Mrs Wilson

mrswilsonThis three-part historical drama is set in Britain during and after WW2 (in the ‘50s & ’60s). When her husband dies, in the early sixties, Alison Wilson is already distraught. They lived comfortably in their little cottage. She’s a typist and Alexander is a spy novelists (and retired MI6 officer). They have two sons, Gordon and Nigel, and they were happy. However, as she tries to come around organizing her husband funerals, she receives the visit of a woman, Mrs Gladys Wilson, who claim to be Alec’s widow! Her happy world quickly crumbles as she struggles with one question: was her husband really the man he claimed to be? Was it just a lie? 

She knew Alex/Alec was a spy because they met at the Secret Intelligence Service headquarters where they were both working during the war. She starts her own investigation, questioning Alex’s handler at MI6, some colleagues in the Intelligence Service, Gladys’ son. She becomes obsessed with this quest to discover who the man she thought she knew for twenty-two years really was. The deeper she digs in his past the more secrets she discovers! Through flashbacks, she relives their history together until she understands who he really was. When she comes to term with the truth, she becomes a nun, but she never could tell her sons about their father until after she died—she had written everything down. 

It is a beautiful and compelling story told in the manner of a spy or mystery novel. The most interesting part is that it is a true story — and the cool twist is that Alison Wilson is played by actress Ruth Wilson, he own grand-daughter! Alexander ‘Alec’ Wilson wrote twenty-four novels, mostly inspired by his career in the secret service and his huge imagination. He was a bigamist who had seven children with several wives. Many aspects of his life are still a mystery as, even today, the Foreign Office still consider his files as ‘sensitive’.

Mrs Wilson is a very interesting historical drama, beautifully filmed and cleverly told. I enjoyed it greatly and recommend it warmly. It was well received by the critics (with rating of 88% on Rotten Tomatoes and 7.4 on IMDb). It aired on BBC One in late November / early December and will premieres on PBS Masterpiece Sunday, March 31, 2019, 9/8c (and will subsequently be available on Dvd, iTunes Store and Prime Video). Don’t miss it! stars-3-5

To learn more about this title you can consult the following web sites:

[ GoogleIMDbWikipediaYoutube ]

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Tomb Raider

tomb_raider_(2018_film)This reboot of the video game adaptation is neither better nor worse than the previous one with Angelina Jolie. Unfortunately, the story is not very inspiring, but it offers good action (despite the impossible stunts typical of Lara Croft), as well as very nice acting from Alicia Vikander and Daniel Wu. I was quite annoyed by the fact that all the aspects of the supposedly Japanese ancient culture presented in the story is completely bogus and actually looks more Chinese than Japanese. (WTF!?) However, [SPOILER ALERT] I like that the ancient curse turned out to be a disease [SPOILER END]. It offers a nice breath of realism in the movie. Unfortunately, to make it cinematically palatable they had to make the disease’s symptoms completely, absurdly improbable. 

It is safe to say that Alicia Vikander comfortably slips into the Lara Croft character (despite not having her exaggerated physical attributes which she thankfully compensate with great stamina and charm) and delivers a performance that saves the movie from a complete wreck. The movie received mixed reviews (6.3 on IMDb, 51%/56% on Rotten Tomatoes). All in all, it’s an average action movie that offers brainless entertainment. It’s worth watching, whether you are a fan or not, but only if you have time to spare. stars-2-5

To learn more about this title you can consult the following web sites:

[ AmazonBiblioGoogleIMDbOfficialWikipediaYoutube ]

Damn! The trailer is showing all the best scenes of the movie!

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Z Nation

znation-s05-poster

Season 5

“A group of survivors must cross the country with a possible cure for the zombie apocalypse. The holder of the cure, a zombie-human hybrid named Murphy, may not be so cooperative.”

That’s the premise of this 5-season series. At first I thought, “Not another zombie show!” but it grew on me because of its humour, its clever ideas and the fact that it was able to reinvent itself season after season. Hell, it tackled every zombie cliché, and sometimes it was boring or stupid, often repetitive, but the producers had the sense to give it mercy before it becomes worse.

The fact that the series is a gross comedy doesn’t prevent it from touching serious subjects. It is particularly the case in the fifth and last season which is more political. The series talks about Native American rights and the zombies (who have evolved an intermediary stage where they still have cognitive and language abilities before becoming murderous brutes) are an allegory pleading against prejudice and discrimination (racial, sexual, religious, etc.). We must accept the difference in other people, whatever they are.

The series was relatively well received (rating of 6.7 on IMDb and if the first season was dislike by critics on Rotten Tomatoes with a rating of 45%, the over-all audience score is nevertheless 77%). It aired on SyFy in the U.S. and on Space in Canada, but can still be viewed on Dvds and on Netflix. A prequel, titled Black Summer, will be airing on Netflix in early 2019. Over all it is a nice, funny entertainment, that changes us from The Walking Dead. I have always been partial to post-apocalyptic stories, so I guess it is binge-watching worthy. stars-3-0

To learn more about this title you can consult the following web sites:

[ AmazonBiblioGoogleIMDbWikipediaYoutube ]

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Pacific Rim Uprising

pacificrim2-posterAs bad as this movie is you cannot but love it if you are a mecha (or giant robots) and a kaiju fan — which I am. There’s plenty of action (although not very realistic and playing loose with the laws of physics), not much story, a hint of human drama, and a bit of humour. There’s not much originality either, but let’s call it an “hommage.” The term Jaeger reminds me a little of Heavy Gear (although it could come from so many other sources: it means hunter in German, could refers to infantry troops, a bird, a car, or several anime or manga), some designs seems inspired by many giant robots anime (Giant Robo, Mazinger, The Big O) and, of course, the kaiju part if inspired by Ultraman, Godzilla and Gamera, but the biggest “influence” is without contest Neon Genesis Evangelion — and this is probably the closest we’ll ever get to an Evangelion live-action movie. The alien monster attacking Earth, using alien technology to develop weapon against them, the synchronization part, the tall slender design similar to the rogue jaeger Obsidian Fury (damn! I love that design!): that’s seems all “inspired” by Evangelion. Although they’ve gutted all the really interesting stuff (mystical bits and human drama) it is still pretty entertaining.

There is plenty of cool stuff in this movie. No transforming robot but instead a combining kaiju. Not a bad idea. And I’ve certainly LOL when the pilots of Bracer Phoenix have to eject and land at the feet of a statue of a… Gundam! Beautiful and really funny. I couldn’t fail to notice the heavy Chinese presence in the cast and crew (not surprising since producer Legendary was bought by the Chinese Wanda Group and some of the shooting was done in a studio in China). It did relatively well at the box office but was not particularly liked (rating of 5.6 on IMDb and 44% / 41% on Rotten Tomatoes !).

All in all, it offers brainless sci-fi action and lots of mecha & kaiju nostalgia. If you are a fan. stars-3-0

To learn more about this title you can consult the following web sites:

[ AmazonBiblioGoogleIMDbOfficialWikipediaYoutube ]

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Capsules

The Bill Murray Stories

billmurraystoryApparently there are lots of stories on the internet about Bill Murray doing some crazy spontaneous things where he crashes a party or a wedding picture session, comes behind someone in a public toilet and puts his hands on the person eyes saying “No one will ever believe you”, or ends up doing the dishes in some kid’s apartment. He just shows up out of the blue, acts like he is just a normal guy (not a celebrity) but in a way that touches people’s life. Could those stories be true? That’s the question which Tommy Avallone asked himself and decided to make a documentary about it. 

The Bill Murray Stories: Life Lessons Learned From a Mythical Man is a documentary that retells those stories and interviews the people who experienced them. It really seems that most stories — at least those told in the documentary — are true and there is pictorial or video evidences to prove it. Avallone then goes on asking himself: why? Why someone like Bill Murray would do such things? To goof around? As a publicity stunt? Not at all. It is just who Bill Murray is. It is part of an improv thing and part of a life philosophy (something like taoism or zen). He just like to live in the moment and make people happy.

Personally, I am just wondering what makes people wake up in the morning and decides to make a documentary about Bill Murray. You are in movie school and need to do one as an assignment? Or really want answers to those questions and decide to just films everything and try to make money out of it? Or you just have the “reporter” gene in your blood? I guess someone should make a documentary about that.

It’s not a very good documentary (it’s clumsy, particularly toward the end, and I dislike when someone makes a documentary about themselves looking for something) but I enjoyed it because I not only learned a lot about who is Bill Murray, but it was also quite entertaining (lots of funny anecdotes and movie excerpts). It reminds me of this book that I once saw in the library: The Tao of Bill Murray: Real-Life Stories of Joy, Enlightenment, and Party Crashing, by Gavin Edwards and R. Sikoryak, which was basically asking the same questions. [ Amazon / Goodreads / Library ]

Apparently, Bill Murray is quite an interesting person. But whether you are interested or not, whether you like documentaries or not, it doesn’t matter: if you just take the moment to watch this sixty-seven minutes movies you will certainly enjoy it. And maybe, maybe, you’ll take something out if it and wonder, like me, could I ever be that spontaneous and really live in the moment? stars-3-0

To learn more about this title you can consult the following web sites:

[ AmazonGoogleIMDbNetflixRotten TomatoesWikipedia ]

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Watership Down

watershipdownWhen I told one of my colleagues that I was watching a TV mini-series about a bunch of rabbits, she laugh at me saying “You’re watching a kid’s show on Netflix?” I replied that it was far from being a kid show. “Sure, it is about rabbits, but it is a very dark tale of survival”. 

This 2018 four-part TV mini-series tells the story of a group of rabbits who flee their warren and seek a new home. They are led by Hazel after his brother Fiver had a vision of destruction. Indeed, the sandy hill that was their home was invaded by bulldozers and backhoe excavators to create a new neighbourhood for humans. The journey is full of danger as rabbits in an open field can become prey to numerous predators (birds of prey, cats, dogs, foxes and… humans!). Before finding the ideal down (a gently rolling hill) to start anew, they will encounter two other rabbit communities which — having somehow lost their natural ways and surrendered their freedom in two opposite manners — will bring unimaginable perils to the group.

watership_down-movieposterI never read Richard Adams’ novel, but from what I’ve seen by browsing through it, the animated mini-series is a faithful adaptation. However, what I have seen, many years ago, it’s the 1978 animated movie adaptation by Martin Rosen (with John Hurt voicing Hazel). For the time it was a stunningly beautiful animation that was characterized by it’s strong graphic violence that made it clearly aimed at an adult audience. It became for me a sort of cult movie, proving that animation could be taken seriously by adults. Therefore, I was quite curious to see how this new TV series would fare in comparison and I was a little sceptical that it could be as good. In fact, after viewing the first episode of the mini-series, I was rather disappointed that none of the characters had died yet! However, after viewing the whole series, I am happy to see that it compares well with the movie. It even manages to update the adaptation for the twenty-first century (replacing traditional animation with 3D CGI and putting more emphasis on the ecological theme) while making the story more accessible to all audience by giving a more gentle version of it (with far less graphical violence).

watership-down-posterIf it is far from being perfect, the 3D animation is nonetheless excellent. The animation of the rabbits, of the landscapes and the movements is all nearly perfect. However, the animation of the humans and of other animals (cats & dogs notably) really needed more work and is quite disappointing.

The voice-acting is excellent and includes many great actors like James McAvoy (Hazel), Nicholas Hoult (Fiver), John Boyega (Bigwig), Ben Kingsley (General Woundwort), Tom Wilkinson (Threarah), Gemma Arterton (Clover), Peter Capaldi (Kehaar), Olivia Colman (Strawberry), Anne-Marie Duff (Hyzenthlay), Freddie Fox (Captain Holly), Miles Jupp (Blackberry), Daniel Kaluuya (Bluebell), Rosamund Pike (Black Rabbit), Daniel Rigby (Dandelion). However, it is not perfect. For example, as far as I remember, the voice of Kehaar (the seagull) sounded rather German in the movie whilst it was supposed to be Scandinavian. This time, it sounds Scottish (Capaldi)! It also feels strange that all rabbits from the same warren have different accents — but I guess it helps giving them different “personality”.

What I found interesting is that Adams created a culture for the rabbits, a mythology (or at least a creation myth, based around the Sun-god Frith, the folk hero El-ahrairah [the Prince with a Thousand Enemies], and the Black Rabbit as death-figure), and almost a language (the Lapine, or at least a vocabulary that sounds foreign). It is fascinating as it grounds the story in reality, but also gives it the mystical aura of legends.

Beside the very obvious ecological message (the Elils [rabbits’ natural enemies] kill by nature, by necessity and never more than needed, while men kill by pleasure, or simply because they can and will never stop “till they’ve spoil the earth”), to me Watership Down’s story feels like an allegory about the danger of totalitarianism (the later ’30s German fascism for example). However, Adams said that it was rather based on the theme of the classical hero inspired by the epics of Homer (Odyssey) or Virgil (Aeneid).

All in all, it is beautiful, rich, riveting and intelligent. Well worth watching and highly recommended. stars-4-0

To learn more about this title you can consult the following web sites:

[ GoogleIMDbOfficialWikipediaYoutube ]

The mini-series’ trailer:

Now, compare with the 1978 movie trailer:

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Mujirushi: Le Signe des rêves 1

signe-des-reves-1-futuropolisKamoda Takashi est un japonais crédule et malchanceux qui se fait constamment embarquer dans des magouilles où il se fait exploiter financièrement. Acculé à la faillite, sa femme le quitte. Mais un corbeau lui apporte un message d’espoir… mais ce n’est que pour se faire embarquer dans une autre magouille par un japonais francophile et mystérieux. Il se retrouve à Paris en compagnie de sa fille Kasumi avec mission de voler La Dentellière de Vermeer au Louvre! Kasumi raconte tout à Michel, un pompier parisien qui parle japonais et qui semble lié à leur mission par un mystérieux destin…

planchea_341960Le dessin d’Urasawa, sans être désagréable, est tout de même assez ordinaire. Par contre son récit — souvent empreint de fantastique — est toujours captivant. Si ses personnages sont peu crédible (l’éternel “looser” pathétique et l’amateur d’art manipulateur aux dents géantes), sa description des salles du Louvre est plutôt charmante. Dans l’ensemble c’est un très bon manga mais la première partie se termine abruptement sur un suspense. La suite au deuxième volume!

Cette série est intéressante pour deux raisons: d’abord il s’agit d’une oeuvre de Naoki Urasawa qui a produit de très bon manga sur une base très consistante (Yawara!, Master Keaton, Monster, 20th Century Boys, Pluto, Billy Bat). Deuxièmement, elle fait partie de la série de BD sur le Louvre publié conjointement par Futuropolis et Louvre Éditions (dont nous avons déjà commenté Les Gardiens du Louvre et  Les chats du Louvre). Le Signe des rêves vaut donc la peine d’être lu — mais je réserve mon jugement définitif en attendant d’avoir lu la suite.

Mujirushi: Le Signe des rêves 1, par Naoki Urasawa. Paris: Futuropolis / Louvre Éditions, août 2018. 144 pages, 19.5 x 26.5 cm, 20,00 €  / $39.95 Can. ISBN 978-2-7548-2577-1. Pour lectorat adolescent (14+). stars-3-5

Vous trouverez plus d’information sur les sites suivants:

[ AmazonBiblioGoodreadsGoogleWikipediaWorldCat ]

© 2018 Futuropolis / Urasawa Naoki.

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Capsules

Golden Globe: No Japanese winners

At the Golden Globe 2019, held on January 6th, the Hollywood Foreign Press Association has awarded Bohemian Rhapsody for the Best Motion Picture (Drama), Green Book for the Best Motion Picture (Musical or Comedy), Glen Close for Best Performance by an Actress in a Motion Picture (Drama), Rami Malek for Best Performance by an Actor in a Motion Picture (Drama), Olivia Colman for Best Performance by an Actress in a Motion Picture (Musical or Comedy), Christian Bale for Best Performance by an Actor in a Motion Picture (Musical or Comedy), and Alfonso Cuarón for Best Director.

Surprisingly (or is it, really?), I have not seen any of the nominated TV series either for Drama (The Americans [the winner], Bodyguard, Homecoming, Killing Eve, or Pose) or for Musical/Comedy (Barry, The Good Place, Kidding, The Kominsky Method [the winner] or The Marvelous Mrs. Maisel). And I am not sure I am interested. Although, I’d like to see  Bohemian Rhapsody, The Favourite or Crazy Rich Asians (when they comes out on dvd)…

However, the categories that interest us the most are those where Japanese movies were in nomination. Unfortunately, no Japanese movie received any award this year.

The Best Animated Motion Picture award went to Spider-Man: Into the Spider Verse. It is quite disappointing because I thought that Mirai had some chance. Even the heavily Japanese-inspired Isle of Dog [on which I commented] deserved the award better. That’s a shame.

The Best Foreign Language Motion Picture award went to the Mexican movie Roma. However I was really cheering for Shoplifters [the latest film by Hirokazu Kore-eda, which was shown at the FNC and commented by Claude R. BlouinAsianWiki / IMDb / Wikipedia]. It is just bad it didn’t win.

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Difficulté élevée de stationnement…

La mairesse de l’arrondissement VSP annonçait récemment “un chargement partiel de la neige“ (car la “quantité de neige accumulée au sol ne justifie pas un chargement complet”) en vue de  “minimiser les contraintes de stationnement” !

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Comment vous appelez ça devoir se stationner 2 pieds dans les air sur une pile de glace pcq la neige a pas encore été ramassé une seule fois depuis le début de l’hiver? C’est beau économiser un peu d’argent mais tout même! Et on parle pas des trottoirs casse-gueule…

Dans un autre billet FB l’arrondissement recommandait aux citoyens de stationner leur véhicule à un pied (30 cm) du trottoir pour faciliter les opérations de déneigement (et protéger vos rétroviseurs!). Avec toute cette glace et neige pas ramassée encore faut-il trouver où est le trottoir! Dans mon coin certains ont plus l’habitude de se stationner un pied SUR le trottoir…

Étrangement, je ne retrouve plus ce billet: apparemment, il aurait été enlevé car il contredisait la réglementation municipale (qui stipule qu’un véhicule doit être stationné «à au plus 15 centimètres» du trottoir) !! Bravo VSP!

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Flickr F*ck

It’s the Dropbox rip-off all over again!

I’ve just been reminded today that my picture albums are about to be taken hostage. Not long after Yahoo had sold Flickr to SmugMug, they announced drastic changes in their policy. Their offering was too good and not profitable enough so they decided to jack up their price and radically reduce the advantages of free accounts. By doing so they are seriously screwing up their existing customers in what amounts to nothing less than corporate highway robbery!

The free accounts will be reduced to 1,000 photos and videos (instead of 1 Tb). Customers can update to Flickr Pro to have unlimited storage for C$65.88 (C$5.49 / mo) in a scheme that is basically upgrade or die! We have until January 8th to decide, after that our accounts will be frozen until February 5th, when the excess pictures will be DELETED! That’s outrageous!

This puts me in quite a dilemma. Since it has been one of the best sharing photos sites, I’ve been using the Flickr free account a lot for a while—although I’ve almost stopped using it since I upgraded to MacOS Mojave because the Photos app doesn’t allow us to easily upload to Flickr anymore. However, I still have 57 photo albums on it, which contains over 3000 pictures (0.6% of 1 Tb). 

So, should I upgrade or not? If I don’t I will lose my albums—but it doesn’t really matter since all those pictures are still in my Photos libraries anyway. It is just that there, I cannot share those pictures. And I don’t really want to pay yet another subscription service (I am already paying for several of them) and I am already using other services that could serve as Flickr alternative — although not as good… What are the photo sharing options that I already have?

  • Adobe Portfolio included with my Adobe Creative Cloud Photography plan (US$137.83 for 20 Gb, Photoshop, Lightroom) but seems to double the use of WordPress. Although the whole Adobe Creative Cloud offers A LOT of potential that I still have to explore…
  • Amazon Photo unlimited photo storage (plus 5 Gb for video and files) already included with my Amazon Prime subscription (C$79), but you can share only links and is not web-based like Flickr was… (Ex.: Cats 2017-18) 
  • Dropbox free (using 37% of 6.8 Gb) but not able to easily share files anymore (unless I pay C$129 for 1 Tb or C$279 for 2 Tb & Showcase)
  • Facebook free, but not very practical (any limits?)
  • Google Photo free (using 6.3% of 15 Gb) but not practical because you can share only links (ex: Blogger album or Flower 2018 [from Flickr])
  • iCloud I am already paying $3.99 for 200 Gb (so far using only 40%) to host my pictures, but there’s no real option to share pictures or albums…
  • Imgurfree, no limit (sounds great! But doesn’t look very elegant)
  • Instagram free & cute, but again not very practical for photo albums
  • Photobucketfree, slow, offers only 2.5 Gb (2% used) with very intrusive ads (or pay $48.36 for 25 Gb)
  • Pinterest free, but not very practical for photo albums (good to pins pics from other sites though)
  • Vimeo250 Gb included with my Plus subscription ($108), but it’s for video only and would be superfluous and redundant if I go with WordPress Premium…
  • WordPress included with my Personal hosting ($48) I already have 6 Gb (using only 48%), but I am considering upgrading to Premium for 13 Gb ($96 but it also includes advanced social media, simple payments, site monetization and video support), but no nice way to share large albums. But I am sure I could work out something… (there are widgets for Gallery or Instagram)

After testing (again) all those alternatives (wasting an entire afternoon of writing doing so) I sadly report that none of them seems totally satisfactory. However, I refuse to pay the ransom that Flicker is asking for my picture albumsF*ck you Flickr !

I’ll probably workout something on WordPress, either directly or create a page that forward to a subsidiary site (Amazon, Google or Imgur) through links… We’ll see.

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CAM Construction

Entre novembre 2017 et juin 2018 nous avons fait faire des travaux de réparation sur la maçonnerie et le balcon arrière de notre duplex. Ce fut un vrai calvaire parce que la compagnie choisie pour effectuer les travaux, CAM Construction, s’est beaucoup trainée les pieds, n’a pas toujours tenu ses promesses et n’a pas été très honnête dans son interprétation du contrat sur un ou deux point. J’en ai parlé à plusieurs reprise sur le blogue (dont dans cette entrée sur le fait que les services à la clientèle des compagnies ne sont plus ce qu’ils étaient)…

Chose amusante, ce matin, j’ai reçu un appel téléphonique d’une dame de la Régie du Bâtiment. Apparemment, la compagnie en question est sous enquête (je ne sais pas si c’est par routine ou si c’est parce qu’il y a eut des plaintes contre eux) et la RBQ contacte des gens qui ont eu des contracts avec eux ces dernières années pour effectuer des vérifications. Je lui ai un peu raconté notre calvaire et, comme j’ai tenu un journal détaillé de l’évolution des travaux et des problèmes rencontrés lors de nos rénovations, je lui ai proposé de lui faire parvenir mes documents. Suite aux travaux j’avais également rédigé une évaluation des travaux effectués dans l’idée de la faire éventuellement parvenir au BBB ou à des sites qui suggèrent des listes d’entrepreneurs (ce que je n’ai jamais pris le temps de faire). Je lui ai donc aussi fait parvenir cette évaluation. Je suis pas mal content d’avoir l’occasion de repayer cette compagnie pour tout le temps qu’ils m’ont fait perdre et tout les soucis qu’ils m’ont donné! Karma pay back time!

J’avais d’ailleurs l’intension de mettre ces information disponibles sur le blogue mais je ne l’ai jamais fait. Je vous épargne le journal des travaux (qui fait douze pages!) mais voici mon évaluation des travaux effectués par CAM Construction:

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Murder on the Orient Express

268x0wA murder on a luxurious train forces a Belgian detective on vacation to get back to work. It is an entertaining and beautiful movie (with nice CGI scenes of old cities or of the train slithering through the snowy mountains) but it is mostly unremarkable — beside the many inconsistencies, the average [over-] acting (despite an all-star cast) and the outrageously grotesque moustaches of Hercule Poirot. Frankly, I did not like Kenneth Branagh’s interpretation of Agatha Christie’s landmark character. I guess it was one adaptation too many for this famous 1934 detective novel… Over all, despite a Box Office success (revenu were more than six times the movie’s budget), it’s a rather disappointing movie. It got a lukewarm reception with ratings of 58% / 54% on Rotten Tomatoes and 6.5 on IMDb. stars-2-5

To learn more about this title you can consult the following web sites:

[ AmazonBiblio MtlGoogleIMDbWikipediaYoutube ]

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Capsules

Notable News (w42-w53)

It has been a little more than two months since the last entry of our journal. The weather has been relatively gray, since we’ve had very little snow so far, as it was—more often than not—rain and freezing rain, and lots of ups and downs in the temperature. The most notable events on the domestic front included a strange saga over the video of a panel at the book fair, where I also attended the launch of Solaris #208 and did a capsule interview with Catherine Sylvestre. We had again a problem of flicker in our electricity (strangely only on one side of the house), so bad that one night I thought my apartment had become a disco! Finally, we found the source of the problem (old wirings) and hired an electrician for a temporary fix but we will have to change the electrical entry in spring.

Somehow my sister’s cats managed to start the shower while she was on vacation. It lasted about twenty minutes before we realized that water was dripping from my bathroom’s ceiling. Luckily this small flood was relatively contained but we had to mopped the floor for a couple of hours in the middle of the night. The damage is limited but we will have to redo our bathroom’s ceiling…

The work-place was not too much a strain on my mental health, beside the continuing problem with the ventilation and heating system (strangely when this happens at another library of the borough they close immediately while we have to endure and work in very unpleasant conditions—that’s so unfair!) and some dubious decision on age classification of some mangas (Bride Stories, Nausicaa & Mafalda for kids! Are you joking?)!

readings2018Apple announced new Macs and iPads. We attended the vegan fest again, visited the Book of Hours and the Calder exhibits. I reached my reading goal for the year (fifty books! But, as usual, it was mostly comics and mangas). This allowed my to comment on  a few books (C Comme Cthulhu, Le Chat du Rabbin 8, Isabella Bird 3, Nous rêvions de robots, Pline 6, Ross Poldark, and a book about the New Yorker’s cartoons). I also wrote about the works (bande dessinée) of Philippe Gauckler: Convoi, Prince Lao and Koralovski. Unfortunately, I still watch too much TV and movies (A place to call home season 6, Mars season 2, Murder on the Orient Express, Outlaw KingPicnic at Hanging RockRBG, Solo, Transformer: The Last Knight, Traverlers season 3). Finally, I took some time to reminisce about the fanzine era and the old Protoculture days.

2018blogstatsI just completed my first year with WordPress.com so I don’t have much basis to compare this year’s statistics (although I remember that with Internic’s hosting I had ten times more traffic so either they were calculating it differently or I lost some followers in the switch or WordPress is not promoting the traffic as well). There is also a slight difference between WordPress’ and StatCounter’s numbers. Anyway, in 2018 I posted 319 entries (a 16% increase), acquired 68 followers and received (if we round up a little) an average of a thousand views per month or 350 visitors per month (about 135 returning visitors per month). It is not as much as I would I’ve liked but it is a beginning. The most important is that it keeps increasing from month to month. I’ll keep improving the blog and (hopefully) writing more so it will be at its best when I retire and make it my main occupation (in about 3064 days!). 

doonesbury-20181021

Doonesbury (2018/10/21)

On the world stage, the months of November and December had their lots of typhoon, floods, wildfires, tsunami, and violent protests in France, but it is mainly the U.S. Mid-term elections that retained the attention. In reaction to Trump’s insane White House, people went to the ballot with numbers not seen in nearly a century allowing the Democrats to retake the House by electing many young candidates, including several women (95), members of racial minorities (two Muslim and two Native Americans) or of the LGBT! Space exploration was also in the news as we landed another probe on Mars, explored more asteroids and mini-planets, and China landed a probe on the far-side of the moon.

All in all, 2018 was a very challenging year for everyone, so let’s hope that 2019 will be much better.

Through all this I tried to stay acquainted with the affairs of the world and gathered a few notable news & links — which I now share with you (in both french or english, slightly categorized, but in no particular order — note that, to save on coding time, the links will NOT open in a new window as usual), after the jump.

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20 Years of Protoculture

20YoP-heading

This article was first published in Protoculture Addicts #94 (Nov.-Dec. 2007): 21-27. It was celebrating the 20th anniversary of the magazine. For this version, I have added a few details and corrections, and I have omitted some illustrations (but added some new ones), as well as removed the sidebars (Uh?! for episodes 1-6, Top Uh?!, Where are they now) and the articles’ index that were part of the original article.

It might be hard to believe, but this magazine has been in publication for twenty years. I, myself, am amazed by this fact. Twenty years already? It didn’t feel that long. But, yeah, I’ve spent nearly half my life working on Protoculture Addicts, and I don’t regret a single moment of it. Like any anniversary, it makes me nostalgic (well, the fact that I am listening to soundtracks from Macross, Mospeada and Robotech while writing this certainly add to this feeling). It makes me think of the good ol’ years, of friends that I have not seen in a long time. But there’s no time for melancholy— anniversaries need to be celebrated! In the past, when I wanted to do a special issue, I usually added more colour. 

Unfortunately, I cannot do that now since we are already full-colour and we are still not big enough to add goodies like a free DVD. However, I quickly realized that the best way to celebrate the magazine was to tell you its story. I am sure that, once you know a little more about where it’s coming from, you’ll better appreciate the magazine. After all, it started like an episode of Comic Party or Doujin Work—a crazy idea in the mind of a bunch of idle college kids. So please, gather around, be quiet (gee, I feel like Uncle Carl when he was telling one of his anecdotes), and listen to this very special anime story… 

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Bonne et heureuse année 2019

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En ce dernier jour du cycle solaire, je souhaite à tous que la nouvelle année vous soit meilleure et favorable en tous points. Que Janus veille sur votre passage vers cette 2772 ème année ab urbe condita (ou l’an MMXIX CE du calendrier grégorien, ou l’an Heisei 30 [平成30年]). Puissiez-vous vivre longtemps et prospérer…

On this last day of the solar cycle, I wish everyone a better and favourable new year in all respects. May Janus watch over your passage towards this 2772 nd year ab urbe condita (or the year MMXIX CE of the Gregorian calendar, or the year Heisei 30 [平 成 30 年]). May you live long and prosper …

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The Complete Cartoons of The New Yorker

CompleteCartoonsNewYorker-covI acquired this phenomenally huge book in a sale earlier this fall and I paid only fifteen dollars for it. I have always liked the single-panel cartoons (often referred to as “gag cartoon”, in the likes of what you find in the series “For Dummies”, or in Herman or Bizarro, and, of course, in newspapers’ editorial cartoons) and the most iconic of those could be found in the magazine The New Yorker. So I was quite pleased with this acquisition. However, it is the type of nightstand book that you savour slowly and it took me a couple of months to go through its 655 pages and over 2,000 cartoons (about two weeks of actual reading). Unfortunately the used copy I purchased did not include the two CDs with all 68,647 cartoons ever published in the magazine (if so it would have taken me much more time to read!).

A New Yorker cartoon is usually made of one drawing (but sometimes of the sequence of two or three), plus a funny caption. Most of the time all the humour is in the caption… Here are some examples:

 

The cartoons are organized into the eight decades during which the magazine was published (from its founding in 1925 until the publication of the book in 2004) and each period is introduced by an essay by one of the magazine’s most distinguished writers: 1925-34 (introduction by Roger Angell), 1935-44 (Nancy Franklin), 1945-54 (Lillian Ross), 1955-64 (John Updike), 1965-74 (Calvin Trillin), 1975-84 (Ian Frazier), 1985-94 (Mark Singer) and 1995-2004 (Rebecca Mead). The book starts with an Editor’s Note by Robert Mankoff and a Forword by David Remnick, and concludes with an index of Artists.

In addition, for each era, you find a brief overview of a predominant theme (the depression, drinking, nudity, television, cars, the space program, slipper dogs, business culture, the internet and politics) as well as a brief profile (including a mini-portfolio) for a key cartoonist (Peter Arno, George Price, James Thurber, Charles Adams, William Steig, Saul Steinberg, George Booth, Jack Ziegler [about whom I’ve already talked], Roz Chast, and Bruce Eric Kaplan).

In a way, this book chronicles the history of the magazine, but also the history of the American society. Therefore, it is much more than just a funny reading as it provides great insights and understanding of the socio-politics of each era.

For me, the cartoons were funny most of the time (not LOL, but a chuckle or quiet giggle), but I also often didn’t get it (particularly the older ones — I guess culture change with time or the context was lost to us as sometimes you needed to be there to understand). However, I enjoyed reading this book immensely. If you have a chance, it is worth the time and therefore highly recommended. stars-3-5

To learn more about this title you can consult the following web sites:

[ AmazonBiblio MtlGoodreadsGoogleWikipediaWorldCat ]

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RBG

RBG-covI just watched this CNN documentary about the life of judge Ruth Bader Ginsburg. It is really a historical crash course about the other side of the fight for civil rights: the legal aspect of the women’s lib movement in which RBG played an essential role. The film is composed of extracts of hearing and court proceedings as well as interviews with RBG, friends, family and some legal or political experts. We first learn how she became a lawyer in 1959 (Harvard and then Columbia) but couldn’t find employment because she was a woman. She taught law at Rutgers. Within the ACLU she co-founded in 1972 the Women’s Rights Project which oversaw hundreds of gender discrimination cases, RBG personally arguing six of them before the Supreme Court (winning five). It is incredible how such a small and frail woman could be so dedicated and determined to fight gender discrimination in any way necessary in order to slowly build up precedents and find justice.

In 1980, Jimmy Carter nominated her as judge on the U.S. Court of Appeals for D.C.. In 1993, Bill Clinton nominated her as an Associate Justice of the Supreme Court where she played an iconic role. With the retirement of Justice O’Connor in 2006, she became the only woman on the court, until the nomination of Justice Sotomayor in 2009. First considered a moderate, she shifted toward the Left to preserve the balance as the court became more conservative. She is known for her dissenting opinion. She could be the last line of defence against the civil rights roll back by the Trump administration. Strangely, the appeal of her work and personality — through an Internet meme named Notorious R.B.G., which was comparing her to rapper Notorious B.I.G. — has given her great pop culture fame.

This is a great documentary that is fun to watch, but also very informative. I’ve learned a lot about American history. It is also a nice introduction to another movie about RBG’s life, this time a fictionalized account of her early days, titled On the Basis of Sex and which was just released this Christmas. RBG was well received as it earned a 94% rating on Rotten Tomatoes and 7.6 on IMDb. Therefore, it is highly recommended. I recorded it when it aired on CNN in September, but it is now available on Dvd (from Amazon or your local library) and can also be streamed on iTunes or Amazon Primestars-3-0

To learn more about this title you can consult the following web sites:

[ Amazon PrimeGoogleIMDbOfficialWikipediaYoutube ]

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A place to call home S06

APlaceToCallHome-s06-covI just finished watching the sixth and final season of this Australian soap. It tells the story of the Blighs, a rich family of land owners from Inverness (New South Wales) whose life change forever after the chance encounter with a nurse on a cruise ship. Each member of the family will know love, grief and betrayal multiple times as they ride the wave of modernity emerging from the post-WW2 era (the Fifties). Some of them will have to come to term with the horrors of the war and they will all discover — and fight for, sometimes against their own prejudices — a large spectrum of human rights: gay rights, minority rights (Italians, Jews, Aboriginals) and women’s rights… It’s some sort of Australian’s Downton Abbey.

I am not a big fan of soaps (I watched them only with my wife) but this one is well written, endearing, it knows how to stir emotions and makes you reflects on our own society. It was very well received by the critics with a score of 100% (audience score of 85%) on Rotten Tomatoes and 8.3 on IMDb. I enjoyed it a lot myself, so I’d say it’s worth watching if you have the time (it has 67 episodes) and can find it (it plays on BBC Canada sometimes and the first five seasons are available on Dvd). stars-3-0

To learn more about this title you can consult the following web sites:

[ AmazonBiblioGoogleIMdBOfficialWikipediaYoutube ]

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Transformers: The Last Knight

TransformersTheLastKnight-covThis story literally puts Earth against Cybertron. It’s Megatron versus Unicron. The Transformers have been here since the night of time. They fought with King Arthur, they fought in World War One, and even against Hitler. But we didn’t know about it because their existence has been occulted by a secret society started by Merlin himself, as he was entrusted with a power staff to control them all (or at least the three-headed dragon made of the bot-knights of the round table!). And Stonehenge is a weapon (more or less; maybe more a socket for a weapon…)!

Under the influence of Quintessa, Optimus has become Nemesis Prime! However, Yeager’s Autobot partner, Bumblebee, turns him around and, with the help of the bot-knights, they fight back against Quintessa and Megatron’s plan to destroy Earth. But it is far from over as the fight will continue with yet another movie (no, please, make them stop!)…

This movie offers a few good ideas (transformers in the past, steampunk influences, introduction of interesting new characters like Viviane or Izabella), but they are unfortunately slapped together in a messy way. The editing is horrendous, the dialogues terrible and don’t even get me started with the bad humour! At 2h34, the movie is way too long and the action is going too fast — transformations are just a blur and it feels like you’re watching a movie in fast-forward! Definitely entertaining but also rather annoying (particularly Cogman, the Bot-ler). I guess it is mostly for the hard-core fans.

The movie made plenty of money but it was disliked by viewers (with a mere 15% critic rating and 44% audience score at Rotten Tomatoes and 5.2 on IMDb — strangely the next film, standalone prequel Bumblebee, did very well with a Rotten Tomatoes critic rating of 94%). Maybe it’s time to pause and rethink the franchise… stars-2-0

To learn more about this title you can consult the following web sites:

[ AmazonBiblio MtlGoogleIMDbWikipediaYoutube ]

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Happy Holidays to all !

Gratin assaisonné à tous

🌲☃️ 

Season’s greetings to all

Happy Holidays!

 🎁   🙏  🍀

A défaut de vous souhaitez la paix dans le monde (soyons réaliste!), je vous offre à tous, amis et lecteurs, mes voeux de quiétude et d’ordre, de bonheur et de joie, de santé et de prospérité tant pour ce solstice qui clôt un autre cycle solaire que pour la nouvelle année qui s’amorce et que nous espérons meilleures (Pour nos amis américains, je souhaite également une destitution sans peine et un prompt rétablissement 🤪). Peu importe ce que vous célébrez (Noël, Hanukkah, Kwanzaa, Festivus, Saturnales, etc.) je vous souhaite tous de joyeuses fêtes!

For want of peace in the world (let’s be realistic!), I offer you all, friends and readers, my wishes for quietude and order, happiness and joy, health and prosperity for this solstice which closes another solar cycle as well as for the new year that is beginning and that we hope better (For our American friends, I also wish a painless impeachment and a speedy recovery 🤪). No matter what you celebrate (Christmas, Hanukkah, Kwanzaa, Festivus, Saturnalia, etc.) I wish you all happy holidays!

🏛    ⛪️    🕌    🕍    🕋    ⛩

عطلات سعيدة للجميع

祝大家節日快樂

Feliĉaj Ferioj al ĉiuj

Frohe Feiertage für alle

Ευχάριστες διακοπές σε όλους

Happy Holidays nan tout

חג שמח לכולם

सभी के लिए खुश छुट्टियाँ

Buone Feste a tutti

すべてにハッピーホリデー

Beatus festis in omnes

Счастливые праздники для всех

Felices fiestas a todos

Chúc mừng ngày lễ cho tất cả

 

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Mars S02

Mars-TV-posterI just finished watching the second season (and the end) of Mars, a National Geographic docudrama about what the colonisation of the red planet could look like. It’s based on a book by Stephen Petranek, How We’ll Live on Mars Amazon / Biblio ]The series has 13 episodes (two seasons of six episodes, plus a prequel).

It offers a fictitious story intertwined with interviews of real scientists and personalities (such has Elon Musk, Susan Wise Bauer, Andy Weir, Antonia Juhasz, Neil deGrass Tyson, Adam Frank, Stephen Petranek, Bill Nye, Kim Stanley Robinson, Robert Zubrin, Ann Druyan, etc.) to discuss the feasibility and necessity of exploring and colonizing Mars. It shows not only the scientific aspects of such endeavour, but also its human side. It is filmed in a very realistic way and the acting is good (although there’s no known actors in this international cast). A companion book was created to go along the TV series: Mars: Our Future on the Red Planet [ Amazon / Biblio ].

It is really interesting, particularly if you like hard science-fiction (series like The Expanse), but I would rather see a TV series adaptation of Kim Stanley Robinson Mars trilogy… I am disappointed that it lasted only two seasons as it could have been so much more. The constant interruption of the storytelling with interviews can be annoying sometimes, but it gives the story more realism and makes the series not only entertaining but also educative. However, considering how slow space exploration is going right now, I think that starting the story in 2033 is a bit too optimistic. It was relatively well received by viewers and critics (ratings of 61% / 66% on Rotten Tomatoes and 7.5 on IMDb) and it is worth watching if you like space exploration. stars-3-5

To learn more about this title you can consult the following web sites:

[ AmazonGoogleIMdBOfficialWikipediaYoutube ]

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Prince Lao

PrinceLao-01-covDans la haute montagne, Lao passe ses journées à courir après les animaux. Il ne sait pas encore que ces derniers vont devenir ses meilleurs amis après qu’une avalanche ait enseveli son village et sa famille. Recueilli par Chabala, un immense yéti blanc, Lao découvre alors qu’il peut parler le langage des animaux. Un nouveau monde s’offre à lui : de nouveaux amis, des paysages où nul de ses semblables n’a jamais posé le pied… mais aussi une lutte incessante contre la cupidité et la cruauté des humains ! 

Un magnifique conte initiatique en haut des cimes himalayennes.

ATTENTION: Peut contenir des traces de “divulgâcheur” [spoilers]! Les personnes allergiques à toutes discussions d’une intrigue avant d’en avoir eux-même pris connaissance sont vivement conseillées de prendre les précautions nécessaires pour leur sécurité et devraient éviter de lire plus loin! 

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T. 1, page 3

Entre Convoi et Koralovski, Philippe Gauckler a produit une bande-dessinée d’aventure pour enfants. Prince Lao est le récit des aventures d’un jeune garçon de sept ou huit ans, fils de bergers nomades qui vivent dans les pâturages himalayens de ce qui apparait être le Tibet. Lorsqu’une avalanche détruit leur campement, Lao se retrouve seul en plein blizzard. Il est recueillit par un gentil yéti blanc nommé Chabala. Ils retournent tous deux sur les lieux du campement ensevelit mais ne trouvent traces de personnes, seulement le coller de jade de Mamidahy, sa grand-mère. Lorsque les amis de Chabala, le léopard des neiges Sheyen et le gypaète géant Mirro, sont capturé par des chasseurs (vraisemblablement chinois car, selon Sheyen, ils “font de plus en plus d’incursions sur notre territoire”), Chabala et Lao partent à leur recherche, se lançant ainsi dans un long périple initiatique qui ultimement permettra à Lao de se découvrir. 

La présence de Chabala confère à Lao une partie de ses pouvoirs et il peut ainsi parler aux animaux. Avec l’aide de plusieurs compagnons d’infortune (les chats siamois Yin et Yan, le panda Zazen, la belette Shépa, la petite humaine Amala et le dompteur Pok), ils retrouvent finalement leurs amis dans le repère des chasseurs, l’île aux Loups. Après quelques péripéties et un combat contre le loup-ours Himal, ils rendent leur liberté à tous les animaux capturés par l’infâme colonel Kayen.

Gauckler nous offre ici un beau conte sous la forme d’une BD dans un format plus traditionnel que Convoi. Le trait est simple et les couleurs à plat sont plus claires et sobres. C’est très agréable à l’oeil. Le récit est fluide et assez dynamique, alors que chaque page se termine sur une sorte de suspense qui nous appel à poursuivre la lecture.  Cela en fait une excellente BD pour enfants (et aussi pour grands).

Prince Lao T. 1: L’Île aux Loups, par Philippe Gauckler. Bruxelles: Éditions Le Lombard, juin 2006. 48 pages, 22.5 x 29.7 cm, 10.60 € / C$17.95. ISBN 9782803621682. Pour lectorat jeune (3+). stars-4-0

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