Retour du solde de livres !

Le solde de livres des Amis de la bibliothèque de Montréal est de retour encore cette année. Il aura lieu du 20 au 28 mai, de 13h à 19h. Mais attention toutefois: comme l’emplacement habituel est sous rénovation, l’événement aura exceptionnellement lieu à l’Aréna Martin-Brodeur (5300 boul. Robert, Saint-Léonard). On peut s’y rendre de nombreuses manières: avec l’autobus 32 ou 432 Lacordaire (Nord) à partir du métro Cadillac, avec l’autobus 141 Jean-Talon (Est) puis l’autobus 32 Lacordaire (Nord) à partir du métro Saint-Michel, avec l’autobus 69 Hneri-Bourassa (Est) puis la 32 Lacordaire (Sud) à partir du métro Henri-Bourassa, et finalement avec l’autobus 192 Robert (Est) à partir du métro Crémazie.

Comme à chaque année, le Solde de livres offre plus de 100,000 livres et revues à petits prix ($1 pour les livres adultes et les CDs ou DVDs, 50¢ pour les livres d’enfants et les revues et $2 pour les beaux livres, dictionnaires et encyclopédies) — et cela inclus plus 15,000 livres en anglais. Le but de cette vente est “de prolonger la vie utile de ces livres, d’aider à répandre le goût de la lecture et de permettre aux citoyens de Montréal d’enrichir leur bibliothèque personnelle à faible coût. Les revenus provenant de ce solde serviront principalement à financer des activités d’animation dans les bibliothèques de Montréal.”

À ne pas manquer !

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40th Japan Academy Awards (2017) winners

On March 3rd, in a televised ceremony held at the Grand Prince Hotel New Takanawa in Tokyo, the Nippon Academy-Sho Association awarded the 40th Annual Japan Academy Prizes (第40回日本アカデミー賞) for the best Japanese movies of 2016. In This Corner of the World won in the best animation category (but Makoto Shinkai’s Your name still got best screenplay and best music) and Shin Godzilla was a big winner with seven awards (including best picture, best director and best cinematography)!

Discover all the winners (highlighted in yellow) after the jump:

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40th Japan Academy Awards (2017) nominees

The nominees for the 40th Annual Japan Academy Prizes (第40回日本アカデミー賞) were announced on January 15th. The winners in each category will be revealed by the Japan Academy Prize Associations at a ceremony held at the Grand Prince Hotel New Takanawa in Tokyo on March 3, 2017.

Here is the list of all the nominees (after the jump):

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Salon du livre 2016


Mercredi, après le travail, j’ai profité de l’offre d’une entrée gratuite aux détenteurs de cartes des Bibliothèques de Montréal et de la BANQ pour faire ma visite annuelle au Salon du Livre de Montréal.

En passant chez mes amis d’Alire j’ai remarqué, entre autres, le dernier Patrick Sénécal, L’Autre reflet, l’impressionnant Détectionnaire de Norbert Spehner (qui était d’ailleurs l’un des invités d’honneur du salon), et noté la parution prochaine de L’Année de la science-fiction et du fantastique québécois 1996 (enfin)! Étrangement j’ai remarqué qu’il y avait au salon cette année beaucoup de livres de cuisine végane (un signe des temps, sans doute) et j’ai aperçu ce qui semble être la réédition (pas si récente que ça) du manga de UFO Robot Goldorak. Toutefois, je n’ai rien remarqué de frappant dans les nouveautés et je n’ai pas trouvé le manga de Marie-Antoinette que je cherchais (une nouveauté qui date quand même de septembre! — ça m’a tout de même aidé à mieux résister à la tentation d’acheter quoi que ce soit!).

Je ne comprends vraiment pas pourquoi les éditeurs et distributeurs poussent au salon seulement leur gros titres et meilleurs vendeurs alors que le salon devrait être le lieu pour faire connaître et promouvoir les nouveautés et les titres moins connus!

Autre étonnement: je constate l’absence de kiosques pour les bibliothèques de Montréal et pour la BANQ. Pourtant, par les années passées, ils avaient au moins des kiosques statiques (juste des affiches et des dépliants) ou même partageaient ensemble un kiosque (comme l’an passé). Mais, cette année, rien du tout! Pourtant si les biblios ont besoin d’une chose c’est bien de promotion. Ils pourraient faire la démontration des nouveaux postes d’auto-prêt, ou du catalogue Nelligan Découverte, parler des nouvelles biblios, de celles avec des projets de rénovations, des services en ligne, du prêt numérique, du tout nouveau service de prêt d’instruments de musique, offrir des abonnements (pour augmenter le taux d’abonnés par habitant qui est plus bas au Québec que dans le reste du pays), etc, etc.

Bien sûr, avoir un kiosque au salon et du monde sur le plancher ça coûte de l’argent et la ville (ou le gouvernement) semble penser que la culture c’est pas important. Et pourquoi investir et promouvoir si au bout du compte ça rapporte rien? Les bénéfices rapportés par les bibliothèques, c’est bien connu, ça ne se voit pas alors ça ne compte pas vraiment. C’est tellement Trump! On est vraiment entré dans une nouvelle ère. Argh! Quelle horreur… Saint-Lovecraft venez à notre secours!

Donc, cette année, un salon plutôt décevant. Heureusement que je ne manque pas de livres à lire!

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Vegan Fest


Last week my wife dragged me to a vegan festival. I went only because I was curious to see what vegans looked like…

I mean, I’m all for eating healthy and I want to encourage local production so I was appalled that people would want to eat food from a distant solar system. And I had never seen little green people up-close…

Oh… You mean Vegan are not actually people from Alpha Lyrae, a.k.a. Vega? So why are they also called the green people? Umm. I was wondering why someone would bother to import food from a place 25 light-years away. Now it makes sense. My mistake.

So I stand corrected: Vegans are practitioners of veganism and therefore abstains from consuming any animal products like meat (including fish and seafood), eggs, dairy and all their derivatives (might even includes honey!). It also sometimes goes as far as opposing the use of any animal products (like leather) and advocating for animal wellfare. They must not be confused with vegetarians, who abstain only from consuming meat, but can sometimes be called vegetalians (because they consume only food from the vegetal order: seeds, vegetables, fruits, mushrooms, etc.). For some it’s not only a diet, but a philosophy, a religion even.

I am a very tolerant person and believe that people can do whatever they want as long as they don’t bother me with it. Lives and let live. I think that we should consume locally-produced food as much as possible and that we should be very careful with what we eat: avoid eating too much red meat for example and avoid processed food. However, I really don’t understand those vegans.

More on this after the jump >>

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Opening of the 33rd JFFM

As I mentioned before, the 33rd Japanese Film Festival of Montreal was held at the Cinémathèque Québécoise on October 27th and 29th. This free annual event is co-organized by the Japan Foundation (Toronto) and the Consulate General of Japan in Montreal.

Before the screening of the first movie, A Tale of Samurai Cooking, the attendees were treated with a few canapé and a degustation of sake. There was a presentation by the a staff member of the Japanese consulate in Montreal, followed by allocutions of the Cinémathèque general director, Marcel Jean, and the Consul General in Montreal, Hideaki KURAMITSU.

Here’s a video of the opening allocutions (available on Vimeo):


You can also check our comments on two of the three movies presented at the festival: A Tale of Samurai Cooking and Sue, Mai & Sawa: Righting the Girl Ship.


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Japanese Film Festival of Montreal

Japanese Film Festival of Montreal

Each fall, the Japan Foundation (Toronto) and the Consulate General of Japan are pleased to offer free screenings of Japanese films. The films are in Japanese with English subtitles. Limited seating is available on a first-come, first-served basis, with no reservations. This is the 33rd edition.

The screenings will take place at the Cinémathèque québécoise (335 De Maisonneuve Blvd East, Montreal, QC — near métro Berri-UQAM).


Thu. October 27, 2016 at 19:00

A Tale of Samurai Cooking: A True Love Story (武士の献立 / Bushi no kondate). Japan, 2013, 121 min., drama, dir.: Yûzô Asahara, with Aya UETO, Kengo KÔRA, Kimiko YO, Toshiyuki NISHIDA. Read our comments on this movie.

Haru has an excellent sense of taste and unsurpassed skill in the kitchen, but her impetuous character leads to her husband asking for a divorce after only a year of marriage. One day, she is approached by Dennai Funaki, a samurai chef from Kaga, to marry his son and heir, Yasunobu.

Serving the Lord of Kaga not with the sword, but with the kitchen knife, the Funaki family has been known as “Kitchen Samurai” for generations. However, Yasunobu’s lack of culinary skills has placed the Funaki name in peril. To save her new family and its status as “Kitchen Samurai”, Haru decides to teach her new husband the refined art of Kaga cuisine from her point of view. Inspired by a true story. (Text from the Cinémathèque website)

For more information: AsianWiki, IMdB, Official website, Youtube


Sat. October 29, 2016 at 13:00

Drops of Heaven (天のしずく / Ten no shizuku Tatsumi: Yoshiko inochi no sûpu). Japan, 2012, 113 min., documentary, dir.: Atsunori Kawamura, with Yoshiko Tatsumi.

A cooking guru serves wisdom, one soup at a time. In this heartwarming documentary, discover 88-year-old culinary artist Yoshiko Tatsumi and her “Soup of Life”, a soothing dish she ingeniously created for her bed-ridden father. As seasonal crops grow in the beautiful and delicate landscapes of Japan, Yoshiko Tatsumi brings out the best of ingredients, cooking with care to nurture love and joy. (Text from the Cinémathèque website)

For more information: Mubi, IMdB, Official website, Daily Motion


Sat. October 29, 2016 at 15:00

Sue, Mai & Sawa: Righting the Girl Ship (すーちゃん まいちゃん さわ子さん / Sû chan Mai chan Sawako san). Japan, 2013, 106 min., drama, dir.: Osamu Minorikawa, with Yôko Maki, Shinobu Terajima, Ko Shibasaki. Read our comments on this movie.

A heartwarming drama based on Miri Masuda’s comic strip series, Sue, Mai & Sawa: Righting the Girl Ship offers a warm and tender depiction of the lives of three women, former colleagues whose friendship has endured over the course of 10 years. Now in their thirties, the three friends each harbor anxieties about their future, their professional paths, their love lives, and their family ties. (Text from the Cinémathèque website)

For more information: AsianWiki, IMdB, Official website, Wikipedia, Youtube


Source: Coco Montreal ( Facebook, webpage )

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Japanese movies at FNC


The 45th Festival du Nouveau Cinéma (FNC) will be held from 5 to 16 October and will offer 340 films (including 138 feature films and 170 short films) from 62 countries, including 43 world premieres. That will include nine Japanese movies. For more information: nouveaucinema.ca.

Press coverage:

[ Coco Montreal ] [ Le Devoir ] [ The Gazette ] [ La Presse ] [ Shomingeki ]
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Incontournables

  • After the Storm (海よりもまだ深く / Umi Yorimo Mada Fukaku). Japan, 2016, 117 min.; Dir./Scr.: Hirokazu KOREEDA; Phot.: Yutaka Yamasaki; Cast: Hiroshi Abe, Kirin Kiki, Yoko Maki, Taiyo Yoshizawa, Sosuke Ikematsu, Lily Franky, Satomi Kobayashi, Isao Hashizume.

    A typhoon is the catalyst for reuniting a family shattered by divorce. Hirokazu works with a huge palette of emotions. Continuing his unflinching dissection of Japanese family neuroses, Kore-Eda Hirokazu returns with a powerful ode to forgotten dreams. Supported by a rich, surprising cast of secondary characters, After the Storm is driven by a masterful performance by Hiroshi Abe, playing a jaded father, inveterate gambler and failed writer seeking redemption. Hirokazu’s tender, melancholy new film is a tribute to families torn asunder by divorce but who are still trying, against all odds, to stay afloat. (Text from the FNC website)

    Schedule: Sun Oct. 9 13:00 at Cinema Imperial, Sun Oct. 16 17:00 at Cinéma du Parc 1.

    [ AsianWiki ] [ IMdB ] [ Wikipedia ] [ Youtube ]

  • Daguerrotype. France/Belgium/Japan, 2016, 131 min.; Dir.: Kiyoshi KUROSAWA.

    This first French production by Kyoshi Kurosawa stars Tahar Rahim, Olivier Gourmet and Constance Rousseau. Stéphane is a widowed former fashion photographer with an obsession for Daguerreotypes. He lives in the suburbs with his daughter, Marie. Now she is his model, and their photo sessions keep getting longer and more challenging. Then a new assistant, Jean, arrives. This is the first film Kiyoshi Kurosawa (Kaïro, Tokyo Sonata) has made outside Japan. It is a toxic tale of love and death intertwined, shot in cinemascope. Starring Tahar Rahim, Olivier Gourmet and Constance Rousseau. (Text from the FNC website)

    Schedule: Sat. Oct. 8 13:00 at Cinema Impérial, Wed. Oct. 12 13:00 at Cineplex Odeon Quartier Latin 10.

    [ IMdB ] [ Youtube ]

Temps ø

  • Antiporno (アンチポルノ / Anchi Poruno). Japan, 2016, 78 min.; Dir.: Sion SONO; Cast: Ami Tomite. North American premiere.

    An anarchist broadside that feminizes rage, confronts sex and cries out for freedom. Will make (some) men quake in their boots. (Text from the FNC website)

    Schedule: Mon. Oct 10 21:30 at Cinéma du Parc 1, Fri. Oct. 14 17:15 at Cinéma du Parc 2

    [ AsianWiki ] [ IMdB ] [ Youtube ]

  • Destruction Babies (ディストラクション・ベイビーズ / Disutorakushon Beibizu). Japan, 2016, 108 min; Dir.: TETSUYA Mariko; Scr.: Tetsuya Mariko, Kohei Kiyasu; Cast: Yuya Yagira, Masaki Suda, Nana Komatsu, Nijiro Murakami. North American premiere.

    I punch therefore I am… A kind of psycho Fight Club about a disenfranchised generation. Harrowing. (Text from the FNC website).

    Schedule: Fri. Oct. 7 16:30 at Cinéma du Parc 1, Sun. Oct. 9 at Cinéma du Parc 2.

    [ AsianWiki ] [ IMdB ] [ Youtube ]

  • Sadako vs. Kayako (貞子vs伽椰子). Japan, 2016, 98 min; Dir./Scr.: Kôji SHIRAISHI; Phot.: Hidetoshi Shinomiya; Cast: Mizuki Yamamoto, Tina Tamashiro, Aimi Satsukawa, Masahiro Komoto, Masanobu Ando, Mai Kikuchi, Misato Tanaka.

    Two legendary Japanese curses. A female face-off that shall spook evil. Horror and humour bang heads for a knock-out surprise of a film that’s drolly entertaining. (Text from the FNC website)

    Schedule: Sun. Oct. 9 21:00 at Cinéma Impérial, Sun Oct. 16 17:30 at Cinéma du Parc 2

    [ AsianWiki ] [ IMdB ] [ Wikipedia ] [ Youtube ]

  • The Sion Sono (園子温という生きもの / Jônetsu tairiku Presents Sono Shion to iu ikimono). Japan, 2016, 107 min.; Documentary, dir.: Arata OSHIMA; Phot.: Hidenori Takahashi; Ed.: Yoshihiro Ohkawa; Cast: Ellie, Megumi Kagurazaka, Fumi Nikaidou.

    An amazing journey into the mind of the fiercest, most topical of the great directors. A privilege full of revelations. The universally admired Sion Sono (Whispering StarLove ExposureGuilty of Romance) is a cult-cinema auteur who remains something of a mystery. Here, he reveals himself at last. Painting, film, poetry, music, whether with his wife or his sister, The Sion Sono is an essential, long overdue guide to understanding the artist’s singular approach. Naturally, the film restores Sono to his rightful place at the heart of the fascinating history of modern Japanese cinema. Directed be the son of Nagisa Oshima. (Text from the FNC website).

    Schedule: Sun. Oct. 9 15:00 at UQAM Pavillon Judith-Jasmin annexe (Salle Jean-Claude Lauzon), Sat. Oct. 15 19:00 at Cinéma du Parc 1

    [ IMdB ] [ Official Site ] [ Youtube ]

  • Wet woman in the wind (Kaze ni nureta onna). Japan, 2016, 77 min.; Dir.: Akihiko SHIOTA.

    A wet woman in the wind meets a cold man in nature. Love is in the air. Sex is everywhere. (Text from the FNC website).

    Schedule: Mon. Oct. 10 17:00 at Cineplex Odeon Quartier Latin 17, Thur. Oct. 13 21:30 at Cinéma du Parc 1

    [ IMdB ]

Panorama International

  • Harmonium (淵に立つ / Fuchi ni tatsu). Japan, 2016, 118 min.; Dir./Scr./Ed.: Kôji FUKADA; Phot.: Ken’ichi Negishi; Mus.: Hiroyuki Onogawa; Cast: Mariko Tsutsui, Tadanobu Asano, Kanji Furutachi.

    The Japanese director revisits family melodrama in this third feature. Toshio lives quietly in the suburbs with his wife and little girl. Yasaka, an old friend who’s just been released from prison, shows up at the man’s house and begs for work. As well as offering Yasaka a place to stay, Toshio welcomes his old friend into his small workshop, unaware that the ex-con is nursing an old, deep grudge. Kôji Fukada’s surprising and touching melodrama astonishes not only with its unpredictable, circuitous plot, but also with its powerful realism. (Text from the FNC website).

    Schedule: Tue. Oct. 11 20:30 at Cineplex Odeon Quartier Latin 10, Sat. Oct. 15 15:00 at Cinéma du Parc 1

    [ AsianWiki ] [ IMdB ] [ Wikipedia ] [ Youtube ]

  • Yamato (California). Japan/USA/Taiwan/Netherland, 2016, 119 min.; Dir./Scr.: Daisuke MIYAZAKI; Phot.: Akiko Ashizawa; Ed.: Ryoma Hirata; Cast: Nina Endo, Hanae Kan, Reiko Kataoka, Haruka Uchimura. World premiere. The director will be present to introduce his movie.

    In Yamato, rap is a border, a bridge that connects two young women, while at the same time addressing the “American problem” in Japan. (Text from the FNC website).

    Schedule: Sat. Oct. 8 21:15 at UQAM Pavillon Judith-Jasmin annexe (Salle Jean-Claude Lauzon), Tue. Oct. 11 17:00 at UQAM Pavillon Judith-Jasmin annexe (Salle Jean-Claude Lauzon)

    [ IMdB ] [ Official site ]

We also recommend the following animated feature, even if it’s not Japanese:

La tortue rouge. France/Belgium, 2016, 80 min.; Dir. Michael Dudok de Wit. International competition.

Nearly ten years in the making, La tortue rouge is a touching animated tale, sublime in its naturalism. A shipwrecked man struggles to survive on a deserted tropical island teeming with turtles, crabs and birds. His attempts to build a raft are thwarted by a red tortoise. An award winner at Un Certain Regard, La tortue rouge is the first collaboration between Ghibli Studios and an outside artist, Dutch animator Michael Dudok de Wit. The break with tradition pays off: this is a uniquely beautiful and moving film. (Text from the FNC website).

Schedule: Sun. Oct. 9 13:00 at Cineplex Odeon Quartier Latin 17, Mon. Oct. 10 19:00 at Cineplex Odeon Quartier Latin 17

[ IMdB ] [ Official site ] [ Wikipedia ] [ Youtube ]

FFM videos


To complete our coverage of the festival, here is the video for the Red carpet arrival of director Yoshinari Nishikori, actors Naoki Kobayashi and Sho Aoyagi for the Japanese movie Tatara Samurai screened at the Montreal World Film Festival on August 29th, 2016:


Tatara Samurai – Red Carpet from clodjee on Vimeo.
And here is the video of the introduction and Q&A for Tatara Samurai screened the same night:


Tatara Samurai from clodjee on Vimeo.
As a bonus I am throwing in the video of Isabelle Adjani’s red carpet arrival at the Montreal World Film Festival on September 4th, 2016:


Isabelle Adjani – Red carpet from clodjee on Vimeo.
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FFM 2016 wrap-up


Here we are concluding our coverage of the Festival des Films du Monde (FFM)

Unfortunately, only two Japanese movies won an award this year: Tatara Samurai by Yoshinari Nishikori won “Best Artistic Contribution” and Ken-san by Yuichi Hibi won “Best Documentary” (ex-aequo with a Canadian film). Although, there’s almost always a Japanese film in the list of the winners, even if it’s often just a token price. That’s probably why Japanese producers keep presenting their films here and generally come with a big delegation. You can find on the festival website the complete list for the laureates of the 47th Student Film Festival and of the 40th Montreal World Film Festival competition.

If I look back I can say that this year’s festival really had a hard time. Almost everything was against it: stingy governmental agencies, ungrateful chain of theatres, sceptical employees, hostile media, and, to top it all, even a member of the jury dying in his hotel room just the day before the closing ceremony! It’s a miracle that it happened at all. However, despite all this and the chaos that ensued (which affected mostly the scheduling), they managed to keep showing movies (as long as there’s movies, there’s hope) and, all in all, it was a pretty good festival. The public was there. The movies were there . They met at the Cinéma Impérial (mostly, but also at a few other venues). A beautiful love story. The end? Beside this, why bother with all the media doomsday fuss?

After all, it was not that much more chaotic than the previous years (ok, I admit this time there was no press room, no film market with its screening booths, no “5 to 7” to bond & meet with people of the industry, no outdoor screenings, screenings were spread all over town and the schedule kept changing so I could see only FOUR of the twelve announced Japanese movies — but, I mean, beside that (which was an annoyance mostly for the press), it wasn’t that bad, isn’t it?). The good thing with this year situation is that, with only one screen, there wasn’t any schedule conflict anymore! Also, I might I’ve seen only four movies, but at least I saw something and I am happy with it.

However, I would reserved very harsh words (that I would rather not repeat here) for the various levels of government who let down the movie-loving public and, particularly, for the Cineplex Forum (hey! If you were to start showing movies in the end — presumably because you’ve reached an agreement with the festival or felt too ashamed that the Outremont and Park theatres were picking up screenings — why not have accepted from the start and save us all the trouble of the flip-flopping screening schedule! That behaviour is down-right insulting and you will not catch me anytime soon in a Cineplex theatre).

Through all this the press has been pretty harsh on Losique and his festival. All he wanted was to celebrate the 40th anniversary of his baby and they all pooped on his party. In the end, seeing it was rather a success, many rallied in the festival support but it might have been too little, too late. Nathalie Petrowski, of La Presse, was one of the few who covered the festival with a positive attitude from the start.

Amongst her comments, she offered an interesting speculation on the future of the festival: maybe the Chinese firm that donated the prize money for the awards would be interested in investing more in the festival or even buy it from Losique in order to keep promoting Chinese cinema in North America?

In another article, she quotes Pierre-Henri Deleau, who was in charge of programmation at the Cannes festival’s Quinzaine des Réalisateurs. He was happy to be in Montreal, watching so many good films: “What is amazing is that despite the disorganization, chaos, pips and all the disparaging about the festival, look at that line! People are coming despite everything. Nowhere in the world you will see that. And to think that the City of Montreal continues to pretend it does not exist.”

We are hopeful for the future since Serge Losique has announced at the Closing Ceremony that there WILL be a festival next year (from August 24 to September 4, 2017) and hinted that he was planning his succession. Let’s hope that the various levels of government will, this time, agree to support this iconic event just in time for the 375th anniversary of the city! But with or without subsidies, the public and the young movie-makers deserve a festival. All we need is the cinema aficionados to be there, a few screens, some beautiful movies and it will be love all over again!

Thanks to the organizers (those who stayed), volunteers, the selected film-makers who came to present their movies (and to Serge Losique) who all made this festival another interesting cinematic experience. See you next year, hopefully.

Press reviews:

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