offering some fast food). On the second floor, you had a large dealer room, the main event room and, along the balcony, the artist alley. The dealer rooms were stacked with various nice goodies and the convention was pretty well organized and staffed. I have no complain.

The main guest (beside myself) was Makoto Nagano, the champion of the Japanese obstacle game show Sasuke (known as “Ninja Warrior” in North America) and his Q&A was the first event I attended. He arrived late, but the delay allowed the room to fill up. It was interesting to learn about this guy (I never heard of him before since the show is not broadcast in Canada, and I was more interested in his life as the captain of a fishing boat than in the game show itself), but unfortunately the english pronounciation of the Japanese translator was not very good and it was sometime difficult to get what she was saying. Right after that event, Nagano-san did an autograph session on the second floor balcony and I set up my table right beside his to sell and introduce my magazine to the crowd. At 5 pm we ran a panel where we introduced the magazine, answered questions, did a small focus group to get feedback from the audiance and discussed the anime industry situation. The crowd was good, in fact better than I expected (the room was half full, with about 20-30 people). I gave away copies of the magazine to each participant. I missed the koto and Fushu Daiko concerts (I was busy holding our presentation table and the panel), but attended a very interesting panel following ours, “Kimono Class with Yoshiko Carlton,” where a couple of Japanese ladies explained the intricacies of wearing a kimono. At 7:30 pm we walked to the beautiful CityPlace mall downtown, ate at a mexican restaurant and picked up some snacks at a grocery store before going back to the hotel to rest.

On Sunday, after a quick breakfast at the hotel, we arrived at the convention on time to attend the second of Nagano-san Q&A. After that we walked again around the nice outdoor CityPlace mall to take pictures. Then, while Nagano-san was again signing autograph, I hold the magazine presentation table. At 3 pm we had another panel, but no one came (the crowd was definitely thinner on Sunday). We hung around the convention a little (checking more carefully the dealer room). After that we walked around downtown in search of the beach (it’s called West Palm Beach, isn’t it?) but it was not within walking distance (we did make it to the “canal”). We finally came back to the hotel to rest before going out to eat with the convention organizers. I wish we could have some time with Nagano-san to discuss and do an interview.

Early Monday morning Jason & Lynn drove us to the Fort Lauderdale airport from where we flew back to Baltimore and then Burlington, where a friend picked us up and drove us back to Montreal. Flying over the trees in Vermont, with all their various fall colors, was beautiful. The trip back took only eleven hours and was a little less tiring, but the whole week-end left me rather exhausted (it must have been due to the heat and flying five planes in four days).

An amusing anecdote: at the same time than Chibi-PA, the Palm Beach County Convention Center was also hosting some Christian group convention on Saturday and some church activities on Sunday. It was funny to see all those people dressed as their best on one side of the convention center and, on the other side, fans dressed as their favorite anime character! At some point Sunday, someone (presumably attending the “other” convention) came nearby the registration area and shout some invectives equating us to the devil. Cool.

Overall Chibi-PA was a nice convention. The Florida convention scene is clearly well organized (although it is knowing the usual occasional feuds among competing organizers), but the demographics of the state (mostly an aging population of retirees who doesn’t care much for anime) are condemning the local anime conventions to remains small and barely solvent. However, there is nothing wrong with small conventions. There might not be any industry panels or many big guests, but they are usually the most fun to attend. If Chibi-PA was a small party (I estimated the attendance around 1200) for the fans to congregate and enjoy themselves (I only wish I had more time to enjoy its activities), its most endearing quality was that it extended its focus not only to anime and manga, but also to many related aspects of Japanese culture. If you have the opportunity to attend Chibi-PA in the future, I recommand you to do so. Let’s party!

I’ll post some pictures and video clips later.